Spiral

Featuring an interesting premise that possibly had more potential than what ended up on the screen, Spiral is a decently crafted horror thriller that follows a same-sex couple who move to a new town to start a new life but soon find the neighbourhood harbouring a dark secret, and makes for a mediocre social commentary on minority experience in American suburbia.

Directed by Kurtis David Harder, the script takes bits n pieces of ideas & inspirations from existing examples but is unable to concoct a coherent & cohesive narrative out of it. Everything in it from story to characters to twist n turns needed more reworking & refinement before making their way to the film canvas. Also not helping the cause is Harder's direction, for it is quite lacklustre.

It manages to be tense & suspenseful in bits n pieces and is also pervaded with an air of foreboding but the scares & thrills are rather generic, and the effect wears off sooner than expected. Add to that, the middle act is a slog that's unable to keep us invested in the proceedings and it doesn't take long to figure out where it's headed. Only consolation here are the good performances from the cast.

Overall, Spiral had all the ingredients to deliver a timely & progressive chiller but in the end, it turned out to be no different from earlier attempts that exhibited promise on paper but didn't have the creative vision to deliver what it was actually going for on the film celluloid. The film's only saving grace is the performances but even that isn't enough to mask the obvious shortcomings in the script for long. An average at best effort.

This movie had a really good plot, however I do feel like they could have delivered the "scary" thrill of the story more effectively. I enjoyed the creepy neighbourhood vibe that got us wondering what was going on. The main actor was great and I felt invested in his story and his journey with being a young gay man and the things he has had to battle through in life. If the story cut the middle section and became more clear it would have been better in my opinion. I loved the ending! I predicted it but it was done so well!

I don't think 2 or 3 stars is fair, and I tend to dislike new movies easily. Yes it's slow at first and could've had more "filling" in the beginning/middle but still it delivers by the end. The cinematography is really good, and although some conversations between the couple are ridiculous (long time relationships don't get into simple break up fights) and you expect the main character to react to certain situations that are insane yet he brushes them off (don't wanna spoil here) but overall ends up entertaining as it should.

A mixed-race gay couple (and the one guy's daughter from a previous relationship) make the move as an alternative family unit to a small town where things are, and always have been, button down and traditional. At first, the couple feel excited that their plan to live a more down-to-earth life away from city stresses...but soon one of the guys begins to suspect that the community is hiding a sinister secret.

The set up is very familiar to horror fans and yet the first act of the movie plays out quite well. It's shot well, has convincing performances from the leads, and - with the help of a good sound engineer - effortlessly builds up the creep factor.

These plus points remain throughout the movie; however, the second act of the film drags and the third act seems to fall asleep at the wheel and veer dramatically from paranormal horror to Rosemary's Baby-esque paranoia, back again, then into some ham-fisted social commentary on both mental illness, racism, and homophobia before finally crashing headlong into the lovechild of Hereditary and Dracula.

As a result the ending feels unsatisfactory as a lot of the reveals feel tacked-on and limp. By the time it ended I felt like the writers tried to cover up a weak script by distracting the audience with some horror cliches and - if that didn't work - some clunky "message" that "racism is bad" and/or "homophobia is bad" and/or "mental illness is a shame".

Which is sad because if the film had had the courage of it's convictions a bit more I think it could have delivered way more effectively on what it set up in the first third. All in all, an okay-ish watch but that's being a bit on the generous side.

The idea of a gay character-led horror film appealed to me hugely as a gay man and avid horror fan. Identity politics aside; viewing 'Spiral' objectively, it lacks the promise of its potential. I'm a little over indie slow-burn, symbolic-heavy horror movies at the moment as the new generation of filmmakers are pumping them out faster than a David Lynch traffic light changes colours.

The majority of the film concerns itself exploring the topic of 'paranoia versus reality' which is taxing after about 20 minutes much less an hour and 20 minutes of this single beat repeated again and again and again. Additionally, I didn't think the paranoia brought anything new or interesting to the table and certainly wasn't enough to make me care for the characters.

Jeffrey Bowyer-Chapman as the lead makes an effort to bring the level of intensity required to make his character work but unfortunately does not succeed. There are several plot holes within his character's backstory which results in the outcome of audience apathy for what he's going through.

Genre-wise this fails to achieve a horror tone. I can't honestly say there was a single moment when I felt horrified by any particular event. When the punchline finally arrived I stopped caring long before as the characters did not develop and the scenes didn't contain dialogue and conflict structured to sustain interest.

In the climax (no spoilers) the antagonist blatantly states the moral of the story, causing me to see weak writing rather than agreement for its existence. Sadly, I'm chucking this movie onto the pile of the hundreds of under-developed gay themed films that simply don't have the quality and/or budget to create a story of honesty, originality and significance.