Nicky Larson et le parfum de Cupidon

Who would have thought it would so faithful and respectful of the source material... It's funny, action's great and it's 100% City Hunter!

This movie is not for everybody. It is primarily aimed at those in their 30s who grew up watching the "Club Dorothée", a french kid TV show in the early 90s that was the first vector of japanese animes in France.

Nicky Larson was the french version of City Hunter, and it was altered a lot compared to the original version. The serious stuff was edited out, the bad guys had silly voices and words, and it all worked to produce a goofy detective series with the heavy and adult themes glossed over. The tone of this movie is aligned with this representation of City Hunter, it's not faithful to the manga, it's faithful to its arrival in France in 1990.

For this reason, Nicky Larson is a cameo trove specifically aimed at those 90s kids. The TV show presenter has a cameo, the french theme singer has a cameo, all the other japanese animes that were shown at the time in France have (not-so) hidden references (Captain Tsubasa, Attacker You!, Saint Seyia, Fist of the North Star, Nobody's Boy: Remi, Dragon Ball, Inspector Gadget, and so so many more). It's a constant.

As a part of this french generation, watching this overflowed me with nostalgia and I was grinning from ear to ear for the whole movie.

But it's not just a nostalgia machine, this is an actual Nicky Larson episode with real actors who play their roles well (I liked the Ryo and Saori actors a lot). Laura (Saori) chases Nicky (Ryo) with her hammer, we see the XYZ board line, we learn about Saori's brother, a crow crosses the screen, we meet a damn ressemblant Mammouth (Falcon). Nicky has perfect aim and kicks ass in pretty well-made actions sequences, especially considering the budget of the movie. As tradition we get the goofy "pervert Ryo" start to a mission, and we end with a "serious Ryo" kicking ass.

I went into this movie expecting another disastrous adaptation, I left it with a broad smile. For the target audience it's a masterful adaptation, but I fear that many of the references might not work outside of France, which would only make it a weird/ok version.

Finally, I give this movie a 9 and not a 10 because that intro sequence is gross, will turn some people off, and is not representative of the rest of the movie.

Still the best anime-to-live adaptation I've witnessed so far. Philippe Lacheau knew his material from front to back, and it shows even in very tiny details only massive fans would detect. This movie is made out of genuine knowledge and passion for the original material and era.

Philippe Lacheau and Elodie Fontan are sometimes hilarious. Really! Nevertheless, the overall result lacks of achievement.

Good story collaborates with France comedy. I hope they have a sequel.

If there's one thing about Tsukasa Hojo's original manga that doesn't hold up, it's the schoolboy ecchi humor that grates on anyone old enough to have touched a breast--that is, most fans of the series by now. This held true in 2019's frankly mediocre 'City Hunter: Shinjuku Private Eyes', but this French adaptation gets it right thanks to a brilliant premise, surprisingly competent action, and nonstop goofs sure to land at least few times.

Most of the comedy comes from the plot MacGuffin, a perfume that causes victims to instantly fall in love, which is a perfect excuse for lots of awkward sexual comedy, nudity, and gay jokes. That last part might make some cringe, but it's strangely effective as a foil for Ryo's usual lechery and doesn't feel mean-spirited. Ryo (Lacheau) and Kaori (Fontan) have great chemistry both as a comedy duo and a couple whose relationship feels fresh and less lived-in compared to other adaptations, i.e. playing will-they-won't-they for over thirty years. Side characters Pancho and Skippy feel slightly out of place as supporting cast, but are hapless enough to lighten the mood during slow moments.

Visually, it takes great pains to stick close to its source material. Ryo and Kaori step straight out of the manga rocking 80's fashion and driving their iconic Mini, and Kamel Guenfoud is uncanny as Falcon (though he sadly never fires a bazooka onscreen). The action is also surprisingly competent for its modest budget and goofier tone. Fights use creative set-pieces without rapid cutting or shaky-cam, including a scrapyard scene (shot entirely in first-person) that expertly mixes comedy and fisticuffs to rival Jackie Chan from the 1993 Hong Kong adaptation. The only disappointment are the villains; they're barely characterized and indistinguishable apart from suit color or facial hair. Still, they work as punching bags and bullet receptacles just fine, and they're at least better than the CGI drone robots from 'Shinjuku Private Eyes'.

Yes, it's goofier and less neo-noir than the source material (being based on the toned-down French localization, 'Nicky Larson') and the mild homophobia could be off-putting for general audiences. But it's finally an adaptation that's not ashamed of its comic-book roots and tries its hardest to entertain and service longtime fans of the series.