Stardust

I came into this with no expectations. I like David Bowie but I'm not a huge fan who knows most let alone all his music. So I wasn't watching this knowing everything about him and his music. But I actually expected some of his music to be in this, similar to Bohemian Rhapsody. This movie was boring and I found myself playing on my phone just waiting for it to end. All in all, I feel like they did a disservice to David Bowie, making him look like an idiot obsessed with becoming famous. They tried to add something deep by adding him being afraid of becoming like his brother, but it actually fell flat. There's a concert scene at the end where he finally goes on stage and the actor had zero sparkle or pizzazz or showmanship where David Bowie on stage had all of this. He literally looked like he was just laying on the stage where he's supposed to be making fierce poses. And I usually like Jena Malone but she had the worst accent in this (and wig and eyebrows) that I just couldn't stand her character. I don't think anyone making this movie recalled that she was American. Curious if the real Angie Bowie had gotten a British accent, I looked her up and she doesn't have one. So why did Jena Malone do the worst British accent in history?

There are many thing wrong with this film. The most obvious one being the failure of the producers to secure the rights to Bowie's music for a film about Bowie's music. The second issue is that the story is in accurate. The film implies that until Bowie invented Ziggy he was a failure in the US until the Spiders from Mars album was out. This is false. Before Ziggy and after TMWSTW Bowie released an album called Hunky Dory which had a US hit called Changes, an FM staple called Life on Mars, and a song that changed rock and roll, called Queen B*tch. The riff of Queen B*tch is maybe the most copied riff since Chuck Berry, especially by punk and new wave bands. So the fact that this film pretends this album never existed to serve some made up story is dishonest

Third mistake is having a 60 year old Marc Marin playing a 39 years old is very distracting.

How can you have a David Bowie Biopic, and not have any of his music in the film?

I'm obsessed with Bowie and I've also read many books about him. I'm actually glad, in a selfish way, that this movie has been panned critically because I went in expecting it to be terrible but it wasn't at all.

People need to get over the fact that the likeness isn't great ..the costumes, hair and makeup were very accurate.

Nobody looks and sounds like Bowie and I didn't expect to see that. The writers obviously know their stuff and are passionate about Bowie. There is plenty of great factually accurate moments mixed in there with the dramatic narrative. Much of it is beautifully shot with great care and attention to detail. In defence of the actor's portrayal and spoken voice not sounding like the Bowie we remember, this was a period where he was creating his identity and he actually did used to affect different speaking styles so this didn't bother me at all.

Bowie came to be known for his humour in later years, much of that isn't present in the film but I imagine that the whole first American tour was alienating for him (a central theme of his work) and this story does a great job of portraying that existential unease.

Real fans of Bowie's early career should not miss this. Those involved in making this film should be proud of it. The current IMDB score of 3.6 is outrageously unfair.

Like an artist constrained to not use black and white in a painting the film's director has not used the music of it's heroic subject and just as the use of black and white is not necessary to make a painting so has the director found a way to make a film about a moment in Bowie's life without his music. Certainly we can harbor fantasies of a film where verisimilitude overwhelms us and all our rocknroll memories explode on screen. This is not that sort of film. So sorry for your loss. Stardust is a story of an apotheosis and one that did not come easily. Bowie was ignored by many in the early 70's including his record label. Many familiar characters spill across the screen and while you might gripe at Bolan or groan at Angie, Johnny Flynn's David Jones/Bowie is at times eerie as he emulates the shapes and features we associate with the man who sold the world. Not a perfect movie but Bowie came alive here at a time when still miss him. When Bowie played John Merrick on Broadway he wore no makeup and made no attempt to look like the famous Elephant Man and yet still carried the part to great acclaim. Kudos to director Gabriel Range for his choice of musician, somewhat acclaimed, Johnny Flynn to lead this thoughtful semi fictional look at where a Jones became a Bowie.