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Uma mãe com doença terminal arranja para reunir sua família uma última vez antes de morrer. Um remake do filme dinamarquês de 2014 'Coração Silencioso'.Uma mãe com doença terminal arranja para reunir sua família uma última vez antes de morrer. Um remake do filme dinamarquês de 2014 'Coração Silencioso'.Uma mãe com doença terminal arranja para reunir sua família uma última vez antes de morrer. Um remake do filme dinamarquês de 2014 'Coração Silencioso'.
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Greetings again from the darkness. Even though death is imminent for each of us, we don't all get the opportunity to say goodbye to loved ones. For those who do, it may not go as smoothly as they'd imagined. This is especially true if they are choosing to end things on their own terms due to a terminal illness. Roger Michell (NOTTING HILL, 1999; VENUS, 2006) directs this remake of the 2014 Danish film SILENT HEART (directed by Bille August), both written by Christian Torpe.
Family matriarch Lily (Oscar winner Susan Sarandon) has a terminal illness, and has arranged for the family to return home for one final get-together. See, Lily, with the assistance of her doting doctor husband Paul (Sam Neill) is planning to 'go' on her own terms, while it's still physically possible for her to take the medicinal potion. "Death with dignity", or euthanasia, is becoming a more frequent topic in films and conversation, despite still being illegal in most states. Of course, the legal and moral questions are heavily debated, but when it's a family member, it's the emotions that heat up.
First to arrive is eldest daughter Jennifer (Oscar winner Kate Winslet) and her husband Michael (Rainn Wilson, "The Office") and their son Jonathan (Anson Boon, CRAWL). Kate is the uptight, demanding type who is always judging others - including her nerdy well-meaning husband, and her free-spirited son. The younger daughter Anna (Mia Wasikowska) arrives with her partner Chris (Bex Taylor-Klaus, "The Killing"), and it's immediately clear that Jennifer and Anna are personality opposites (with some baggage), and that Anna is carrying an unspoken burden. Last to arrive is long-time family friend Liz (Lindsay Duncan), who is so close to Lily and Paul, that the family photographs show her on many family vacations and events over the years.
This has the look and feel of a stage presentation, as most of the scenes are filled with dialogue and occur within the confines of the stunning east coast home, apparently designed by Lily. There is a family walk along the beach and dunes, but most of the run time is filled with interpersonal interactions - some pleasant, some not pleasant at all. In fact, an early (by a couple of months) Christmas family dinner is sprinkled with pot smoking and emotional outbursts. It turns out, not surprisingly, that some of the secrets previously kept, find their way out into the open causing a few bumps in Lily's farewell weekend.
The complexities of family dynamics are amplified in this situation. Who is ready and who isn't, and why, becomes a topic of multiple discussions. We never really learn the meaning of the film's title, but we do enjoy the work of so many fine actors. You might recall Susan Sarandon played a dying woman more than 20 years ago in STEPMOM (1998), and this movie blends two memorable and recent films: FRANKIE with Isabelle Huppert, and HERE AWHILE with Anna Camp. Saying goodbye is never easy, but it sure beats missing the chance.
Family matriarch Lily (Oscar winner Susan Sarandon) has a terminal illness, and has arranged for the family to return home for one final get-together. See, Lily, with the assistance of her doting doctor husband Paul (Sam Neill) is planning to 'go' on her own terms, while it's still physically possible for her to take the medicinal potion. "Death with dignity", or euthanasia, is becoming a more frequent topic in films and conversation, despite still being illegal in most states. Of course, the legal and moral questions are heavily debated, but when it's a family member, it's the emotions that heat up.
First to arrive is eldest daughter Jennifer (Oscar winner Kate Winslet) and her husband Michael (Rainn Wilson, "The Office") and their son Jonathan (Anson Boon, CRAWL). Kate is the uptight, demanding type who is always judging others - including her nerdy well-meaning husband, and her free-spirited son. The younger daughter Anna (Mia Wasikowska) arrives with her partner Chris (Bex Taylor-Klaus, "The Killing"), and it's immediately clear that Jennifer and Anna are personality opposites (with some baggage), and that Anna is carrying an unspoken burden. Last to arrive is long-time family friend Liz (Lindsay Duncan), who is so close to Lily and Paul, that the family photographs show her on many family vacations and events over the years.
This has the look and feel of a stage presentation, as most of the scenes are filled with dialogue and occur within the confines of the stunning east coast home, apparently designed by Lily. There is a family walk along the beach and dunes, but most of the run time is filled with interpersonal interactions - some pleasant, some not pleasant at all. In fact, an early (by a couple of months) Christmas family dinner is sprinkled with pot smoking and emotional outbursts. It turns out, not surprisingly, that some of the secrets previously kept, find their way out into the open causing a few bumps in Lily's farewell weekend.
The complexities of family dynamics are amplified in this situation. Who is ready and who isn't, and why, becomes a topic of multiple discussions. We never really learn the meaning of the film's title, but we do enjoy the work of so many fine actors. You might recall Susan Sarandon played a dying woman more than 20 years ago in STEPMOM (1998), and this movie blends two memorable and recent films: FRANKIE with Isabelle Huppert, and HERE AWHILE with Anna Camp. Saying goodbye is never easy, but it sure beats missing the chance.
Having lived through a similar experience myself, this film does a wonderful job of representing the various facets of a family as the beloved mother comes to the end of her terminal illness. Intensely painfully real. A must see.
This film is really really powerful. I watched it for the stellar cast, not knowing what it was about. I was already in tears half way through the film. It is very well made as well.
First of all I will say that this film and the characters are full of privilege. That she is able to summon her family to this beautiful scenery and enormous house and her husband, the Dr, can facilitate this for her...that is some wealthy privilege. But if you put that aside (I tried) it does ask some really important questions about quality of life and dignity in death. Why can't we choose the manner and time of our passing if we know it is near? If we want to retain some control in a life of uncertainty. Why have a funeral full of people with regrets and words not spoken? Say those last words. Have a good bye. On your terms. I think we should be going this way as a society so I'm glad this movie showed it as a positive. Very well acted, especially all the women.
A film full of emotion and resolution.
This film does a really solid job in capturing family, the arguments, the emotion but also how in the end a bit of understanding is all that it takes to keep everyone stable and happy. The movie is filed with heartwarming and heartbreaking moments which creates an interest contrast much like life itself. The movie adds drama but it's not over exaggerated or overwhelming like in a lot of other similar dramas. The ending is the highlight of the movie, it really shows how acceptance, meaning and happiness are some of the most beautiful moments of life and without them living can be quite challenging. Overall a good drama. Keeps you engaged.
This film does a really solid job in capturing family, the arguments, the emotion but also how in the end a bit of understanding is all that it takes to keep everyone stable and happy. The movie is filed with heartwarming and heartbreaking moments which creates an interest contrast much like life itself. The movie adds drama but it's not over exaggerated or overwhelming like in a lot of other similar dramas. The ending is the highlight of the movie, it really shows how acceptance, meaning and happiness are some of the most beautiful moments of life and without them living can be quite challenging. Overall a good drama. Keeps you engaged.
Você sabia?
- CuriosidadesThere are only eight cast members in the whole film. As such, they have stated that they felt like a family, and would take weekend trips together.
- Erros de gravaçãoTowards the end, when Lily is facing her family; telling them she is done and that it's time, she is sitting with her back to a table. On it, sits a glass containing a small amount of juice. In one of the shots from behind her, the amount of juice has doubled and then reduces again when the camera pans back around.
- ConexõesReferenced in CTV News at 11:30 Toronto: Episode dated 5 September 2019 (2019)
- Trilhas sonorasAllemande (Suite 6, Movement 2)
Written by Johann Sebastian Bach
Arranged by Peter Gregson
Performed by Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson
Published by Chester Music Ltd
Courtesy of Deutsche Grammophon GmbH
Under license from Universal Music Operations Ltd
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Blackbird
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 1.826.670
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Proporção
- 2.35 : 1
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