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IMDbPro

Everybody's Everything

  • 2019
  • TV-MA
  • 1 h 56 min
AVALIAÇÃO DA IMDb
7,5/10
4,2 mil
SUA AVALIAÇÃO
Lil Peep in Everybody's Everything (2019)
Creating a unique mix of punk, emo and trap, Lil Peep was set to bring a new musical genre to the mainstream when he died of a drug overdose at just 21 years old. From the streets of Los Angeles to studios in London and sold out tours in Russia, the artist born Gustav Ahr touched countless lives through his words, his sound and his very being.
Reproduzir trailer2:20
2 vídeos
11 fotos
DocumentárioMúsica

Um olhar sobre a vida do artista de fusão de gêneros e o ícone do estilo, Lil Peep.Um olhar sobre a vida do artista de fusão de gêneros e o ícone do estilo, Lil Peep.Um olhar sobre a vida do artista de fusão de gêneros e o ícone do estilo, Lil Peep.

  • Direção
    • Sebastian Jones
    • Ramez Silyan
  • Artistas
    • Rob Cavallo
    • Ghostemane
    • Horse Head
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    4,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Sebastian Jones
      • Ramez Silyan
    • Artistas
      • Rob Cavallo
      • Ghostemane
      • Horse Head
    • 64Avaliações de usuários
    • 16Avaliações da crítica
    • 71Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Vídeos2

    Official Trailer
    Trailer 2:20
    Official Trailer
    Everybody's Everything
    Trailer 2:20
    Everybody's Everything
    Everybody's Everything
    Trailer 2:20
    Everybody's Everything

    Fotos10

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    Elenco principal17

    Editar
    Rob Cavallo
    • Self
    Ghostemane
    • Self
    Horse Head
    • Self
    Ilovemakonnen
    • Self
    Juicy J
    Juicy J
    • Self
    Jgrxxn
    • Self
    Mackned
    • Self
    Post Malone
    Post Malone
    • Self
    Fish Narc
    • Self
    Omen 13
    • Self
    Lil Peep
    Lil Peep
    • Self
    • (cenas de arquivo)
    Lil Tracy
    • Self
    John Womack Jr.
    • Self
    Liza Womack
    • Self
    Emma Harris
    • Self
    • (não creditado)
    Pouya
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Riff Raff
    Riff Raff
    • Self
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Sebastian Jones
      • Ramez Silyan
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários64

    7,54.2K
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    Avaliações em destaque

    9davidllerenaswe

    A beautiful summary of Peeps life and career

    I'm a big Peep fan and I was really excited to see this documentary. But I was also skeptical about this movie, I was afraid that the movies directors and the crew would to denigrate Goth boi clique.

    My fears were disproved, this documentary keeps a neutral point in it's storytelling. It lets many different sides tell the story of Lil Peep. And it also shows many different sides of Peep both the bad, the good, the sad and the happy.

    The only downsides of the documentary is that some topics they just touches the surface of and sometimes the editing felt a little of. To specify the placement of some of the interviews were a little strange

    But overall the movie shows things that I think were few people know about Lil peep. It's a beautiful homage and summary of Peeps life, mind and career.

    RIP GUS, I will always love you <3
    8stvtick

    Interesting documentary

    I was never Lil Peep's biggest fan. Actually, when he was coming out hot I didn't like his music. I've since come around and I do like to listen to it occasionally. I've rediscovered it with this documentary, but in all fairness, all of it could've been condensed to 45 minutes. Shame that he had his whole life ahead of him.
    7Jeremy_Urquhart

    Not a Lil Peep fan, but this was pretty good

    I'll start this by saying that if you are already a fan of Lil Peep and his music, you will probably like this more than me. You've likely already seen it, to be honest. I wasn't familiar with anything he'd put out, and admittedly may have only heard about him when the news of his untimely death was announced. As out of touch as it makes me sound, I think he got buried under the host of other artists who call themselves "Lil" something, and on top of that, his angsty, depressing, downbeat style isn't what I'm super into these days, music-wise. But, I appreciate what he did, and while I spent some of this documentary not really understanding the hype, I still had a good idea of why his music meant a great deal to many by the time it ended. My lack of enthusiasm for his musical output likely comes down to a matter of subjective taste, and so I can't be too critical for this documentary not entirely selling me on Lil Peep's genius.

    That being said: this being a music documentary about a young, sometimes controversial figure who lived a hectic lifestyle and died young did remind me of Kurt Cobain: Montage of Heck, and Amy, both released in 2015, and both stronger documentaries overall. I was never an Amy Winehouse fan, but Amy made me realise why she was so loved and made me respect her so much more (as well as feeling immense guilt in regards to laughing at her struggles while I was young and she was alive- the societal bullying she went through really dawned on me, and I think I've been a far more empathetic person ever since), and with A Montage of Heck, I was admittedly quite into Nirvana at the time, but my appreciation for Cobain grew immensely after watching it. Amy was more moving than Everybody's Everything, and Montage of Heck was much more dynamic and artistic with its presentation. I don't think it's unfair to compare Everybody's Everything to those films, as this one adopts a similar style, tells a somewhat similar story, and even compare the poster for Everybody's Everything and Amy: the title in a bold, pink font, a shot of the top half of the artist's head, and a dark background. There's likely a subconscious thought that this movie might be similar to Amy before you even watch the thing.

    So while the movie is stylised, and generally dynamic with its presentation- utilising a great deal of archive footage and a huge range of interviews, as well as a generally effective and emotional structure involving Peep's grandfather reading numerous letters he sent to his grandson- it doesn't quite excel in terms of either visual style or emotional impact, at least not compared to those aforementioned movies. I'm harking on with the comparisons a great deal because I'm almost sure the filmmakers were aware of and influenced by these two incredible 2015 documentaries, and ultimately, what they've made is good but not on the same level. If you liked those, and especially if you like Lil Peep, this is without a doubt worth watching. But I'd recommend those two over Everybody's Everything, personally.

    Still, one thing I do want to commend Everybody's Everything on is its depiction of addiction and the destructiveness that comes with an overly excessive lifestyle. It's so hard to deter impressionable teens from acting like this, as even logically explaining the downsides will make many of them want to rebel and do it anyway, just to spite you for telling them they can't. What this movie does is pull little punches when it comes to depicting Lil Peep's descent into both alcohol and drug addiction, but doesn't commentate on it excessively. It provides reasons why he turned to this, and so you don't come away thinking him an idiot or necessarily angry with him- more angry with his surroundings and the factors that made him turn to such vices. But neither do you feel like the film is glamourising it, and it's certainly not preachy. It's done in a way where you realise the horrors of going too far when it comes to drugs and alcohol, but it's shown, not explicitly told. I think that's the key. It's very clever, and I'm sure has the power to effectively deter some teens from the dangers of addiction. It's certainly more effective than a teacher or public speaker giving an overly detailed, excessively preachy lecture on why drugs are bad. I'm not suggesting that the film is subliminal with its anti-drug message; more that it gives teens and young people the chance to think about what's being shown for themselves. I think that's more likely to influence their behaviour in a positive way. Honestly, this should be shown in high schools.

    Also worth noting is that the second half is stronger than the first, and far more emotionally moving too. It took me a little while to get into the film, as well as start to appreciate what Lil Peep was doing on some level. So I'd advise sticking with it if you're not a big Lil Peep fan like me, and find yourself less engaged during the first hour or so. It's a good film, well made, maybe a little long but not by much, and only suffers a little when you compare it to those better documentaries about young and tragic musicians that I brought up before. Regardless, it's solid, and at least a decent watch regardless of how much you know about - or feel towards- Lil Peep as an artist.
    7ethlundanwall

    Rip Lil Peep

    Malick as an executive producer is so cool, a compelling documentary.
    10rorywhite-91012

    Masterpiece

    Rip peep

    Firstly, the other reviews which criticise peep for his drug use and face tattoos are great examples of the close-minded and judgemental people that Gus' mother, Liza, mentioned in his eulogy. Please, whoever it may be that is reading this, don't prematurely pass judgement on others, you never know what someone may be going through. But apart from that the movie is great. It is well directed, very informative and was a pleasure to watch. The runtime was a little daunting for me at first but watching it was never dull and so the length wasn't an issue for me.

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    Música

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    Você sabia?

    Editar
    • Curiosidades
      First premiered at the SXSW festival.
    • Conexões
      References Terra de Ninguém (1973)

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    Perguntas frequentes16

    • How long is Everybody's Everything?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 3 de dezembro de 2019 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official Website
    • Idioma
      • Inglês
    • Também conhecido como
      • Усе для всіх
    • Empresa de produção
      • First Access Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 547.207
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 60.582
      • 17 de nov. de 2019
    • Faturamento bruto mundial
      • US$ 748.539
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Proporção
      • 1.78 : 1

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