AVALIAÇÃO DA IMDb
7,6/10
16 mil
SUA AVALIAÇÃO
Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.
- Direção
- Roteirista
- Artistas
- Ganhou 2 Primetime Emmys
- 15 vitórias e 51 indicações no total
David Bowie
- Self
- (cenas de arquivo)
Trevor Bolder
- Self
- (cenas de arquivo)
Ken Fordham
- Self
- (cenas de arquivo)
Mike Garson
- Self
- (cenas de arquivo)
John 'Hutch' Hutchinson
- Self
- (cenas de arquivo)
Geoff MacCormack
- Self
- (cenas de arquivo)
- (as Geoffrey MacCormack)
Mick Ronson
- Self
- (cenas de arquivo)
Brian Wilshaw
- Self
- (cenas de arquivo)
Mick Woodmansey
- Self
- (cenas de arquivo)
Carlos Alomar
- Self
- (cenas de arquivo)
Gui Andrisano
- Self
- (cenas de arquivo)
Ava Cherry
- Self
- (cenas de arquivo)
Robin Clark
- Self
- (cenas de arquivo)
Dennis Davis
- Self
- (cenas de arquivo)
Greg Errico
- Self
- (cenas de arquivo)
Herbie Flowers
- Self
- (cenas de arquivo)
Richard Grando
- Self
- (cenas de arquivo)
Avaliações em destaque
There's much to like here. Visually interesting and it gave me a deeper appreciation of Bowie as a person. Some very sage quotes and sound bites. At one point I felt quite sad and thought Bowie was quite lonely/dissatisfied with life, but then the film ended with some brilliant statements from the man himself.
But. It was a bit of a mess with the story telling. Jumped about quite a bit and I can't help but feel it missed the last 15 years of his life? I also think it was too long and could've been easily less than 2 hours.
Interesting watch but not one I'd go back to. Definitely a one-time experience.
But. It was a bit of a mess with the story telling. Jumped about quite a bit and I can't help but feel it missed the last 15 years of his life? I also think it was too long and could've been easily less than 2 hours.
Interesting watch but not one I'd go back to. Definitely a one-time experience.
Brett Morgen's 140 minute long Moonage Daydream, is a neon-soaked nonlinear joyride through the late David Bowie's life and career, concentrating on his personal philosophy to life and art, as narrated wholly and solely (to its detriment) by the man himself. Bowie freaks and acolytes will I imagine, bow down before it, declaring it the best thing since sliced bread and vinyl music. I on the other hand, as a fan of his music, found its perspective of the great man and musician to be too narrow and dare I say it, despite some exhilarating sequences, even boring in places.
The documentary which was apparently approved by the Bowie family and estate, was clearly a labour of love for director/producer/editor Morgen, who has assembled some amazing footage of Bowie in and out of concert and has been very creative in its depiction onscreen. But I for one became entirely sick of hearing Bowie drone on endlessly and singularly about his thoughts on time, aging, art (why only painting?) and mortality. Can I make it very clear here that I'm not being critical of Bowie himself. This is entirely criticism of Morgen's interpretive treatment of the dead musician. For all we know, Bowie himself may have been aghast, at being treated in this sort of hyper - reverential manner.
I personally wanted to hear his thoughts on influences arising from his collaborations with a vast array of other musicians and producers. I wanted to at least hear something about how his life may have been affected by his his marriages and his children. For those like me again, who might be interested in his notable side ventures into acting? Nothing ... nothing at all! Morgen portrays him as this incredibly gifted, solitary traveller endlessly (and repetitively) traversing the ends of the earth seeking spiritual and artistic enlightmennt. No one else is invited to the gig. We see some vision of notables and stalwarts such as Mick Ronsen, Brian Eno and second wife Iman (ever so briefly), but we never hear from them. It becomes quite frustrating.
Moonage Daydream is a complicated, monumental paen to a hugely gifted artist, but for all its fine production values and occasional interludes of genuine excitement, I found it oddly one - dimensional and repetitive and ultimately failing to do justice to the man.
The documentary which was apparently approved by the Bowie family and estate, was clearly a labour of love for director/producer/editor Morgen, who has assembled some amazing footage of Bowie in and out of concert and has been very creative in its depiction onscreen. But I for one became entirely sick of hearing Bowie drone on endlessly and singularly about his thoughts on time, aging, art (why only painting?) and mortality. Can I make it very clear here that I'm not being critical of Bowie himself. This is entirely criticism of Morgen's interpretive treatment of the dead musician. For all we know, Bowie himself may have been aghast, at being treated in this sort of hyper - reverential manner.
I personally wanted to hear his thoughts on influences arising from his collaborations with a vast array of other musicians and producers. I wanted to at least hear something about how his life may have been affected by his his marriages and his children. For those like me again, who might be interested in his notable side ventures into acting? Nothing ... nothing at all! Morgen portrays him as this incredibly gifted, solitary traveller endlessly (and repetitively) traversing the ends of the earth seeking spiritual and artistic enlightmennt. No one else is invited to the gig. We see some vision of notables and stalwarts such as Mick Ronsen, Brian Eno and second wife Iman (ever so briefly), but we never hear from them. It becomes quite frustrating.
Moonage Daydream is a complicated, monumental paen to a hugely gifted artist, but for all its fine production values and occasional interludes of genuine excitement, I found it oddly one - dimensional and repetitive and ultimately failing to do justice to the man.
As a huge Bowie fan I really wanted to like this.
Unfortunately the movie is quite flawed:
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
Unfortunately the movie is quite flawed:
- asynchronous storyline or not? Footage from different eras are mixed throughout the movie, but the director is also trying to tell a story of different periods.
- focus on only 3 periods only. The 3 periods in the storyline are basically Ziggy/ Aladin Sane, Berlin & Commercial 80's. Nothing about pre-Ziggy, soul period (young Americans), or after '85 (1.outside, tin Machine, hours, reality/heathen, the quiet period after heart attack that nobody really knows anything about, or comeback/ next Day/ Blackstar/ death. The movie is 2,5 hours long, so you would expect some more attention to the lesser known work & periods.
- doubling footage. Some footage shown multiple times, like the elevators in Japan. Why? Is there not more different footage available?
- lack of new footage: many scenes already shown in multiple Bowie documentaries, e.g. Amstel Hotel and the interview with the English bloke. Again; is there really nothing new of less known to find about one of the most famous guys of the last decades?
- footage of influences. A lot of footage of movies Bowie apparently liked, like Voyage to the Moon, Nosferatu, Metropolis. However without source or any explanation or even context and in overabundance.
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
Epic and opulent like the man's life and career, "Moonage Daydream" splashes a kaleidoscope of sounds and colors celebrating David Bowie's legacy. Eschewing the traditional chronological narrative director Brett Morgen with excellent editing paints a collage of images and music using live gigs, music videos and interviews throughout Bowie's time in the limelight ornamenting them with clips from films and acted scenes. Bowie comes across as handsome, intelligent and articulate as he expresses himself conveying his one of a kind talent. I would have preferred a traditional kind of documentary to set the basics on what made Bowie great. The loose style of the film barely reveals the man's importance except for fans. Clocking in at over two hours long the way the film is made leads to tediousness and slow parts which does this fascinating and eclectic artist a disservice. No surprise the great music buoys this up from start to finish. Timely and a fitting tribute "Moonage Daydream" is one for fans and to those who want to know why back in the day Rock was everything.
Saw this in IMAX 2d. Loud, vivid, it's not a biography, it's an exploration and celebration of Bowie's life, art, and music. Made up of clips cleverly edited together and enhanced to make this a cinematic experience . See it as big and loud as you can and get lost in Bowie. It needs to be three hours longer to fit in everything the stuff others are moaning about not being there. I'd happily have done another 3 hours of this. Came out wanting to listen to all the album's again and smoke cigarettes and bleach my hair and wear a raincoat. Everything i wanted to be in the eighties, I want again after watching Bowie come to life once more.
Você sabia?
- CuriosidadesThe documentary includes a lot of David Bowie's unpublished personal material, including photos, home videos and some interviews on TV. Director Brett Morgen talked in person with Bowie's widow, top model Iman, for asking permission to use the material as tribute to Bowie. Although in a first moment she was reluctant to this idea, she was convinced by Morgen's previous works Cobain: Montage of Heck (2015) and Jane: a Mãe dos Chimpanzés (2017) about singer Kurt Cobain and scientist Jane Goodall, where Morgen used personal material from each other to create artistic collages as tribute to them, instead to use in the way to make a classic biographic documentary.
- ConexõesFeatures O Gabinete do Dr. Caligari (1920)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Moonage Daydream?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.218.925
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.230.145
- 18 de set. de 2022
- Faturamento bruto mundial
- US$ 13.095.781
- Tempo de duração
- 2 h 15 min(135 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente