AVALIAÇÃO DA IMDb
7,6/10
16 mil
SUA AVALIAÇÃO
Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.Uma odisseia cinematográfica que explora a jornada criativa e musical de David Bowie, obra do visionário diretor Brett Morgen.
- Direção
- Roteirista
- Artistas
- Ganhou 2 Primetime Emmys
- 15 vitórias e 51 indicações no total
David Bowie
- Self
- (cenas de arquivo)
Trevor Bolder
- Self
- (cenas de arquivo)
Ken Fordham
- Self
- (cenas de arquivo)
Mike Garson
- Self
- (cenas de arquivo)
John 'Hutch' Hutchinson
- Self
- (cenas de arquivo)
Geoff MacCormack
- Self
- (cenas de arquivo)
- (as Geoffrey MacCormack)
Mick Ronson
- Self
- (cenas de arquivo)
Brian Wilshaw
- Self
- (cenas de arquivo)
Mick Woodmansey
- Self
- (cenas de arquivo)
Carlos Alomar
- Self
- (cenas de arquivo)
Gui Andrisano
- Self
- (cenas de arquivo)
Ava Cherry
- Self
- (cenas de arquivo)
Robin Clark
- Self
- (cenas de arquivo)
Dennis Davis
- Self
- (cenas de arquivo)
Greg Errico
- Self
- (cenas de arquivo)
Herbie Flowers
- Self
- (cenas de arquivo)
Richard Grando
- Self
- (cenas de arquivo)
Avaliações em destaque
David Bowie Moonage Daydream. 2hours 18 mins of Bowie, it's not your usual " talking heads" bigging up some old/ dead/ has been rock star who has a reissued album to flog. It's just Bowie, well it isn't? It's a beautifully compiled fast edited montage of Bowie, his music, visuals, interviews both on screen on audio and various clips of his many many influences. What I learnt about Bowie, he was constantly striving for his art, he was some times lost (mainly during his successful periods) and like all of us he wished could have more time towards the end. Most importantly he was really happy at the end of his life both emotionally, creatively and spiritually. There are loads of previously unseen clips and lots of unheard mixes of songs. Ps I love Bowie, 1980 I bought my first Bowie album on the day of its release (Scary Monsters) and I never looked back. If your not a fan I don't know how you'd take it, it's a fascinating work of art and totally enthralling so I'd give it 10/10 if your not a fan give it a watch and perhaps you'll see why people where heart broken when he passed away. Listen out for "Cygnet committee" there's a lovely choral version at the end, and watch until the end of the credits, David will speak just to you.
Saw this in IMAX 2d. Loud, vivid, it's not a biography, it's an exploration and celebration of Bowie's life, art, and music. Made up of clips cleverly edited together and enhanced to make this a cinematic experience . See it as big and loud as you can and get lost in Bowie. It needs to be three hours longer to fit in everything the stuff others are moaning about not being there. I'd happily have done another 3 hours of this. Came out wanting to listen to all the album's again and smoke cigarettes and bleach my hair and wear a raincoat. Everything i wanted to be in the eighties, I want again after watching Bowie come to life once more.
I really wanted to love this encapsulation of what was an extraordinary life of one of the most extraordinary artists to have graced the planet.
Though I entered the cinema prepared for Brett Morgan's unique style, and I appreciate the want of something a bit different, ultimately Bowie's brilliance and epic catalogue of songs held the film together. As other reviewers have noted, the constant musical and visual embellishments became an overworn and unnecessary distraction. It was as if Morgan harboured a misguided notion he needed to match his subject's artistry - a nigh impossible task. Only when Bowie was granted some unfiltered air to properly illustrate his talent and most profound thoughts did the movie fulfil its promise.
The other bone of contention was the chunks of Bowie's life and career all but overlooked. Young Americans and his unexpected soul departure was one of Bowie's greatest ch-ch-changes. LA wasn't just milk and coke. And whilst the 1990's and early 2000's may not have been golden years relatively speaking in terms of hits, this under appreciated creative period followed by the health related disappearing act and later the shock comeback, warranted more than a few snippets. As did the many interviews which demonstrated Bowie's wit and humour. Meanwhile, a false narrative has first wife Angie and son Duncan expunged from existence. But I guess all that would have dragged an already overlong production beyond the 3 hour mark.
Perhaps if you're a marginal fan, or a tragic like myself, Moonage Daydream is more likely to fall short than if you're somewhere in the middle.
Though I entered the cinema prepared for Brett Morgan's unique style, and I appreciate the want of something a bit different, ultimately Bowie's brilliance and epic catalogue of songs held the film together. As other reviewers have noted, the constant musical and visual embellishments became an overworn and unnecessary distraction. It was as if Morgan harboured a misguided notion he needed to match his subject's artistry - a nigh impossible task. Only when Bowie was granted some unfiltered air to properly illustrate his talent and most profound thoughts did the movie fulfil its promise.
The other bone of contention was the chunks of Bowie's life and career all but overlooked. Young Americans and his unexpected soul departure was one of Bowie's greatest ch-ch-changes. LA wasn't just milk and coke. And whilst the 1990's and early 2000's may not have been golden years relatively speaking in terms of hits, this under appreciated creative period followed by the health related disappearing act and later the shock comeback, warranted more than a few snippets. As did the many interviews which demonstrated Bowie's wit and humour. Meanwhile, a false narrative has first wife Angie and son Duncan expunged from existence. But I guess all that would have dragged an already overlong production beyond the 3 hour mark.
Perhaps if you're a marginal fan, or a tragic like myself, Moonage Daydream is more likely to fall short than if you're somewhere in the middle.
Epic and opulent like the man's life and career, "Moonage Daydream" splashes a kaleidoscope of sounds and colors celebrating David Bowie's legacy. Eschewing the traditional chronological narrative director Brett Morgen with excellent editing paints a collage of images and music using live gigs, music videos and interviews throughout Bowie's time in the limelight ornamenting them with clips from films and acted scenes. Bowie comes across as handsome, intelligent and articulate as he expresses himself conveying his one of a kind talent. I would have preferred a traditional kind of documentary to set the basics on what made Bowie great. The loose style of the film barely reveals the man's importance except for fans. Clocking in at over two hours long the way the film is made leads to tediousness and slow parts which does this fascinating and eclectic artist a disservice. No surprise the great music buoys this up from start to finish. Timely and a fitting tribute "Moonage Daydream" is one for fans and to those who want to know why back in the day Rock was everything.
It's more of a series of musical montages than a biopic, really. This seems to be Morgen's shtick at this point. Some montages work better than others and while I didn't find the movie that pretentious, as others have said, some montages were just drawn out too long even if they were pretty cool.
It might have been better to take a more balanced approach where there is more actual information presented about Bowie's life and career (there was some but not enough, IMO). This movie is short on details in that regard; it paints over everything in Bowie's career with a broad brush and goes into very little detail re: how, exactly, his career progressed. The overarching message presented is nice but fairly cliche: embrace life, appreciate each day, live in the present moment, etc. Nevertheless, it will still be enjoyable for those who like Bowie's music.
It might have been better to take a more balanced approach where there is more actual information presented about Bowie's life and career (there was some but not enough, IMO). This movie is short on details in that regard; it paints over everything in Bowie's career with a broad brush and goes into very little detail re: how, exactly, his career progressed. The overarching message presented is nice but fairly cliche: embrace life, appreciate each day, live in the present moment, etc. Nevertheless, it will still be enjoyable for those who like Bowie's music.
Você sabia?
- CuriosidadesThe documentary includes a lot of David Bowie's unpublished personal material, including photos, home videos and some interviews on TV. Director Brett Morgen talked in person with Bowie's widow, top model Iman, for asking permission to use the material as tribute to Bowie. Although in a first moment she was reluctant to this idea, she was convinced by Morgen's previous works Cobain: Montage of Heck (2015) and Jane: a Mãe dos Chimpanzés (2017) about singer Kurt Cobain and scientist Jane Goodall, where Morgen used personal material from each other to create artistic collages as tribute to them, instead to use in the way to make a classic biographic documentary.
- ConexõesFeatures O Gabinete do Dr. Caligari (1920)
Principais escolhas
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- How long is Moonage Daydream?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.218.925
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.230.145
- 18 de set. de 2022
- Faturamento bruto mundial
- US$ 13.095.781
- Tempo de duração
- 2 h 15 min(135 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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