Shanghai-based Linmon Pictures is hoping another ambitious slate of high-end period dramas will give a boost to its expanding international business.
On the second day of Tokyo’s Tiffcom entertainment market, which runs in parallel with the Tokyo International Film Festival, gave an update on its ongoing mission to diversify beyond the domestic China market. The company touted a slew of new period dramas it has planned for 2025 and 2026, as well as projects in other genres.
The company’s slate includes four costume dramas spanning various hybrid genres. Moonlit Reunion is a fantasy drama starring Xu Kai and Tian Xiwei, set “in an interwoven world of demons and Chang’an city, creating a distinctive supernatural atmosphere.” A Dream within a Dream will be a period romantic comedy featuring Yitong Li and Yuning Liu, “combining traditional Wei and Jin aesthetics with cyberpunk elements to fuse ancient culture with futuristic mechanical design.
On the second day of Tokyo’s Tiffcom entertainment market, which runs in parallel with the Tokyo International Film Festival, gave an update on its ongoing mission to diversify beyond the domestic China market. The company touted a slew of new period dramas it has planned for 2025 and 2026, as well as projects in other genres.
The company’s slate includes four costume dramas spanning various hybrid genres. Moonlit Reunion is a fantasy drama starring Xu Kai and Tian Xiwei, set “in an interwoven world of demons and Chang’an city, creating a distinctive supernatural atmosphere.” A Dream within a Dream will be a period romantic comedy featuring Yitong Li and Yuning Liu, “combining traditional Wei and Jin aesthetics with cyberpunk elements to fuse ancient culture with futuristic mechanical design.
- 31/10/2024
- por Patrick Brzeski and Abid Rahman
- The Hollywood Reporter - Movie News
Shanghai-based Linmon Pictures is preparing to go where few major Chinese TV studios venture — overseas.
On the second day of Hong Kong’s Filmart entertainment convention, the premium TV producer unveiled an ambitious plans for a slate of local-language TV projects targeting the Korean, Thai, Indonesian and Taiwanese markets. The company says it will produce at least 10 non-Chinese TV series for the Asia-Pacific region in the next two to three years.
The domestic Chinese TV audience is so enormous that few local private studios have bothered pursuing neighboring countries’ far smaller entertainment markets in any meaningful and consistent way. Linmon’s CEO Yuan Zhou says he began contemplating getting more involved internationally after Linmon began receiving a growing number of offers for remake rights from production companies from around the region.
“We’ve had a lot of demand from international platforms and distributors for our Chinese-language series,” Zhou says. “But...
On the second day of Hong Kong’s Filmart entertainment convention, the premium TV producer unveiled an ambitious plans for a slate of local-language TV projects targeting the Korean, Thai, Indonesian and Taiwanese markets. The company says it will produce at least 10 non-Chinese TV series for the Asia-Pacific region in the next two to three years.
The domestic Chinese TV audience is so enormous that few local private studios have bothered pursuing neighboring countries’ far smaller entertainment markets in any meaningful and consistent way. Linmon’s CEO Yuan Zhou says he began contemplating getting more involved internationally after Linmon began receiving a growing number of offers for remake rights from production companies from around the region.
“We’ve had a lot of demand from international platforms and distributors for our Chinese-language series,” Zhou says. “But...
- 14/03/2023
- por Patrick Brzeski
- The Hollywood Reporter - Movie News
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