Cidade de Asfalto

"You can't save everyone."

That's the most important lesson that rookie FDNY paramedic Ollie Cross (Tye Sheridan) needs to learn from his veteran partner Gene Rutkovsky (Sean Penn) in the dark and edgy new film, Asphalt City.

The pressure of knowing you're the only thing that might be keeping a victim from turning into a fatality haunts the duo as they drive the overnight shift on the mean streets of East New York.

Gunshot victims, heart attacks, premature births, dog bites, gang violence, and schizophrenics are just a sample of the people who we briefly meet and are just as quickly dismissed and disguarded in Director Jean-Stephane Sauvaire's new film. Like the EMT crew, we're never given time to care about these people, especially those who may be one short push from the grave.

And that's the point that Rutkovsky continually tries to impress on his new partner. Do what you can, in the time that you have, and move on. Don't remember their faces. Don't remember their families. Because to carry that with you will drive you insane. Above all, don't feel responsible because you didn't put them on the ground with a fatal gunshot wound in their femoral artery.

Unfortunately, as the movie unfolds, "Rut" has a change in his personal circumstances and takes one case too much to heart. Meanwhile, Cross is struggling to keep his head above water. Between the low pay, his horrible living situation, and the lack of friends or family, Cross feel he is continually drowning in unending tragedies. He has zero confidence in his ability to save anything - not a gunshot victim, not even a dog.

One has to wonder, are the people who seek these jobs craving the absolute psychosis that comes with it, or are they made psychotic by the stream of crazy?

Cross does have a goal: to pass the MCAT and leave this dark, depressing world behind for the more regulated system of a hospital. But it's obvious that he's learning far more with his on-the-job training than he'll learn in any study guide.

Mike Tyson pops up as Cross and Rut's superior officer. Michael C. Pitt is cast as the EMT who's chiefly entertained by picking on the new guy. Every one of the EMT's seems to be walking PTSD victims.

Gritty. There's no better word for Asphalt City. It's a film as gritty as the city it portrays. You'll be exhausted, but go for the rush.

There is absolutely no doubt that 'Black Flies' is a grim movie. I confess I hadn't even heard of it and it seems to have slipped under the radar but for all of it's gloom and doom it is well worth watching. One thing the movie does very well is to make the viewer fully aware of just how horrendous being a paramedic can be and boy will you respect them more after this.

This is a well acted film with the two leads showing good chemistry and at times some ad-libbing if I'm not mistaken. One thing I absolutely hated though is the totally unnecessary nudity from one actress which added nothing to the movie apart from cheap thrills. It got to the stage where I was actually yelling at the screen 'put some cloths on love for crying out loud'. Rant over, this is a good effort, bleak but pretty decent.

I was pleasantly surprised by the depth of this movie. From the opening scene, it grips you and doesn't let go until the credits roll. The performances are top-notch, each actor bringing a raw authenticity to their role. The close-up shots add to the intensity and suspense, keeping the audience on the edge of their seats throughout. What's truly impressive is how the cinematography effortlessly places us right in the heart of the action, without any unnecessary gimmicks. It's a testament to the pure talent behind the camera. This film offers a gripping glimpse into the world of EMTs, showcasing both the challenges they face and the passion they bring to their work. I'm hoping for more intense and compelling movies like this where talent and passion takes over.

Sean Penn is great in this dark New York City drama. The film is centered around two paramedics one seasoned and one new to the game that then become partners. They work the overnight shift in New York City as paramedics, so they see some crazy intense stuff along the way. Either I am missing it or I am not properly following it, but the film does not seem to have much of a plot other than to shoe how gritty the city is to these paramedics and it shows two men young and older on how they deal with it. I don't think the plot was there until about the last 30 minutes which is a huge flaw of this film.

As someone who does this for a living, this was pretty close to the mark. Although the amount of tragedy and grief we see the protagonist experience in his first few weeks is somewhat more than a senior paramedic would see in an entire career, it was necessary in order to tell the story and depict what EMS workers go through in a two hour time limit. Yes, some scenes were exaggerated, but it is no secret that over a career as a paramedic, these are things you WILL see, for sure. Legitimately.

The acting was absolutely superb - on all accounts. The chemistry between Tye Sheridan and Sean Penn was incredible. Sean Penn did such a good job here, he really sold his role with Rutkovsky. Tye Sheridan was a fantastic protagonist who really captured the truth of what it feels like starting in EMS in NYC. The place really is a jungle out there. Direction was great. A near perfect film - just some minor gaps in the story telling that , honestly, I forgot about.

I'm not sure how this movie has a low score. This was a very solid 8/10, IMO.