Garota de Fora

This series actually has a promising premise, but in practice it seems to have lost its way. Some episodes really have viewers on the edge of their seats, some episodes are subpar. And please note, that all the settings are in schools so the development of the story is limited. For me personally, it should only be 8 episodes, not 13 episodes.

Horror series. Great mood. Kind of J-horror crossed with outer limits crossed with grindhouse. Very naturalistic setting And performances, but insert this super creepy lead actress. Definitely uncomfortable, which is a good thing for a piece of art like this. I like that it doesn't give away where it's going as a series right away.

I predict this will be remade in US in English. It's good enough and different enough.

Homegirl really out here gatekeeping, gaslighting, and girlbossing.

In a way. Oh boy is this a nasty little show. I pretty much enjoyed every episode. Nanno is something else! There are some aspects of her character that reminds me of Tomie. The lead actress is just right for the part & the first time I heard that laugh it creeped me out. I won't give anything away but I will say this...... Some really wild stuff goes on in this show. These kids are NUTS & Nanno is just the "person" to crack them.

While not the most technically proficient series, 'Girl From Nowhere" is entertaining, perplexing and totally Thai. Most of the episodes end up with morality tales that don't always fit western mores. You almost expect typical lessons learned, but this show surprises with its sophistication in grappling with societal issues, especially involving young people. It doesn't take itself too seriously, dropping in scenes (like the one in ep 2 with the main character dancing to herself in the schoolyard) that you don't expect. The acting is not that great although the main character is played admirably by a stoic-faced Chicha Amatayakul. Her devious, trouble-making actions put all other characters in tricky positions they have work their way through. Amatayakul's inscrutable demeanor captures the coldness of this mythic creature, whose origins we are never sure of, then explodes with wicked laughter at the malleability for evil in all humans. She carries the series. Special note should be made of the music which is wonderfully low-key and unobtrusive, used sparingly at the right moments to elevate the action. The theme song is equally fine with its Brian Jonestown Massacre shoegaze vibe.