Era Uma Vez um Gênio

George Miller's latest historical fantasy Three Thousand Years of Longing is nothing short of a pleasant theatre going experience. From its visual language to its scope and narration, this movie is charming from the get go. Adapted from a collection of short stories titled "The Djinn in the Nightingale's Eye", it tells the story of a narratologist scholar who accidentally frees a djinn that offers to grant three wishes of her heart's true desire. When the scholar initially refuses, being all too familiar with stories of wishes and how they all serve as none but cautionary tales, the djinn then narrates to her the story of his three thousand year long life and how his freedom now rests in the hands of this unwilling scholar.

Each story is its own vignette and each story collectively contributes to the unfolding of history on screen in grand fashion. It's truly amazing and therapeutically charming to witness these stories play out; feeling for the players, understanding their predicaments and relating to their miseries... Three Thousand Years of Longing is in every way as enchanting as the stories it tells. But it's not without its flaws, as the movie eventually plays into what I can only describe as a somewhat weak and forced final act; that to an extent undermines the ambition of its build up. And that final act does ruin what could have otherwise been a collectively satisfying experience.

Whatever flaws it may have, it's not enough to overshadow the sheer scale and ambition of this movie. It was in every way a pleasant experience and a story that is in many ways charming and wonderful.

It's a good movie, that should have been excellent but ended up just "good". It's visually magnificent, it has very good acting and it's basic idea is original and even poignant but. There are a few very big buts in stopping it from reaching the potential heights it should've reached.

It's getting lost in its own meandering tale, though we've all figured out the point it wanted to make long before it spells it out on the screen. It want's too much to demonstrate it's about storytelling so all the stories we see on screen are so heavily narrated that many of their charming characters end up as puppets with only glimpse of the character they should have, preventing us from really caring for them or in other words leaving us uninvolved with big chunks of the story. The combination of a long meandering plot line that keeps the audience uninvolved is an obstacle almost no movie can survive.

If I did enjoy it it's mainly because of the leading couple - Idris Elba and Tilda Swinton - no they're not giving a gut wrenching performance - they're simply very very professional keeping the convoluted plotline from losing us altogether anchoring the viewers to the story without turning it into a soap opera, and it could very easily turn into one so I'm definitely grateful for that professionalism. I simply can't help wondering what could have happened had it fulfilled the potential it most certainly has.

What a grandeur ensemble between Idris Elba and Tilda Swinton.

A cautionary tale about human desire and what it means to love. The pacing was completely on point; I was engrossed right from the first few moments. The cinematography is beautiful. Miller who shows his versatility in a break from his typical movies. That being said it is noticeably a George Miller movie in style. Recommend this one very much, it does not feel too artsy but at the same time is not your "typical" fantasy movie. This movie is a marvelous artistic depiction of fundamental spiritual concepts that will leave some cold and indifferent while enchanting the initiated in the spiritual paths of the primordial tradition.

If you, like I was, are expecting a fast-paced, light-spirited, fun romp of visual extravaganza and witty dialogue along the journey that is Three Thousand Years of Longing ... you WILL be disappointed. Now, that is not meant to dissuade you from watching or enjoying it. On the contrary. It is simply meant to temper your expectations.

There is certainly much beauty in many of this film's scenes; from curious beauty in the mundane, to fabulous beauty in the fantastical. (There is also a musical scene that will spirit you away to decadent places). Sadly however, for some unknown reason, this film chooses to stay more in the realm of the mundane than the wondrous. The wasted shame in this is almost palpable.

The film also feels somewhat choppy or disconnected at times. This is especially true quite early, when it begins to touch upon and wander into the mythical almost immediately, but with no real explanation as to why or how those particular scenes tie in with the rest of the film.

Lastly, and most grievously, while all the right words existed for this story to be told ... it seemed to lack a bit of passion or fervor from the storytellers.

All this is NOT to imply that Three Thousand Years of Longing is without its merits.

For one, Swinton and Elba together (although IMO neither delivering their best performances), is still a treat. They are beautiful separately, and together, they are art. Neither however, could elevate the tone of the film because, intentionally or not, the MAIN TONE of several parts of the film, is more cacophony than cadence. It is my friends, also, far darker and sadder in parts, than what may be expected.

Think of it as a bedtime story for adults where the story is entertaining enough, and the pictures are beautiful, but the Happily Ever After may be a tad bland, bittersweet and hard to swallow.

It's pretty slow paced and isn't action packed at all which was what I expected heading in. I was excited to see it but it didn't seem to be as good from the people who watched it early which lowered my expectations.

The movie's all about story telling of a djinn's former lifetimes. It's definitely one of the more unique films released this year, it's filled with grand and vibrant visuals, it shows you his memories as they're narrated and the whole movie ekes magic because if it. As far as djinn stories go it's not as original but the way it's told makes it feel like something new, sets it apart from Disney's Aladdin.

In the second half of the movie it moves away from the magical ambience and becomes a romance between the two protagonists that have only loneliness in common. Idris Elba and Tilda Swinton gave great performances; however as the whole premise of the movie is storytelling, it does lack depth and emotional pull which could've elevated it from just a good movie to a great one. Because for something that only wants to tell stories, it's a little disappointing that the visuals were the most captivating thing about it. It also feels much longer than it is, I don't think it should have been paced quicker but they should have just given the audience some more depth or thrill.

It's a very zen movie, it doesn't flactuate, no highs and lows which makes it quite anticlimactic and movies like that are rarely memorable. It tells stories that happened over 3000 years, that's a lot to unpack in such a short time so it makes sense they couldn't unravel it all, but that unfortunately left me with the feeling it had so much more to offer. Little sparks of something special that never came to be.