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Adicionar um enredo no seu idiomaThe cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.
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Another unique offering which will create mirth wherever it is exhibited. In this film George McManus bets Windsor McCay on a trip which they take through the Museum of Natural History, that he cannot, as per McCay's boast, draw a picture of the mammoth Dinosarus and make it live again. McCay wins the bet, and the result of his work as presented by the Box Office Attraction Co. is one of the most entertaining examples of the animated cartoon ever presented. - The Moving Picture World, January 9, 1915
Often erroneously touted as the first animation film ever made (J. Stuart Blackton's 'An Enchanted Drawing' of 1900 takes that title, at least in America), Gertie the Dinosaur remains, to this day, a charming example of early animation. The live-action segments bookending the animation scenes involve a group of real-life animators portraying themselves, as one of them, Winsor McCay, bets George McManus that he can make a "Dinosaurus" live again by a series of hand-drawn cartoons.
Six months and ten thousand hand-drawn cartoons later, McCay is ready to show off his hand-made creation. During dinner, McCay introduces his young, playful female Apatosaurus (?) named Gertie. She emerges somewhat tentatively from her cave, before proceeding to swallow a rock and then an entire tree. As McCay gives her instructions from off-screen, Gertie attempts to follow them, though her endless enthusiasm for mischief often leads her master to scold her. Gertie's playful persona is further explored when Jumbo, a passing Woolly Mammoth, threatens to steal her limelight. Though warned not to hurt the little creature, Gertie doesn't hesitate in picking up poor Jumbo by the tail and hurling him into the lake.
McCay's vision of a dinosaur allegedly the first time that one had appeared on film is a little scientifically shaky (I don't expect any dinosaurs to have been able to dance on their hind legs for any prolonged period of time), but I'm more than willing to forgive this in such an early film. What is a Woolly Mammoth doing back then, you may even find yourself asking? The trick is to completely shut out what we all know more than ninety years later, and to just appreciate what a stunning achievement this piece of animation actually was.
Just as the film explicitly states, the animation of Gertie required about ten thousand hand-drawn images (by both McCay and his assistant, John A. Fitzsimmons, who traced the backgrounds), which they inked on rice paper and mounted on cardboard. In the film, it took McCay six months. But, we might ask, shouldn't he have wagered something a little more valuable than just a single dinner? George got off easy, I say!
Six months and ten thousand hand-drawn cartoons later, McCay is ready to show off his hand-made creation. During dinner, McCay introduces his young, playful female Apatosaurus (?) named Gertie. She emerges somewhat tentatively from her cave, before proceeding to swallow a rock and then an entire tree. As McCay gives her instructions from off-screen, Gertie attempts to follow them, though her endless enthusiasm for mischief often leads her master to scold her. Gertie's playful persona is further explored when Jumbo, a passing Woolly Mammoth, threatens to steal her limelight. Though warned not to hurt the little creature, Gertie doesn't hesitate in picking up poor Jumbo by the tail and hurling him into the lake.
McCay's vision of a dinosaur allegedly the first time that one had appeared on film is a little scientifically shaky (I don't expect any dinosaurs to have been able to dance on their hind legs for any prolonged period of time), but I'm more than willing to forgive this in such an early film. What is a Woolly Mammoth doing back then, you may even find yourself asking? The trick is to completely shut out what we all know more than ninety years later, and to just appreciate what a stunning achievement this piece of animation actually was.
Just as the film explicitly states, the animation of Gertie required about ten thousand hand-drawn images (by both McCay and his assistant, John A. Fitzsimmons, who traced the backgrounds), which they inked on rice paper and mounted on cardboard. In the film, it took McCay six months. But, we might ask, shouldn't he have wagered something a little more valuable than just a single dinner? George got off easy, I say!
This is an odd little film featuring Winsor McCay--the creator of Gertie the Dinosaur and Little Nemo. And, just as in his first Little Nemo film, much of this film features Winsor McCay with his friends (all animators and lovers of animation) and only in the second half do you get to see Gertie. Ostensively, the film is about a bet Winsor made with his friends that he can make a dinosaur come to life--and he does in the form of a short cartoon featuring the lovable character "Gertie". While Gertie is very crude and simple compared to later color cartoons, there is still a lot of charm in the character and the film is a wonderful time capsule. Of great importance to Cinephiles and lovers of early animation.
10llltdesq
Winsor McCay did a great many things of which he could be justifiably proud, but I think Gertie the Dinosaur ranks at the top of that lengthy list of accomplishments and I suspect McCay may have felt the same way, for it is still remarkable all these years later. Gertie is more life-like than some people I know! Funny, believable, touching and fascinating, sometimes all at once. This is one of the cornerstones of modern animation and also succeeds on its own terms and merits as both art and entertainment. Winsor McCay grew unhappy and somewhat disgruntled and disillusioned as animation became, in his eyes, more commercial and less artistically inclined. I've often wondered what McCay would have made of the independents, such as Will Vinton and Bill Plympton, among others, and the different forms, like Claymation and the stop-motion work of George Pal and others. I hope he would be pleased with at least some of the work done in the last 90 or so years. An absolute gem. If you haven't seen Gertie, I envy you for the treat you have in store. She's a delight. Well worth getting. Most highly recommended.
Probably the first cartoon featuring a dinosaur - a hand-drawn depiction of Gertie, a brontosaur brought to life by animation .
A harmless and adorable dinosaur, perfect to introduce kids to the world of dinosaurs.
Grade A
A harmless and adorable dinosaur, perfect to introduce kids to the world of dinosaurs.
Grade A
Você sabia?
- CuriosidadesSome film histories erroneously cite this as the first animated cartoon, ignoring not only Humorous Phases of Funny Faces (1906) (probably the first true animated cartoon), but even Winsor McCay's own earlier work, Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics (1911) and How a Mosquito Operates (1912).
- Citações
Winsor McCay: [Gertie swallows a large stump, later on, Gertie is thrilled to see a small mastodon] Gertie, don't hurt Jumbo.
- ConexõesEdited into Los comienzos de la animación (1995)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Gertie the Dinosaur
- Locações de filme
- American Museum of Natural History - Central Park West at 79th Street, Manhattan, Nova Iorque, Nova Iorque, EUA(exterior and interior with dinosaur skeleton)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração12 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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By what name was Gertie, o Dinossauro (1914) officially released in Canada in English?
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