Thuramukham

The script of the movie was poorly written and confusing, particularly during the climax. It was difficult to understand what was happening, even if the writers were attempting to convey something meaningful about the chaapa labor system and the associated protests. Unfortunately, the writers chose to focus on a monotonous story that failed to engage the audience from beginning to end.

Despite the weak script, the actors delivered strong performances, with Poornima Indrajith standing out in particular. She played her role exceptionally well and showed a side of herself that had not been seen in any of her previous movies. Credit goes to the director for recognizing her hidden potential and bringing it out on screen.

However, the slow-paced storyline and unremarkable background music made the movie a disappointment overall. It had the potential to be a great movie, but the weak script and lackluster execution failed to do justice to the talents of the actors.

I felt bored at many points but it got interesting towards the end. A well directed tale of the struggles of our ancestors for their rights and the price they paid for true freedom and equality. Screenplay was a bit lazy. Unorganized maybe. There were pointless repetitiveness of things and many unwanted scenes that could be avoided to keep the film intact and interesting... Casting was brilliant. Most of the actors have done great job and justified the characters they played... Indrajit didn't fit in that role in my opinion... Great set and edits made it look like actually in the 50s.... BGM was bad... Super bad.

I have to say that it is the worst film I've seen in a long time. There was nothing redeeming about this one. No matter what aspect you look at, the film fails to deliver. The story is dull and uninspired. The film tries to tackle several themes, but it fails to do so with any depth or nuance, making the experience a tedious one.

I would not recommend this film to anyone, as it falls short in every aspect. I am surprised that a filmmaker like Rajeev Ravi, who has been known for his exceptional work in the past, could produce such a mediocre film. This film was a complete waste of time and I would advise others to steer clear of it and choose something more deserving of their time and attention.

Thuramukham is a movie that portrays the struggles of the working class in a realistic manner.

However, where the movie falls short is in its storytelling. The narrative lacks interesting twists and turns and feels more like a documentary than a feature film. The pacing is slow and at times, the movie feels like it's dragging on.

Overall, while Thuramukham has its merits in terms of its depiction of the harsh realities of life and its commendable performances, it fails to engage the audience throughout its runtime. The movie could have benefited from a tighter script and better pacing.

Better than kuttavum sikshayum.

After watching Rajeev Ravi's long-delayed Thuramukham, I begin to wonder whether Gopan Chidambaran's script was intentionally stripped off its commercial elements and high moments, or if it was entirely the director's vision (or choice) to deliver a straightforward, realistic account of the harbor workers protest in the '50s. Whatever the case may be, Thuramukham ends up feeling half-baked. By placing its focus on Nivin Pauly's anti-hero Moidu, the screenplay dangles on slippery ground. The protagonist here is clearly Moidu's brother Hamza (Arjun Ashokan, who puts up a good show) but the writing lends him the short end of the stick. As for the unhinged, two-minded Moidu, the arc is all over the place. The cold sibling rivalry in the film is thematically similar to Chidambaran's earlier screenplay for Amal Neerad's Iyobinte Pusthakam, but that film had greater commercial inclinations, which also made it supremely enjoyable.

Thuramukham's best stretch is indeed the black & white opening act featuring Joju George, Sudev Nair, and Poornima Indrajith. When the story fast-forwards to the adulthood of Moidu and Hamza, in addition to building tedious reasons for the workers protest to gain steam, the film restrains from offering anything exciting. The performances from the ensemble remain solid throughout, but the flaccid plot developments and the lack of coherence in the treatment of Pauly's character bring the film down several notches. Additionally, the songs and the score felt so one-note (this is coming from someone who relished K's work in Kammatipaadam) and the random fade-outs in several important scenes almost took me out of the story.