Na década de 1960, uma avó prevê o desabamento de um prédio e salva da morte um grupo de pessoas. Décadas depois, sua neta também começa a ter visões da morte de seus familiares.Na década de 1960, uma avó prevê o desabamento de um prédio e salva da morte um grupo de pessoas. Décadas depois, sua neta também começa a ter visões da morte de seus familiares.Na década de 1960, uma avó prevê o desabamento de um prédio e salva da morte um grupo de pessoas. Décadas depois, sua neta também começa a ter visões da morte de seus familiares.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
April Telek
- Aunt Brenda
- (as April Amber Telek)
Avaliações em destaque
Final Destination: Bloodlines is a great time. It does the smart thing and goes for a more comedic approach than earlier entries in the series.
Bloodlines contains possibly the best opening of the franchise and the first 20 minutes are a treat. The effects, while not amazing, do the job and are particularly gory even for this series.
The movie works well bringing a new twist on the Final Destination formula and the family are all likable enough in their own ways.
It would be remiss of me not to mention a standout in Richard Harmon. I spend a good portion of his time on screen trying to calculate if Tom Green could have fathered him as he is his dead ringer in this (amazingly both canadian as well). It was obvious they were going for a Tom Green type of character.
Tony Todd shows up for the last time as the mortician and it's a great emotional and poetic send off for him as well as giving his character an interesting backstory.
The movie has some nice little easter eggs for fans of the series with some call backs to previous entries as well as harking back to some of the premonitions.
The Final Destination franchise has always been interesting to me but never quite delivered a quality movie. This is perhaps the closest it has came to that by just being a good time and not getting bogged down in the lore.
Bloodlines contains possibly the best opening of the franchise and the first 20 minutes are a treat. The effects, while not amazing, do the job and are particularly gory even for this series.
The movie works well bringing a new twist on the Final Destination formula and the family are all likable enough in their own ways.
It would be remiss of me not to mention a standout in Richard Harmon. I spend a good portion of his time on screen trying to calculate if Tom Green could have fathered him as he is his dead ringer in this (amazingly both canadian as well). It was obvious they were going for a Tom Green type of character.
Tony Todd shows up for the last time as the mortician and it's a great emotional and poetic send off for him as well as giving his character an interesting backstory.
The movie has some nice little easter eggs for fans of the series with some call backs to previous entries as well as harking back to some of the premonitions.
The Final Destination franchise has always been interesting to me but never quite delivered a quality movie. This is perhaps the closest it has came to that by just being a good time and not getting bogged down in the lore.
Final Destination: Bloodlines isn't going to pull a rabbit out of its undead hat, reinvent the horror wheel, or stake its claim as a genre-defining masterstroke-but that's not the point.
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
Not bad at all. It makes the most logically-connected sense out of all the FD series. But... Realism? Way less now. Personally, it's still between "mid" to the "quite good" level. The FD series have always stood out in the category of horror. This movie still has some questionable scenes that leaves me with slight curiosity on how some of the occurences could be avoided, but it didn't disappoint me. The casting is wonderful and so is the acting. Plus, this one's highly supernatural and not as gory as the others in terms of screen time. A lot relies on the sound/music, and angles. I watched it in Premiere so I got the benefit of the sound system's work. The special effects and lighting quality made every scene look realistic in portrayal. What impressed me is that this is one of those moderate-comeback horror thrillers that's categorized as supernatural but isn't involving a visible entity or character. These kinds of movies stand out to me. And I'm overall impressed by the tense moments FD is able to exhibit. Also, this is my first review on IMDb!
It's crazy to me to think that the last time a 'Final Destination' movie came out I was a young 20 year old man full of hopes and dreams. And the title of the fourth film in the series, 'The Final Destination', implied it would be the final instalment of the series back in 2009, however anyone familiar with modern Hollywood probably knew that was unlikely to remain the case - and it lasted 2 years.
When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
One of the best of the franchise in my opinion.
Humor, yes, dark humor, mixed with very nice CGI and well, not so predictable ending.
We made a game, watching and predicting/betting who's gonna die next and how.
Very entertaining.
Screenplay good, acting very decent.
Solid 7 in my opinion.
Was worth waiting.
Was worth watching.
Humor, yes, dark humor, mixed with very nice CGI and well, not so predictable ending.
We made a game, watching and predicting/betting who's gonna die next and how.
Very entertaining.
Screenplay good, acting very decent.
Solid 7 in my opinion.
Was worth waiting.
Was worth watching.
Você sabia?
- CuriosidadesTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- Erros de gravaçãoThe way the MRI machine works in the film is completely unrealistic to life. While the magnetic forces of MRI machines can be strong and pull in metallic objects, the way the film portrays the machine is far from reality.
For starters, MRI machines are in a shielded room due to their strong magnetic forces and not in an office that anyone (doctors or patients) can walk in and out of. They are also always switched on and never turned off.
Even if MRI machines were able to be switched on and off, it would take more than a simple keyboard command to activate it. Also, computers wouldn't be in the same room as MRIs due to them being affected by the strong magnetic forces.
There's no gauge to increase or decrease the machine's strength either, nor is there an override feature or a "Do not exceed" warning level.
The strong magnetic fields are only strong when in close proximity to the MRI machine (10-15ft away).
Most MRI machines across the US alone have a max Tesla strength of 3T (3 Tesla), with very few going to up 7T (7 Tesla) like in the film. The highest Tesla strength on an MRI machine can go up to 11T (11 Tesla).
- Citações
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Cenas durante ou pós-créditosTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme music.
- ConexõesFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- Trilhas sonorasBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Destino Final: Lazos De Sangre
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 138.130.814
- Fim de semana de estreia nos EUA e Canadá
- US$ 51.600.106
- 18 de mai. de 2025
- Faturamento bruto mundial
- US$ 285.330.814
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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