O sultão otomano Maomé II trava uma campanha épica para tomar a capital bizantina de Constantinopla e moldar o curso da história, por séculos.O sultão otomano Maomé II trava uma campanha épica para tomar a capital bizantina de Constantinopla e moldar o curso da história, por séculos.O sultão otomano Maomé II trava uma campanha épica para tomar a capital bizantina de Constantinopla e moldar o curso da história, por séculos.
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I'm not sure what exactly the future of this series is - will the next seasons be about Ottomans, other empires, or will there not even be more seasons? Regardless, this first season could more aptly have been named the Siege of Constantinople, as it is almost all about that famed siege. Good thing too, because 6 episodes seems to be the perfect length for depicting the siege in full. And the series is very well paced, although some of the flashback scenes feel a bit too long.
The siege itself is exceptionally well depicted. The budget was either very high, or very well used, because the quality of the CGI, the sets, and the costumes is simply superb, and the actors too are brilliant. The show doesn't quite bias towards one side. If there is a bias, there is a bias against realism. Both sides are depicted in a more positive light than should be. The Genoans and Venetians were far less scheming than they were in real life, and the mercenaries defending the city more adept and brave than they truly were. Conversely, the show also glosses over the Ottoman plundering of the city. But apart from that criticism, I can't really find anything I disliked about the depiction of the siege itself. I also really appreciated that the show stressed the importance of it - the demise of the 1500 year old Empire, giving birth to one that would last nearly 500 years more.
I'm not sure I quite like the docudrama style of storytelling. I think it is a tad lazy compared to just telling a story through actors. But that is a minor issue I have with an otherwise excellent depiction of a legendary siege.
The siege itself is exceptionally well depicted. The budget was either very high, or very well used, because the quality of the CGI, the sets, and the costumes is simply superb, and the actors too are brilliant. The show doesn't quite bias towards one side. If there is a bias, there is a bias against realism. Both sides are depicted in a more positive light than should be. The Genoans and Venetians were far less scheming than they were in real life, and the mercenaries defending the city more adept and brave than they truly were. Conversely, the show also glosses over the Ottoman plundering of the city. But apart from that criticism, I can't really find anything I disliked about the depiction of the siege itself. I also really appreciated that the show stressed the importance of it - the demise of the 1500 year old Empire, giving birth to one that would last nearly 500 years more.
I'm not sure I quite like the docudrama style of storytelling. I think it is a tad lazy compared to just telling a story through actors. But that is a minor issue I have with an otherwise excellent depiction of a legendary siege.
If you intend to shoot a docu-drama with some historians commenting on it, you need to base your story on the real facts.
This is not a docu-drama about Mehmet nor Ottomans; this is a story of the great defence strategist, mighty Guiliani.
If it's another legendary story; I could give it 8 (which I did because I respect the work done).
As a docu-drama I could only give 3 maybe.
A docu-drama should be researched well. This one was not. Where's the Orthodox Patriarch? Mehmet gave him the Ecumenical Power right after the conquest. This was the greatest wisdom of his time. And Mehmet was a great strategist, artist as well as an intellectual.
This story has very few accurate facts. That was disappointing.
This is not a docu-drama about Mehmet nor Ottomans; this is a story of the great defence strategist, mighty Guiliani.
If it's another legendary story; I could give it 8 (which I did because I respect the work done).
As a docu-drama I could only give 3 maybe.
A docu-drama should be researched well. This one was not. Where's the Orthodox Patriarch? Mehmet gave him the Ecumenical Power right after the conquest. This was the greatest wisdom of his time. And Mehmet was a great strategist, artist as well as an intellectual.
This story has very few accurate facts. That was disappointing.
I found this mix of drama and documentary highly entertaining, visually impressive, and educational. I've read a few books about the siege of Constantinople, and always thought "what a great story, why doesn't anyone make a movie out of it?". When I found out that this was a Turkish production, I was afraid it'd be based as they are too close to the subject to be objective, but the basics of the story are accurately displayed. Yes, they puffed up Giustiniani and added a couple of female characters while other protagonists are missing. They simplified a lot of stuff and didn't go in depth into what preceded the siege and the motivations of the characters. But most of what made the cut is historically accurate, always allowing for the conflicting accounts and various viewpoints. Choices were obviously made on basis of which made better dramaturgical sense and which were more realistic, not in order to glorify this or that side. Some Turkish reviewers insist that "this isn't how it happened" (meaning "not what was I taught at school") and even believe that sultan Mehmet actually designed his cannons himself. Now maybe that's reported by one of his biographers but how possible is it that a 20-year old prince with no knowledge of metallurgy designed the most advanced weapons of his time? Anyway, I found that the producers used the source material well and come out with a gripping docu-drama that generally respected historical truth. If you want more nuances, read some books! I'm already looking forward to the next series.
It seems the war was between Giustiniani and Sultan Mehmet.
Also some how all the elite Ottoman soldiers are not elite at all. They died very quickly. One more thing. About 4 ships against 100 doesn't make sense. How come ottoman didn't use cannons to destroy them.
All chronicals besides turkish ones say that Vlad scored a great victory at the Night Attack and Mehmed fled the camp. If this was not the case then i ask you Where would he gather so many ottomans to impale near Targoviste? How about time to impale?
Recommend HistoryMarche on youtube for a better view on Vlad the Impaler
The show has it.s ups and downs , depictes some aspects good and some rather miserable. Since it.s a documentary, historical facts should be represented as they were and not florished to make Mehmed more apealing to viewers. I still recommend the show and the actors playing Vlad and Mehmed did a great job. Still better than hollywood movies. At least Constantinopole had a ditch in front of the walls and this was the most esential defending construction during that time. Enjoyed the costumes as well. Anyway, keep this genre going as it.s way better than any movie.
Recommend HistoryMarche on youtube for a better view on Vlad the Impaler
The show has it.s ups and downs , depictes some aspects good and some rather miserable. Since it.s a documentary, historical facts should be represented as they were and not florished to make Mehmed more apealing to viewers. I still recommend the show and the actors playing Vlad and Mehmed did a great job. Still better than hollywood movies. At least Constantinopole had a ditch in front of the walls and this was the most esential defending construction during that time. Enjoyed the costumes as well. Anyway, keep this genre going as it.s way better than any movie.
Você sabia?
- CuriosidadesGeorge Sphrantzes was the Emperor Constantine XI's personal secretary and a friend. According to his own account of the conquest of Constantinople, his daughter Thamar (named Therma in the series) was 12 years old when the city fell and was taken into captivity by the Turks, dying in the Sultan's harem in September 1455 of an infectious disease. Therefore, the series inaccurately portrays her as having escaped to the island of Chios, which was then controlled by Genoa. There is also no evidence that Thamar and Giovanni Giustiniani Longo, the leader of the Genoese mercenaries, were in a romantic relationship.
Contemporary accounts do report, on the other hand, that the mortally-wounded Giustiniani was carried off to a Genoese galley which then headed for Chios. Giustiniani died either en route or shortly after arriving on the island and was buried in the Church of San Domenico (later the Church of Santa Maria del Castello, which eventually was converted into a mosque following the Turkish conquest of the island in 1566). The tomb is now lost.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Rise of Empires: Ottoman
- Locações de filme
- Istanbul, Turquia(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 45 min
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1 / (high definition)
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