Estados Unidos vs. Billie Holiday
Título original: The United States vs. Billie Holiday
AVALIAÇÃO DA IMDb
6,3/10
15 mil
SUA AVALIAÇÃO
Acompanha a Holiday ao longo de sua carreira quando é alvo do Departamento Federal de Narcóticos com uma operação secreta liderada pelo agente federal Jimmy Fletcher, com quem ela teve um ca... Ler tudoAcompanha a Holiday ao longo de sua carreira quando é alvo do Departamento Federal de Narcóticos com uma operação secreta liderada pelo agente federal Jimmy Fletcher, com quem ela teve um caso tumultuado.Acompanha a Holiday ao longo de sua carreira quando é alvo do Departamento Federal de Narcóticos com uma operação secreta liderada pelo agente federal Jimmy Fletcher, com quem ela teve um caso tumultuado.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 12 vitórias e 25 indicações no total
Warren 'Slim' Williams
- Bobby Tucker
- (as Slim Williams)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The title is a tip-off that this isn't going to be a general bio-pic. It's a prosecution of a case. Director Lee Daniels has never been accused of being a subtle filmmaker, but here he and writer Suzan-Lori Parks are weilding a mighty gavel. It's a miracle than novice singer turned actress Andra Day still shines.
The basic facts here are indisputable: Billie Holiday was hounded by the government, had a series of bad marriages and died at a tragically young age (44). Still, Daniels' approach of dwelling solely on the abuses of Holiday's life, whether they be legal, physical, sexual or narcotics- related, does a disservice not only to the singer, but to the 'case' he is trying to make. Daniels uses a catalog of tricks which sometimes work - using 16mm and 35mm film for flashbacks (although using digital 'scratches' on the celluloid is a hoary cliche); And some that don't - a long heroin fueled fever dream.
What's missing here is Holiday's artistry. Her inner soul. She had affairs with famous, successful people of both sexes -- but there's no evidence here of why they would be attracted to her. Surely, she had a wit and a charm that goes beyond being an attractive famous chanteuse. Parks' script focuses on the blunt-spoken, yet needy part of her personality, not her passions.
Day does a remarkable job in a blunt, honest way that isn't all actor-ticks. And, unsurprisingly, the singer shines on stage during the performance scenes. It's a breakthrough for her, even if the film around her is in shambles. One is much better off with one of the numerous Documentaries on Holiday.
The basic facts here are indisputable: Billie Holiday was hounded by the government, had a series of bad marriages and died at a tragically young age (44). Still, Daniels' approach of dwelling solely on the abuses of Holiday's life, whether they be legal, physical, sexual or narcotics- related, does a disservice not only to the singer, but to the 'case' he is trying to make. Daniels uses a catalog of tricks which sometimes work - using 16mm and 35mm film for flashbacks (although using digital 'scratches' on the celluloid is a hoary cliche); And some that don't - a long heroin fueled fever dream.
What's missing here is Holiday's artistry. Her inner soul. She had affairs with famous, successful people of both sexes -- but there's no evidence here of why they would be attracted to her. Surely, she had a wit and a charm that goes beyond being an attractive famous chanteuse. Parks' script focuses on the blunt-spoken, yet needy part of her personality, not her passions.
Day does a remarkable job in a blunt, honest way that isn't all actor-ticks. And, unsurprisingly, the singer shines on stage during the performance scenes. It's a breakthrough for her, even if the film around her is in shambles. One is much better off with one of the numerous Documentaries on Holiday.
The movie is a bit slow at first but then it got me hooked up to it really fast. I loved andra day's performance so much. Everytime she sang, I felt it
I have been a fan of Billie 'Lady Day' Holiday for the majority of my life, and I thought that this movie didn't necessarily depict her life, instead it primarily focused on the government and Billie Holiday due to her drug abuse. I thought that the film depicted her in a pretty bad light, rather than depicting the amazing impact that she had on the world during the civil rights movement in the US as well as impacting the music industry, exploring the important affects and terrible, toxic environment within the industry. However, I did think that Andra Day, who played Billie Holiday, gave an amazing performance of the artist. The performances of the actors and actresses was amazing, all of them combined as they showed the raw, intimate relations between the people. However the major problem with the movie was how they depicted her life and had it primarily surrounding her drug addiction.
This version is so much more like the way I pictured Lady Day. Miss Day did an excellent job. This was raw and much better then the sugar coated Motown version. I would have given it 10 stars but it seemed very disjointed in the beginning.
This movie would make a great triple feature with Ma Rainey's Black Bottom and Judas and the Black Messiah for showcasing racism and injustice systemic and culturally nakedly and honestly. The US vs. Billie Holiday really makes you frustrated in all the right ways and at all the right people but also inspires people like me who didn't know much about this history to learn more and educate oneself since those who don't learn from history...anyway...Andra Day gives an incredible performance and Trevante Rhodes balances the line of someone you want to smack in the face one second and kiss the next. Impeccable gowns and hairstyling add to the glamor and realism of the music being sung so beautifully by her swingin, emotional voice. Day expresses a lot in those eyes tender one minute and giving diva the next. Maybe it's not perfect from a filmmaking point of view but not in any innegligible way and the image of Andra Day screaming with joy and pride in her Golden Globe acceptance speech is enough to make me feel good inside knowing she gave this her all and that her idol would be proud.
Você sabia?
- CuriosidadesThe songwriter of "Strange Fruit", Abel Meeropol, and his wife, adopted and raised the sons of Julius Rosenberg and Ethel Rosenberg, who were executed for treason on June 19, 1953.
- Erros de gravaçãoAt 36:33, an elderly couple of Chinese are speaking standard Mandarin in a restaurant presumably in Harlem. However, Mandarin speakers would have been extremely rare in New York or anywhere else beyond Northern China at that time and for several decades afterwards. Any Chinese in New York and the rest of the States and Europe would have been speaking Cantonese, Hokkien, or some other Southern Chinese dialect, with the exception of the wealthier Shanghainese, who had their own dialect until very recently.
- Citações
Billie Holiday: You know, the people that are hardest on me are my own race. I need help; not jail time.
- ConexõesFeatured in The Tonight Show Starring Jimmy Fallon: Tom Holland/Andra Day (2021)
- Trilhas sonorasPrologue I & II
Written, Produced and Performed by Salaam Remi
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- How long is The United States vs. Billie Holiday?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- The United States vs. Billie Holiday
- Locações de filme
- Montréal, Quebec, Canadá(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 1.312.432
- Tempo de duração
- 2 h 6 min(126 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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