Você Nem Imagina

The Half of It started with most common storyline, a high school falling in love with a high school pretty girl. But eventually the story starts telling you the true meaning of love and how love is different for everyone. Till end you will start thinking what's is love for you. The film story is shown very sweetly and with 100% emotion which makes you sit till the end. The story tells us to not stop loving someone and not to change someone if they are different. It also questions that aren't we all different in a similar way. One time watch for a refreshing weekend start!!!

Shy, straight-A student Ellie (Leah Lewis - Nancy Drew) is hired by sweet but inarticulate jock Paul (Daniel Diemer - Sacred Lies), who needs help winning over a popular girl. But their new and unlikely friendship gets complicated when Ellie discovers she has feelings for the same girl. You'd probably think, "oh, so this is another Netflix high school romcom, but they have a little gay love triangle".. Guess again!

The Half of It opens with an animated sequence, while Ellie tells us about longing for the other half of our soul-unity. This is all based on the beliefs of ancient Greece, but those guys obviously never went to high school. Ellie was born in China, but moved to remote, backwater town Squahamish (or as Ellie's English teacher likes to call it - "Hell-quamish"), where she's busy making some much-needed extra cash penning homework papers for her fellow high school students. Goofy jock Paul is so desperate to woo the undeniably beautiful Aster Flores (Alexxis Lemire - The Art of Murder). The only problem is, he has no idea how to do so and Ellie reluctantly agrees to help him write love letters. Oh btw, this isn't a love story.

Through the use of social media notifications popping unannounced on screen, we get to understand the importance of literature in any way or form. This also becomes clear in the way director/writer Alice Wu incorporates legendary writer's quotes as title cards throughout the film. Oscar Wilde and Santre's life lessons are necessary elements in Ellie's coming of age story, which she also uses to connect with Aster. Not only through the means of repressed British literature and abstract art does she find a comfortable voice, but it also makes for some compellingly awkward situations in which she's basically an ear piece telling Paul when to make a move.

Wu really crafts a beautiful piece of visualised poetry with her newest film. Making a romantic film set at a high school, can easily become something sappy or overly cliché, but the director of Saving Face knows how to balance it all and keep it as raw as possible. Without ever pointing a finger at anyone's background or beliefs, she dares to open up the conversation on religion and existentialism.

Casting talent can make or break your film, and that's just why The Half of It works so well. Lewis carries this film with natural ease. Her voice is so important, since she basically narrates the entire story, but it's the emotion that comes with it that truly lifts up her own physical performance which has been presented very basic in contrast to the classic beauty of Lemire's character, Aster. Lemire doesn't really get a lot to do until about a quarter into the film, but then gets her own moments to shine and delve deeper in what at first seems like a picture perfect world. Male lead Paul, played by Daniel Diemer, looks the part, but because he's not your typical jock - dumb, self-centred, bully - he gets to grow as a character and show a vulnerable side you don't easily get to witness in this sort of protagonist. A talented and promising young cast is an understatement.

The Half of It deserves to be up there with indie coming of age films, such as 'The Edge of Seventeen' and 'Lady Bird'. Not only is Asian representation a necessity, the unforced LGBTQ+ story in the middle of it all is invigorating and from the heart. Like the movie states at the start, this was never supposed to be a love story - it's about friendships and new beginnings. What is love anyway?

There are lots of things to like in this riff on Cyrano de Bergerac.

Often, it is the new material, the things that differentiate it from Cyrano's plot line, that I found the most interesting. Such as Paul's doubts about his ability to love someone in an intelligent way. Christian, in Rostand's masterpiece, recognizes that he can't speak intelligently to women, but he never doubts his mind or the value of his love for Roxane. Paul in one moving scene doubts the validity of his romantic feelings for Aster because he thinks he's too dumb to really love well. That's a very sad moment, and something no man or woman should ever feel.

The same-sex themes that run through this movie are, in principle, not in Rostand's original, but they're certainly not foreign to it either. When Cyrano first proposes to Christian that they work together to win Roxane's love, it's hard not to suspect that Cyrano also has some sort of interest in Christian as well, though he may be unaware of it.

The performances of the three main roles here are good. I found Daniel Diemer particularly good as the Christian whose mind has not been developed, but who does indeed develop some in the course of the movie. His role could have been a two-dimensional caricature like the fireman Christian in the movie *Roxane*, but Diemer - and Alice Wu's script - make it more nuanced than that. Leah Lewis is also very good as the female Cyrano who, unlike the male original, comes to a realization of her feelings for the Roxane only once she starts to help Paul/Christian express his.

There are definitely weak parts to this movie. Trig's character is over-the-top stereotype/caricature,as are most of the rest of the townfolk. His more or less equivalent in the play, de Guiche, is more interesting for being more complex. Similarly, the way Ellie wins over her sadly xenophobic classmates with an unexceptional performance of an unexceptional song is too fast and complete to be convincing. The turnarounds at the end of the movie, especially Paul's with regard to his own homophobia, also happen too fast and too neatly. They could have been motivated earlier in the movie had they been thought out more. While the script, pace some of the previous reviewers, is generally very intelligent, it is lacking in that respect. It takes too long to work things out, and then the resolution of the conflicts happens too quickly.

It might also have helped if we had seen why Aster allowed herself to be claimed by Trig. That didn't seem convincing to me either.

Still, for only the second movie by the writer-director, Alice Wu, she got a lot right, and sometimes very impressively so.

This is definitely a movie to be watched at home, in my opinion. I can't see most audiences sitting through it in a theater. But watched at home, with perhaps one break to get a snack, it is an interesting and original riff on Rostand's great masterpiece.

This is a path to the understanding of what it means to love. That movie makes you think. It is well wrapped with tiny details that connects everything together. I must say there are a lot of crappy teenage highschool love movies on Netflix. But nothing like this one. I just wanted to relax and it made me emotional. I'm happy it did.

Just didn't get the last 10s. What's the secret meaning of it?

The Half of It is certainly a beautiful story about love, friendship and longing. It is a very relatable story about the process of discovering love and what comes with it. The acting is splendid and writer/director Alice Wu is very assertive in both capacities.

The story follows Ellie Chu (Leah Lewis), a shy and introverted, straight "A" student, in her senior year, helping a friend, Paul, to capture the attention of the girl of his dreams, Aster. Initially, Ellie writes just one letter, but the story evolves into an exchange of text messages before their first date. During the journey, the characters discover the truth of the stress and challenges of courtship.

The film starts with a beautiful, artsy animation and excellent voice over work, guiding us into the mysteries of love at a very young age. The Half of It is a very well narrated story, keeping you intrigued, making you wanting to know more about the characters and how they will end up. The editing and music are very interconnected and they work in perfect harmony, turning into amazing storytelling.

I enjoyed the acting and the honesty of Leah Lewis' portrayal of a very timid, but determined girl. I love Paul naiveté and his struggle to communicate and show his emotions and how his innocence contrasts with Ellie's intelligence. Despite their differences they become friends, which is one of my favorite aspects of the film. I also love Collin Chou who plays Ellie's dad. He barely speaks English but he's really funny. He portrays a very loving and kind man and wants what's best for his daughter. Ellie's Dad loves classic films and, throughout the movie, there are several references to art in different disciplines like painting and poetry. This makes the film feel very grounded. "The Best Part," as Ellie's Dad refers when interrupted when watching his cinema classics, is when Ellie and Aster are in a secret lake and just talking. The scene itself is beautiful and the acting feels so natural. I love how this scene is shot and found it really relaxing.

The Half of It is not the typical high school movie, because in almost every high school movie there is a popular girl, a shy nerdy girl with lots of clichés and no substance. But in this movie the characters are real, current and deep.

The message of this film is "be the best version of you." Ellie used to be an artist and one of the things she learns is that "you can have a good painting, but to make it a great one you need to make a bold stroke." I think what she means by "bold stroke" is the best version that you can possibly be of yourself. Also we hear that "love is the journey we pursue with determination."

This film is wonderful! I could watch it a million times and still be entertained. I give The Half of It 5 out of 5 stars and recommended it for ages 12 to 18.

Reviewed by Zoe C., KIDS FIRST! Film Critics. For more reviews by youth, visit kidsfirst dot org.