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IMDbPro

The Trouble with Being Born

  • 2020
  • 1 h 34 min
AVALIAÇÃO DA IMDb
5,4/10
1,5 mil
SUA AVALIAÇÃO
Lena Watson in The Trouble with Being Born (2020)
DramaFicção científicaMistério

Elli é uma andróide programada com memórias que significam tudo para sua dona, mas nada para ela. A história de uma máquina e os fantasmas que todos carregamos dentro.Elli é uma andróide programada com memórias que significam tudo para sua dona, mas nada para ela. A história de uma máquina e os fantasmas que todos carregamos dentro.Elli é uma andróide programada com memórias que significam tudo para sua dona, mas nada para ela. A história de uma máquina e os fantasmas que todos carregamos dentro.

  • Direção
    • Sandra Wollner
  • Roteiristas
    • Roderick Warich
    • Sandra Wollner
  • Artistas
    • Lena Watson
    • Dominik Warta
    • Ingrid Burkhard
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,4/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Sandra Wollner
    • Roteiristas
      • Roderick Warich
      • Sandra Wollner
    • Artistas
      • Lena Watson
      • Dominik Warta
      • Ingrid Burkhard
    • 14Avaliações de usuários
    • 42Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 20 vitórias e 13 indicações no total

    Fotos8

    Ver pôster
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    + 4
    Ver pôster

    Elenco principal8

    Editar
    Lena Watson
    • Elli…
    Dominik Warta
    • Georg
    Ingrid Burkhard
    Ingrid Burkhard
    • Frau Schikowa
    Jana McKinnon
    Jana McKinnon
    • Elli
    Simon Hatzl
    Simon Hatzl
    • Toni
    Susanne Gschwendtner
    • Birgit
    Nikolai Klinkosch
      Ilvy Steinbach
        • Direção
          • Sandra Wollner
        • Roteiristas
          • Roderick Warich
          • Sandra Wollner
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários14

        5,41.5K
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        Avaliações em destaque

        6JuguAbraham

        Androids and memories--a philosophical perspective captured on film

        Android sci-fi and memories. Androids that eat regular food and smell "cigarettes and sunscreen." Recalls elements of a superior US play/movie called "Marjorie Prime." The regeneration of androids with memories is scary in the real world. The first segment implies sexual relationships, though no explicit scene is shown. The relationship of animals with androids and humans are a minor subplot (a cat in one segment, a dog in the other. The reincarnated android is bizarre but typical of the horror genre; yet this is not a horror film. The title of the film is also the title of an unrelated book on philosophy by E M Cioran in French, written using aphorisms. "Marjorie Prime'' was comparatively a superior sci-fi film on memories and the importance of virtual human beings.
        fembotlover

        not as deep as it tries to be

        I'm not the sharpest tool in the shed but as another review mentions this movie is too spineless to properly say what it wants to say and not interesting enough to keep my attention with the premises it sets up, the worst part is that the most poignant and inflammatory topic is one that i feel we are starting to see pop up in real life with AI, and this movie could have tried...something anything...instead...it did nothing... not giving it a ranking since i didn't finished it but if the last 30 minutes are as dull, in the plot as the first hour, and the camera work as bad then i didn't missed anything of value.
        3idonotexist

        Just a huge miss

        I didn't know what to expect going into this. I've heard the stories about the supposed subject matter and all that but i'll watch anything remotely sci fi so there we go. We got a machine? Yes i'll watch that.

        What is this movie about anyway. Nobody knows in short. It feels like 2 separate movies stitched together in a rather incoherent manner. I don't like brooding drawn out movies in expose style and this is just that.. too much pointless scenes in the dark (literally blair witch project b roll forest footage...) that serve no purpose and contribute nothing.

        The first part of the movie appears to be about a man who buys/acquires somehow a machine that looks like his daughter at the age she disappeared. So the machine is there to basically fill that void but it gets a little sexual because said machine is just sex doll made to look like the kid he lost. Right. So that's the part people cry about but there nothing really shown in the movie and there are more suggestive kids shows rated PG if we have to be honest. It therefore is not a love story either.

        Perhaps it is a drama about the relationship between people and machines? Well, cannot be because it totally bombs at showing the whole person vs machine interaction. It tries to use horrible narration to exemplify some struggle between the real and mechanical but I just cannot care to even bother to think of it because it is so badly executed. Star trek did more with data, alita battle angel, which is a movie about fighting did more on this topic... i robot also did a better a job. Video games like detroit become human focused on this subject matter in depth and pulled it off... This here, which is supposed to be a movie about just that sort of thing, does nothing. It fails completely to the point you are wondering what am i watching. It feels like somebody had an idea, did not know what it was but made a movie about it regardless. The cast is dull. The CGI cast is equally dull. Everything is dull. Moody, boring, non engaging, non thought provoking, flat. Just bad. I cannot think of a single memorable scene or event in 90 minutes of run time. It was so nonsensical i was hoping for maybe something stupid to happen just so i have a memory 5 minutes after the credits... but alas, no. Nothing occurs that you can take with you. If i think hard enough, perhaps i will remember that the lead in the first part liked to drink. Congratulations! You have left the viewer with a memory of a man drinking his sorrows away. So unique........

        Some more footage in the dark, random walking through a forest. Time for a reboot into the second part of the story. Now we have a robot, perhaps the same one from the first part (nothing is clear here - did she run away or was it a new unit) is sent to another home to again fill the void of a missing child. This time the robot is turned into a boy. The owner doesn't want it but their relatives insist and so we have this whole moody, lethargic starring at the nothing scenes that constitute of "go away i dont like you" and the machine staring blankly in some communist era german flat scene after scene.

        There is no dialogue to speak of. No feelings, no soundtrack, no nothing.

        This is just bad. If you were hoping for a deep movie about machine vs human run away. If you were hoping for at least something cringe worthy to watch, not it either.

        If you want blandness and confusion, perfect. Step right in and inhale the disappointment.
        8EdgarST

        The Trouble with Pharisaism

        Very good film. While some persons are worried or scandalized for the implied sex relations between a man and one android with the features of a little girl in the first part of the movie, what made the stronger impact on me was the unethical ability of human beings to destroy real emotion through the dehumanization of technology and, if I give human value to the android, alas! ...what a terrible "fate" the little robot in this movie has.

        On the other hand, we are talking about a construct, which makes it more absurd to talk about any sexual conduct we disapprove. Here we are dealing with a human being and a robot, so I think we should find new words to define the simulacrum of the human something that they do together, which weakens moralistic derision when one realizes that one of the components is a robot.

        The first story was annoying to me, because of the character of the father who has not processed that her daughter disappeared ten years ago, but the second part comes to life with the appearance of an old lady who longs for her brother who died 60 years ago. In the end, the film balances its two stories by complementing one with the other. Good script, direction and acting by all.

        P. S. Elli reminded me of Edith Scob in «Les yeux sans visage».
        1thelottsinbootjack

        I want my 94 minutes back

        What an absolutely dreadful movie. It is truly awful and creepy. And it made absolutely NO sense whatsoever. My biggest regret is that I watched it until the end. But that's because I kept waiting for the story to develop - only it didn't. There was this one point in the movie where I thought it was going to, but then it just took this super weird turn and basically spun this second, completely unrelated story that also made no sense. Though they were trying to connect the two with the appearance of the "father" in the second part, but that made no sense either and connected absolutely nothing. Do yourself a favor and skip this horrible movie.

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        Ficção científica
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        Mistério

        Enredo

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        • Curiosidades
          The Melbourne International Film Festival decided to not screen the film at its 2020 festival, citing concerns raised by two forensic psychologists that it might "[normalise] sexual interest in children" and be "used as a source of arousal for men interested in child abuse material." The decision to remove the film from the festival line-up was denounced by film critics Peter Krausz, Tom Ryan and David Stratton, declaring it was artistic censorship.
        • Citações

          [first lines]

          Elli: All the laves have fallen. But summer has just begun.

        • Conexões
          Features A General (1926)
        • Trilhas sonoras
          Live is life
          Written by Opus

          Performed by Opus

        Principais escolhas

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        Perguntas frequentes15

        • How long is The Trouble with Being Born?Fornecido pela Alexa

        Detalhes

        Editar
        • Data de lançamento
          • 1 de julho de 2021 (Alemanha)
        • Países de origem
          • Áustria
          • Alemanha
        • Idioma
          • Alemão
        • Também conhecido como
          • Тягар бути народженим
        • Locações de filme
          • Áustria
        • Empresas de produção
          • Das kleine Fernsehspiel (ZDF)
          • Filmakademie Baden-Württemberg
          • Panama Film
        • Consulte mais créditos da empresa na IMDbPro

        Bilheteria

        Editar
        • Faturamento bruto mundial
          • US$ 13.748
        Veja informações detalhadas da bilheteria no IMDbPro

        Especificações técnicas

        Editar
        • Tempo de duração
          • 1 h 34 min(94 min)
        • Cor
          • Color
        • Proporção
          • 1.37 : 1

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