The Mistress of Atlantis

Two French Foreign Legion soldiers and their aids stumble upon the lost kingdom of Atlantis-apparently-deep in the Sahara Desert. There, their Queen Antinea shows alternating interest and disinterest in these travelers.

'The Mistress of Atlantis' follows the familiar premise of an H. Ryder Haggard novel or other such Victorian-era adventure stories. A hidden kingdom in an unexplored continent. Europeans in way over their heads in an unfamiliar land and yet able to hold their own. A possibly ancient female ruler of a possibly magical kingdom with possible magic involved. 'The Mistress of Atlantis' is basically a knock off of 'She' but with a heaping dose of ambiguity.

Whether anything mystical is involved is left entirely ambiguous. Sure, the queen Antinea could be exerting some sort of influence over the incoming Legionairres, but this is Brigette Helm of 'Metropolis' fame we're talking about, so it's entirely likely multiple men have gone nuts over her with no magical influence whatsoever. This ambiguity is one of the major weak points of the movie. The so-called "Atlantis" seems less like a mystical, ancient city and more like a random oasis town in the Sahara. That's still a cool thing to see, but not really worthy of the focal point of a Haggardian adventure tale.

However, the uncertainty of everything in this movie is actually one of the strong points. There is a dreamlike atmosphere throughout the story that could make up for the lackluster plot, story, and acting. The real problem is the direction and editing. In some ways the move feels more ahead of its times than it is. There are many odd close ups and tracking shots that were extremely uncommon in 1932 and give the movie a more modern look than it otherwise would have. The film quality is also atrocious even by 30s standards, so any benefit from a pioneering new film style are lost. More specifically, there are important sequences involving fights and battles that are shot so poorly it's difficult to tell what's even happening. Even if we take this to be a more serious film in the guise of a Haggard-esque adventure tale, that only makes these deficiencies more glaring. A movie trying to use a usually low-brow genre to present more thoughtful entertainment should be built better and with more care. This is an ambitious movie with some impressive attempts at film-making but ultimately fails at being either entertaining or thought-provoking. There are no single scenes that stand out. On a few individual scenes of performances are memorable. It comes so close to a hidden classic so many times and yet each times fails to reach the heights of even a minor classic.

If you're a fan of 'She', 'The Lost World', Allan Quatermain stories, and other similar adventure stories from the late 1800s, then by call means seek out 'The Mistress of Atlantis'. It's well worth a watch for fans of the genre. Even those interested in 1930s movies will be interested to see how it is in some ways ahead of it's time. Unfortunately, it's no 'She', so if viewers looking for a rollicking adventure will be disappointed.

French officers John Stuart and Gibb McLaughlin wander into the Sahara and wind up in the remnants of Atlantis, where ex-Folies girl Brigitte Helm is queen of the realm.

It's the first sound version of Pierre Benoit's H.Rider Haggard style novel L'ATLANTIDE. It's one of those formidable European co-productions, produced in versions in three languages with different casts for each, but with Brigitte Helm in all three. Director G.W. Pabst does what Feyder could not manage in the silent version, infuse the production with an air of hallucination; there's little to explain the characters' motivation except for sheer lust, and so it becomes a variation of the Erda, with Helm's Antinea ultimately destroying not only the men she captivates, but herself as well.

It's a hypnotic movie, but when I came up for air at the end, I still had to suppress an urge to giggle. What was Atlantis doing in the middle of the Sahara?

"Mistress of Atlantis" was filmed in 1932 in German, French, and English language versions, with mostly the same cast in each. The English version was so choppy and confusing in its editing that I am curious to see if the German or French version were the same.

Brigitte Helm was famed for playing Maria (and her evil robot counterpart) in "Metropolis," Fritz Lang's 1927 classic, but here she is Antinea, queen of Atlantis, replete with angular Art Deco eye mascara. "Mistress of Atlantis" was made three years after "Trader Horn" and three years prior to "She," but all of these share the trope of a Caucasian woman ruling in a mysterious, exotic locale until some western males happen upon her hidden regime.

The script (and the aforementioned bad editing) is the weak link in a film with an interesting premise, opening with the French foreign legion in a north African outpost, but character motivations are unclear throughout the entire film. Mood overpowers logic in these oddball proceedings. Director G. W. Pabst fared far better with "Pandora's Box" and "Diary of a Lost Girl," both filmed in 1929 and starring Louise Brooks.