O Aventureiro

Certainly, in my opinion, the Greatest comedy short of all time. Charlie, an escaped convict, saves life of rich woman and is taken in by her family(and jealous Eric Campbell - who tragically died in an automobile accident a year after). How long will it be till the law catches up with him? There's an absolutely SUPERB sequence as him dodging the law using sliding doors, it will leave you laughing loud. This film alone demonstrates Chaplin's unique and incredible talent. Many people get turned off by Chaplin's shorts as they are silent. It's a shame as some of them represent his best work.

Charles Chaplin plays an escaped convict, who saves a rich girl and her mother, and is treated as a hero.But how long can he hide from the law.The Adventurer is a great short silent comedy movie from 1917.The movie has many funny scenes, like when Charlie is chased by the cops.It is great fun to watch these old silent movies and see how much the movies have changed from those days.

In The Adventurer, Charlie plays an escaped convict who briefly manages to enjoy the good life after rescuing a drowning rich woman before the police find him again.

The Adventurer is the last of Chaplin's twelve films for the Mutual Company. Lacking any attempt at the pathos and social commentary that Chaplin injected in some of his previous Mutual shorts, this chase comedy almost appears to be a throwback to his rough-and-tumble roots at Keystone. However, there is one major difference, this film much funnier than anything did at Keystone. While I do not consider this to be his best short, it is arguably his funniest. The chases that bookend the film are hilarious. The middle is hilarious too. The film is a laugh fest through and through. If this film doesn't put a smile on your face, check your pulse.

Not all the early Chaplin films are classics, but this one is. The best bits are the chasing scenes, especially at the beginning (Charlie escaping from prison) and in the middle. The way Chaplin makes excellent and varying use of a humble lampshade should put many modern filmmakers with their inflated budgets to shame.

All good things come to an end, and when that good thing was Charlie Chaplin's tenure at a studio, it tended to come to an end in style. This was Chaplin's last picture for Mutual, and his second studio finale to have the apt if disparaging theme of the little tramp's escape from the long arm of the law.

But really, the man-on-the-run angle is just a bit of trivial cheekiness. This is not one of Chaplin's great story pictures. Instead, he appears to be simply having a bit of fun with his last fling at Mutual. The Adventurer consists of a varied series of escapades, linked loosely by the narrative, but all of which could easily have come from another picture or even been expanded into a short in their own right. So we move from Charlie the fugitive to Charlie the rescuer of drowning women, to Charlie the party-crasher and so on. And yet The Adventurer is not vague or bitty. Instead this is perhaps Chaplin's most flowingly funny picture to date. The comic now had the professional ease of a seasoned acrobat, and here he reels off the gags with an almost casual comedic agility.

Supporting Charlie here are the usual familiar supporting players – Edna Purviance, John Rand, Albert Austin, Henry Bergman – all of whom would follow him to his next stable, First National. And yet these are all in relatively minor functional parts in the Adventurer. Chaplin's real partner here is Eric Campbell, who sadly would not follow the tramp on any more adventures. Campbell died several months after the picture's release. Here however you can see him at his best, as he seemingly relishes playing one of his most unforgivably mean characters. He exhibits a wonderful knowledge of what his job is in the comical scheme of things, brilliantly treading that line between authoritative ogre and buffoon.

And so we end again with that all-important statistic – Number of kicks up the arse: 8 (5 for, 3 against)