63 Up

In 1964, the short film "Seven Up!" appeared on British television. Its focus was on fourteen seven-year old children of different class backgrounds expressing their aspirations in life. Every seven years, a sequel was made re-interviewing the subjects as they expressed their current (at the time) life situations, concerns, and again, their outlooks for the future. "63 Up" focuses on most of the original fourteen post-middle age.

This film is part of a superb periodic series which uses great editing from its prequels to show the passage of time. The current film has special relevance as it is at the time of life when mortality is rearing its head.

Most of the subjects have lead rather conventional lives but there are a few exceptions particularly a man (Neil) who had great difficulties in his twenties and has had fascinating, unpredictable changes since then.

"63 Up" not only covers changes in the lives of the subjects but occasionally the changes in the world itself or at least in the UK. This includes discussions of the subjects' adult children who will likely face financial difficulties compared to their own prosperity as baby-boomers. In some ways, there could have been more talk on such worldly changes although Tony, a taxi driver, is blunt in describing how the rise of Uber has affected his livelihood.

The rare time an interviewee is asked about Brexit, it was always a man. There are only a handful of women (four out of the fourteen) interviewed and the omission of asking them questions on the state of the world reflects an attitude in earlier clips when as girls or young women, they were asked only about ideals of boyfriends, husbands, and children. Thankfully, an older clip is included in which one of the gals confronts the interviewer/director (Michael Apted) on this - and quite strongly, too.

While many of the stories have much in common and occasionally seem ordinary, it is still easy to care for these people after all these years. - dbamateurcritic

Each time a new instalment arrives, my admiration and respect for the participants grows. They show a real and courageous dedication to the series and its importance, and I'm always mindful that the effects from this level of exposure have not always been positive for them.

Michael Apted has, at times, been guilty of some insensitive and perhaps inappropriate questioning, and has been taken to task quite robustly by his interviewees. And rightly so. It's academic now as to whether or not Mr Apted, a very successful international film director, has actually possessed the empathy to make him the right person to steer this project. But then, without some of his deliberate provocations, would there have been the great, intense moments we've seen? The result, for better or worse, is a sum of all its parts.

It's been a real privilege to visit these old friends every seven years, and share their lives' success, failures, loves and tragedies. In a world full of celebrity for its own sake and superficiality, there is an authenticity here that is rarely found. They deserve our thanks for sharing part of themselves with us. They certainly have mine.

The graying and mortality of the Up family takes center stage in the ninth installment of this incredible landmark series. One member has passed away and another is gravely ill as children and grandchildren dot the reunions and monopolize conversation and concern. Retired or nearing it they all show little to no regret in most cases with all for the most part satisfied with the way things have turned out this far along. There have been disappointments and setbacks but hope springs eternal in all as they look to the future well aware they are past their peak but still have something to offer and look forward to.

I adopted these distant relatives decades back and always look forward to the reunions where I get to catch up with them. It has been interesting watching them grow and mature over time as I have aged with them. Holding up a mirror to my face, mulling over the same questions director Michael Apted poses to them and their responses it remains a cinematic experience like no other for me. Hopefully I'll be around with the rest of them for the next chapter.

The 9th episode of an epic documentary series that I really think everyone should watch at some point in their lives. It is so powerful with its simplicity honesty that anyone can easily find something relevant to them. Witnessing how people change over the years but also how they don't change, understanding the importance of our early years and how they shape our future, the goals that we want to achieve in life and the ones we fail to achieve. It's all here.

A group of people from different backgrounds who were born in 1957 are interviewed every 7 years. (p.s. need to start from first one "Seven Up")

For half a decade, people have been astonished at Richard Linklater's BOYHOOD, a movie shot over the course of more than a decade, using the same cast.... as if Michael Apted had not been doing the same thing as a documentary for more than half a century since, as a researcher at ITV, he had been a part of the landmark SEVEN UP (1964) and ever since writer, interviewer, director and occasionally the object of his subjects' scorn for his old-fashioned attitudes.

The first one took the quote "Give me a child for seven years, and I will show you the man" and offered to check in every seven years to review the result. Now, as the subjects face retirement, one has died, and others are looking forward to the endings of their lives, they are called on for review. Is that seven-year-old still with them? What have they learned from the 'program' and is it of any value? Is the class system so evident a lifetime ago still in place? How do they feel about Brexit?

I think the series has been a remarkable achievement, and as a survey of the Baby Boomers, fascinating. It's a pleasure and an education to watch these people show up, grow up, and become, slowly and eventually, themselves, typical and unique.

Apted has called the situation for 70 UP (2026?) "fluid". He himself will be 85 if it comes out, along with many death notices for such of the original subjects that yet survive. It's possible, I suppose, but I'm a couple of years older than these people, and there is, therefore, some doubt I will be around to hear from my old friends from Britain. I wish them all well. They have not been easy friends, but they have been far more honest about who they are than most people I know.... or me.