Ele quer viver uma vida simples e ser um bom pai para sua filha. Mas quando a filha adolescente de seu chefe, Jenny, desaparece, ele é chamado para reempregar as habilidades que o tornaram u... Ler tudoEle quer viver uma vida simples e ser um bom pai para sua filha. Mas quando a filha adolescente de seu chefe, Jenny, desaparece, ele é chamado para reempregar as habilidades que o tornaram uma figura lendária nas operações secretas.Ele quer viver uma vida simples e ser um bom pai para sua filha. Mas quando a filha adolescente de seu chefe, Jenny, desaparece, ele é chamado para reempregar as habilidades que o tornaram uma figura lendária nas operações secretas.
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Avaliações em destaque
Surprisingly, there's a pretty eccentric cast of villains here however, it always remains Jason Statham's movie and him doing his usual extremely serious shtick carries this one as usual. Once again, he's playing squarely to his strengths and it's seriously impressive how him playing this type of character for the umpteenth time doesn't feel anywhere near as stale as when his fellow contemporaries stay in their respective lanes.
David Ayer's direction isn't as strong as his efforts in last year's The Beekeeper whilst keeping the film consistently visually slick despite a couple of weird creative flourishes. The action is unexpectedly choppy when also compared to Ayer and Statham's last collaboration, saved by the stuff that's still easy to see and a wild action packed finale. The overdone score by Jared Michael Fry really helps to nail the throwback feel this is going for.
Jason Statham is well within his comfort zone in this action B-movie. The action is fun. The production is pretty good and better than the average B-movie. The story is fine. Jenny should probably be Levon's daughter instead. The villains are comic-book adjacent. They should really stop asking, "Why he's doing this for one girl?" It gets annoying and dumb. I thought he should leave those missing person flyers every time he kills a gangster. This is mostly fine for what it is.
It helped seeing this in RPX the sounds were incredible, I don't understand why that showing is only available at the end of the day makes no sense. I loved the last half the most awesome action.
Sure the plot is basic: Levon must rescue his employer's daughter from a gang of russian traffickers, the universe of which is deeper than expected. But the action is good, the filming is well executed, the music is nice and complements the story well, and Jason Statham is, well Jason Statham.
I definitely recommend the watch for his fans or for people that just want to enjoy a simple action movie, perfect for a sunday evening. Enjoy!
Even in a mediocre film, Jason Statham always clocks into work, and Levon Cade is no exception. Whether it's his superb fighting skills or his ability to make weak dialogue sound 100 times better, and I'll get to the screenplay, Statham never manages to underdeliver.
Next, while not as fun or as present as "The Beekeeper," the action was (mostly) enjoyable. That can be because of Statham and the solid directing from David Ayer. Many of the action scenes were riveting, and one motorcycle chase scene is one I'll likely remember.
Outside of that, some lines of dialogue were funny and powerful, Shawn White's cinematography was great, and, as I said, David Ayer does a strong job directing-wise.
As much as I wanted to like it, there are too many flaws that I can't overlook.
To start, the screenplay from David Ayer and Sylvester Stallone was weak. If I had any concerns beforehand, Stallone was one of them. He's far from a bad writer, penning the scripts of installments in The Expendables and Rambo franchises. However, I feared that this film would parallel some of their plot points, and they do, especially "Rambo: Last Blood," given that Cade must save his boss's daughter from human traffickers. Aside from the action in the final act, I don't like that franchise closer, but "A Working Man" is better.
The screenplay creates a story I didn't get invested in. Maybe it's because of familiarity, but "The Beekeeper" wasn't entirely original either, so I'm okay with a generic Statham movie. This narrative was too much for me, though.
Finally, it's possible that "The Beekeeper" set my expectations, but regardless, this film was way too serious for its good. Again, it revolves around human trafficking, and they would take it seriously, I get it. It has many moments that try to be comedic as if to indicate that it'd balance the subject matter with the Jason Statham entertainment people like myself expected, not just exclusive to that prior Statham/Ayer offering. Ironically, one of my issues with "The Beekeeper" is the seriousness present, but it mixed the topics of scamming elders with exhilarating action better than this follow-up.
Overall, "A Working Man" was Taken Lite meets Rambo Raw, not the unofficial sequel to "The Beekeeper" I hoped it'd be. Then again, they announced that sequel weeks earlier, and I'm incredibly excited to see what they do. As much as I can't forgive the issues, I understand you may be able to. If The Expendables and Rambo are your thing, even their weaker installments, you'll enjoy your time here.
Technically, the screenplay holds it back, but the acting, directing, and cinematography make the technical score a 6/10.
For the enjoyment score, there's potential for a 7/10 experience if you can ignore the issues I discussed in this review. Otherwise, a 5/10 enjoyment score will more or less be the result. It was a disappointing day at the office, but the action may justify going to the theaters!
Você sabia?
- CuriosidadesShooting on this film commenced straight after shooting for The Beekeeper (2024) wrapped, with many of the film crew staying on in England to shoot scenes for this film.
- Erros de gravaçãoAt 33:51 Leven follows Wolo" Kolisnyk, Captain of Russian Mafia who takes off in a Black Mercedes S Class with silver wheels, standard stock. During the drive it's suddenly a S Class with black wheels and tinted out windows, when the captain arrives it's the standard silver wheeled non tinted S Class again.
- Citações
Merry Cade: Where's Grandpa? He's never late.
Levon Cade: He's not answering me.
Merry Cade: I sent him, like, 20 messages.
Levon Cade: I'm sure he's fine.
Merry Cade: You didn't kill him, did you?
Merry Cade: Dad, I'm kidding
Levon Cade: Do you trust me?
Merry Cade: Yeah.
Levon Cade: So, if I tell you something, you know you can believe me, right?
Merry Cade: Okay, the build-up is just making it worse.
Levon Cade: I made a big mistake.
Merry Cade: Oh, my God. You did kill Grandpa.
- Cenas durante ou pós-créditosThe opening credits montage tells the backstory of Levon Cade and his combat journey with friend Gunny Lefferty.
- ConexõesFeatured in Jeremy Jahns: A Working Man - Movie Review (2025)
- Trilhas sonorasRun Game
Performed by Lupe Fiasco
Written by Lupe Fiasco (as Wasalu Jaco), Simon Jamal Johnson and Charles Patton
Courtesy of 1st & 15th Productions
Published by Chillys Music, Man Behind Bars Music, admin by Me Gusta Music
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- A Working Man
- Locações de filme
- Chicago, Illinois, EUA(Outdoor Scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 37.000.711
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.510.312
- 30 de mar. de 2025
- Faturamento bruto mundial
- US$ 88.100.711
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1