O Grande Diabolik

Two charming starring , Luca Marinelli and Miriam Leone , star this nice and enjoyable movie set in a nameless European nation . Dealing with popular hero from famous comic books who previously performed John Phillip Law and Marisa Mell . Adaptation of the Noir comic book of the sixties by the Giussani brothers , concerning the world's deadliest and most dazzlingly robber , he evades the law while performing his criminal antics , as the eludes the police by disguising , changing cars , hot pursuits , and masking himself . Along the way , Diabolik uses his extraordinary powers to foil criminals and steal billions from the government . As the anti-hero of the film , Diabolik must face off botcher law enforcements . The film is a thriller with a markedly retro aesthetic that emulates the psychedelic adaptation to the big screen carried out by Mario Bava : Danger Diabolik (1968) . On this occasion the elusive , implacable thief with a thousand disguises , Diabolik (Luca Marinelli) , whose true identity no one knows , returns to drive his iconic Jaguar E-type to strike a new coup : seize the famous pink diamond, a priceless piece carried by the rich and enigmatic heiress Eva Kant (Miriam Leone) . Meanwhile , Inspector Ginco (Valerio Mastandrea) takes every precaution to ensure that the robbing don't take place at the local bank . He robs from the rich to give to the girls !. Meet Diabolik. Slick. Suave. Gentle. Brutal. Wild. Out for all he can take, seduce, or get away with...!

Agreeable and brilliant rendition , not taking any situation seriously ; being based on famous strip-cartoon thriller titled "Diabolik", one of the longest running - and most successful - Italian comic strips , known as "fumetti" drew by Angela Giussani and Luciana Giussani . This very campy picture contains thrills , action , phantasmagoria , psychedelia , pop art , tongue-in-cheek , absurd situations , and being competently developed , including split screen . Fantastic production design and art design influenced by the original comic books and James Bond movies , showing splendidly the breathtaking settings at a remote cave in a mountain and others . Through a retro aesthetic , this new reboot introduces the viewer into a tense and cold atmosphere that has the best ingredients of Noir cinema : impassive femme fatales , twisted criminals , a staging full of shadows and a police investigation determined to unmask to this relentless thief . Here Luca Marinelli and Miriam Leone replace John Philip Law and Marisa Mell but they do not reach those iconic figures resulting in being an inferior and overlong film compared to Mario Bava's classic . Diabolik (2021) won the 2022 David Di Donatello Award for Best Original Song : La profondita degli abiss and was nominated for 11 more statuettes, including a Best Lead Actress nomination for gorgeous Miriam Leone.

The main and support cast -with everyone having fun- are frankly good . Luca Marinelli is fine in the title character as the masked career thief known only as Diabolik , who eludes his official pursuers with his mistress and partner-in-crime . Bombshell Miriam Leone as wonderful colleague is ideal actress to her role , she shines and expands her beauty and extreme sexuality . The best of the interpretations result to be Valerio Mastandrea as stubborn police inspector who's usually duped and Claudia Gerini as Signora Morel . It contains lively and catching original music score by Aldo De Scalzi . As well as glimmer and glamorous cinematography by Francesca Ametrano . The motion picture was decently directed by Antonio Manetti, Marco Manetti who have made a sequel titled Diabolik - Ginko all'attacco! (2022) with Giacomo Gianniotti as Diabolik , Miriam Leone , Eva Kant , Valerio Mastandrea as Ispettore Ginko and Monica Bellucci. The picture will appeal to thriller genre buffs . Rating 6.5/10.

The story take up in a precise and detailed way number 3 volume of Diabolik.

The actors are perfectly portrayed, the choice of the two main characters is right, even if Diabolik appears very detached, a little less so Ginko, his movements are right but a little too Roman accent.

Even if the story tells about the first meeting and the union of the protagonists, the film gives more importance to the figure of Eva and less to Diabolik.

Direction promoted only in the second part of the film, soundtrack no!

Questionable screenplay.

2 hours are too many and the first half hour is too slow.

Vote 6,5.

"Diabolik" is nowhere as bad as people make it out to be: it's certainly flawed (mostly from pacing issues) but it's solid, well-directed and acted, and fairly respectful of the source material. Is this a masterpiece? No. Is this the "rebirth of Italian genre movies"? No, but it's fun and entertaining to watch if you don't expect to go see Citizen Kane.

A note: obviously, Italian press reviews are hating on this movie only because they tried to make something different from the otherwise monotonous theathrical panorama: it's beyond me why every single time someone tries to make a genre movie in Italy, press is always demolishing the effort, there's no surprise the film catalogue isn't evolving much as it should.

Surely we are faced with a film with several defects, especially in the final part where the script goes too far and the photography is perhaps too like a TV movie, but the film is still fun and entertaining and has a nice retro 60's taste, the cast good expecially beautiful and talented Miriam Leone as Eva Kant, also excellent Mastandrea as Ginkgo, Marinelli, who was very good in They call me Jeeg, in this film he struggles a bit but still gives an appreciable performance as Diabolik. In conclusion a nice film but nothing more. My rating is 6/10.

To say I had a great Hype for "DIABOLIK" would be an understatement. Truth to be told, it was one of my most expected movies of the year.

Based on the premises, from the directors to the cast, from the settings to the various elements, I was pretty much sure to give my full trust to the whole project.

And I can say that my expectations were satisfied for the most part.

I sincerely can't understand what all those people who bailed this picture as a total failure, both professional critics and general audience, did actually watched.

This movie is veeeeery far from the disaster many declared (seriously, some folks almost put this on the same level as VENOM, what gives?!)

Of course, we're not talking about a perfect movie, but still a pretty decent one, and THAT should not make you think it's worthless.

As an avid reader of the original comic, I can say that for the most part its atmosphere was totally respected. Maybe a bit more, because one problem many will have is about the style.

The directors voluntarily reproduced the narrative and technical style of a '60s movie, and this won't suit well with modern audiences. But is it really a major flaw? I don't think so.

To prove my point, I'll say that I watched the movie with a friend who doesn't know ANYTHING about the original comics, or about those kind of movies ... and yet, he was never bored and truly enjoyed the picture.

There are several benefits, starting with the two protagonists, an always diligent Luca Marinelli as the dark thief, and a simply stunning Miriam Leone that shows both the incredible beauty and the solid competence of Eva Kant, way more than a mere "femme fatale".

And the technical side, from the cinematography to the production design, serves perfectly to put the audience in that period.

But still, there are some big flaws, like the way certain plot points are solved, and the most important, at least for me: Valerio Mastandrea is just not credible as Ginko, or as a policeman in general, like my friend said. Luckily he appears for the right time, without resulting too invasive in the plot, but still plays a very important role that he can't just give enough justice (quite ironically XD)

But all in all, THIS IS NOT A DISATER, but a pretty decent experiment that deserves a chance, and maybe a bit more of mental opening from audiences. Really, I assure you that it won't be a waste of time.

Long Live Giussani Sisters, and long live Diabolik!