Uma adolescente começa a suspeitar que a sua mãe lhe está a esconder um segredo obscuro.Uma adolescente começa a suspeitar que a sua mãe lhe está a esconder um segredo obscuro.Uma adolescente começa a suspeitar que a sua mãe lhe está a esconder um segredo obscuro.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 6 indicações no total
Tony Revolori
- Brooklyn Boy
- (narração)
Carter Heintz
- Nivea Boy
- (não creditado)
Conan Hodgkinson
- Winner
- (não creditado)
Erica Jenkins
- Hannah
- (não creditado)
Emma Jonnz
- Elizabeth
- (não creditado)
Steve Pacaud
- Doctor
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Sarah Paulson and Kiera Allen (in her acting debut) provide us with great perfomances, a very special dynamic duo that for that alone is worth watching the movie. Both are the best of the film.
The script, by Aneesh Chaganty (also the director) and Sev Ohanian, is good enough to get to know and develop the two characters, find out what the problem is and reach the climax. It may be a simple story, but it is still excellent.
Finally, what every thriller needs, a good scoring, is achieved in this film thanks to the talented Torin Borrowdale. Without a doubt one of the high points of the film.
It's a light and exciting ride that will keep you on the edge of your seat.
From the writer-director of Searching comes another neatly crafted, briskly paced & delightfully atmospheric mystery-thriller that makes fab use of its genre elements to deliver the chills. Run steadily ratchets up the tension & only gets more suspenseful as plot progresses but the story also loses its sure footing in the final act and fails to separate itself from the crowd.
Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.
It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.
Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.
Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.
It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.
Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.
I love Sara Paulson and she always delivers. Of course, it seems alot like Gyspy & DeeDee story, but it's not exactly the same. It's what also makes the movie that much more thrilling, to know it actually happened and happens more then we think.Either way, it's a very good and a definite must watch, especially during quarantine if you like thrillers! I am sure you will enjoy this movie, it doesn't get boring or leave you feeling as if the ending was missing something.
Sara Paulson and Kiera Allen combine beautifully to play mother and daughter in this twisted thriller. A young, disabled girl is convinced that her mother is hiding a dark secret, surely there's a reason why she's shut away from the outside world.
After a slow start, it opens up very nicely, it's twisted, and will definitive you vibes if Misery.
It is slow to start, but as it develops, it really does gather momentum, and ends with a dramatic climax. You will need to suspend your disbelief, as most of the events are thoroughly non believable, however it is the land of make believe, take it for what it is.
I love Sara Paulson, and this is another example of what a fine actress and is. She knows only too well how to play the psycho role incredibly well.
Very good, 8/10.
After a slow start, it opens up very nicely, it's twisted, and will definitive you vibes if Misery.
It is slow to start, but as it develops, it really does gather momentum, and ends with a dramatic climax. You will need to suspend your disbelief, as most of the events are thoroughly non believable, however it is the land of make believe, take it for what it is.
I love Sara Paulson, and this is another example of what a fine actress and is. She knows only too well how to play the psycho role incredibly well.
Very good, 8/10.
If you're looking for a thrilling and suspenseful experience, this is the right movie for you. The plot twist isn't that dramatic but the plot just keeps drawing you in. Sarah Paulson's acting is world class, and the actress who played the daughter was super convincing as well. I also loved how the scenery was complimenting the gloomy aura of this film. Highly reccommend.
Você sabia?
- CuriosidadesKiera Allen (Chloe) has used a wheelchair since 2014. The filmmakers wanted to cast a disabled actress, stating that Hollywood rarely casts disabled actors for disabled roles. [Variety Magazine]
- Erros de gravaçãoAs a suicide risk, Chloe should have a 1:1 sitter at all times- a staff member, or at the least, a video monitor, to make sure she doesn't try to harm herself. The room should have been cleared of any sharp objects, as well as wires, ties, cords, hospital linens, etc, that could be used to make a noose. The nurse/doctor even acknowledges this risk by not allowing Chloe to use her pen, but commits a grave error leaving her alone in the room.
- Citações
Chloe Sherman: I... don't... need you.
Diane Sherman: You will.
- Trilhas sonorasDo Me Like
Performed by Beatnet
Written by Brandon Stewart
Courtesy of The Math Club
Principais escolhas
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 5.184.368
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 2.39 : 1
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