Meu Nome é Dolemite

Rudy Ray Moore (Eddie Murphy) was a true from the streets success. And, a late bloomer, as it were. After years of trying to breakthrough as an entertainer in L.A., the 40-something Moore took some stories he heard around his neighborhood and created the stand up comedian character of the cocky Dolemite. That act lead to underground success with self-released record albums and touring. With the Blacksploitation film genre exploding, it was only a matter of time until Dolemite hit the big screen. Scott Alexander and Larry Karaszewski's script traces those crucial years in Moore's life in the early 70s. A raw, rude and raucous screenplay it is. Director Craig Brewer mostly keeps to the spirit of the writing and lets the dialogue and the acting take center stage. And, with Eddie Murphy delivering a strong energetic performance, it's best to stand back and let him fly. And, soar he does. With the makeup, hair and some extra pounds, Murphy takes on the dynamo persona of Moore/Dolemite. Occasionally, Murphy is "too good" an actor to totally capture the rough hewn Moore, who was more a force of nature than a smooth performer -- but, it's hard to fault him for giving "too good" a performance! Wesley Snipes is almost unrecognizable as D'urville Martin, a "name" actor who Moore lures by letting him Direct. Kodi Smit-McPhee plays Nicholas Von Sternberg* Dolemite's cinematographer straight out of film school who leads a band of young white behind the scenes crew members. The real scene stealer is Da'Vine Joy Randolph as Lady Reed, a small town girl who Moore discovers on tour. The entire cast throws themselves into this with a verge and enthusiasm that is palpable. The movie is a bit too long, with padded exposition and too close a fealty to the bio-pic template, but, as Dolemite himself might say: Who gives a $^@# about that!? You want action? You want laughs? You want some nasty?! We got it all! Listen to Dolemite.

* Note: I've worked closely with Nick Von Sternberg, so yes, it's based on a true person. Very kind gentleman. Indeed, he is the son of master filmmaker Josef Von Sternberg (although he passed when Nick was still a teen). Nick worked for over two decades as a cinematographer before leaving the business.

The movie is a beautifully portrayed story of grit and having the support of a few good people around you.

The writers and Murphy showed Rudy Ray Moore as a real entertainer in that he did not care about displaying his ego to the audience - he just wanted to deliver what he knew the people enjoyed.

His friends did not always share his vision but they supported him until the end anyways. Their roles were played by actors who can project soul into the screen and were shot to make the most out of that soul.

Even the sound track was great and made watching the movie more entertaining and inspiring!

"How'd my life get so small?" Rudy Ray Moore (Eddie Murphy, who's not been this good in 30 years)

Rudy Ray Moore has been called the father of rap and more certainly a force in the blaxploitation movement several decades ago. "Dolemite is My Name" is an entertaining depiction of his rise ( see the above quote at a low moment in his career) to stardom as a recording star and movie actor, but more as a force in the movie enthusiasm for sexy, violent, funny films starring blacks in stories about their own imaginative lives, not those seen through the white lens.

Nothing new is added to the docudrama recipe here, although it would seem to call for creativity itself given Rudy's imaginative genius. Yet, a fine performance by Murphy, who captures Rudy's charming enthusiasm and at times naivete (think Ed Wood), anchors the film in Rudy's genial turn of phrases and gentle put downs, an Oscar nomination for Murphy possible.

The ensemble cast deserves a nod for supporting Murphy's performance, that allows them all to be the stars they wish to be, given that his dominance as star and producer could have eclipsed their performances. The almost whimsical way everyone participates in Rudy's dream creates a warm, energetic, smooth production.

Although the bio could be accused of hitting the "follow-your-dream" theme too heavily, the story of this sometimes down-and -out record clerk is an inspiration for those who love the history of entertainment and may themselves dream of stardom. BTW: The period detail is worth seeing for itself.

Dolemite Is My Name is a production of Netflix, which has become a major studio in a few years. Although the film will be seen streaming for a longtime, this short theatrical run offers the audience a chance to see spectacular costuming and big performances on the big screen. Do it now.

Eddie Murphy is back on top with this biopic of Rudy Ray Moore, the hustler, shameless self-promoter of wildly cornball action-comedies of the 1970s. Murphy has finally found a character to really sink his teeth into...and Murphy relishes every moment of inhabiting the joyful and strangely charming yet naive character desperately searching to simply express himself a an entertainer of the people and for the people. His character is an outsider who elevates other outliers all searching for validation and some simple joys in the midst of working class America.

Murphy is funny, charming, and touching as this flawed heroic character. He deserves all the acclaim for bringing this story back to life and surrounding himself with talented ensemble cast and strong direction and wonderfully zany costumes of the 70s era.

This film is at times foul and other times touching and it deserves your attention throughout as it revels in the joys of telling a story deserving to be told and to be relished and enjoyed by anyone searching for an escape from the mundane or cynical stories prevalent in movies of today.

Greetings again from the darkness. The old flea market adage is "one person's trash is another's treasure", and the same can be said for comedy. What you find obtuse and humorless may be the funniest thing your neighbor has ever seen or heard. No scientist can explain this phenomenon, and it's never been better exemplified than with a scene in director Craig Brewer's (BLACK SNAKE MOAN, HUSTLE & FLOW) latest film. Rudy Ray Moore and his group of friends are in a theatre watching Billy Wilder's comedy THE FRONT PAGE (1974), starring Walther Matthau and Jack Lemmon. The befuddled looks on the faces of Moore and his cohorts can't mask their confusion over the raucous laughter in the theatre and what they are viewing on screen. It's a turning point for Rudy Ray Moore and his next career step.

Eddie Murphy stars as Rudy Ray Moore, and though it's not necessary, having some knowledge of the career of the real Mr. Moore will likely enhance your viewing experience during this exceedingly entertaining, and sometimes riotous biopic. Ruby Ray Moore was a hustler who dreamed of making it big in show business - first as a singer, then as a stand-up comedian, and finally as movie star. His ambition and dreams kept him going, even after others wrote him off. We first meet Rudy as an assistant manager at Dolphin's of Hollywood record store. He's trying to smooth-talk the store DJ (Snoop Dogg) into playing Rudy's R&B records ... one of which is "The Ring-A-Ling-Dong" song. The DJ tells him the time for that music has passed, but the next light bulb soon goes off Rudy. A local panhandler (a terrific Ron Cephus Jones cameo) regales those in the store with tall tales from the 'hood. Rudy decides to fine-tune those tales and turn it into a comedy act.

Add some clothes and attitude and that's how Dolemite was born ... Rudy Ray Moore's onstage alter ego - part pimp, part rapping philosopher. His memorable catchphrase is repeated a few times throughout the film, and I'll do my best to present a PG version: "Dolemite is my name, and 'effing' up mother-'effers' is my game." Yep, now you have a better feel for Rudy and Dolemite. However, co-writers Scott Alexander and Larry Karaszewsi (also co-writers on Tim Burton's ED WOOD, 1994), and especially Eddie Murphy, dig much deeper and provide a look at the man, his friends, and his career pursuits.

It's pretty interesting to see a guy, without much going for him, figure out a strategy that ends up working. Part of his wisdom was in 'knowing his audience'. His own preferences, and those of his friends, played right into what went on stage, on vinyl, and on screen. When a producer tells him his act will only be funny to the 5 blocks in Rudy's neighborhood, Rudy brilliantly responds, "Yeah, but every city in America has these same 5 blocks." It's that kind of instinct, along with his generosity, and understanding his own shortcomings, that allowed him to reach a level of success. The scene where he cuts a deal with uppity actor D'Urville Martin (a superbly funny Wesley Snipes) portrays Rudy's keen sense of persuasion ... he played to the ego.

Eddie Murphy reminds us of his immense comedic talents and how he became such a mega-superstar in the first place. Here, he's not really impersonating or mimicking Moore, but rather capturing his spirit and paying tribute to a man he so clearly respects. The supporting cast is also outstanding. In addition to Mr. Snipes, who we wish had more scenes with Mr. Murphy, Craig Robinson is hilarious as singer Ben Taylor, Keegan-Michael Key is socially-conscious playwright Jerry Jones, Titus Burgess is wide-eyed co-worker Theodore Toney, Mike Epps plays Moore's pal Jimmy Lynch, and Kodi Smit-McPhee (THE ROAD) plays the student-DP. In addition, we get a couple of other cameos from Chris Rock as DJ Daddy Fatts, and Bob Odenkirk plays a film distributor with dollar signs in his eyes. Deserving of special mention is Da'Vine Joy Randolph ("On Becoming a God in Central Florida") as Lady Reed, Rudy's muse and discovery. She is funny and ferocious in this role that should lead to much more work.

The film is produced by Netflix and it screened at the inaugural North Texas Film Festival. The music (Scott Bomar) and especially the costume design (Ruth Carter) are top notch, and contribute to the story and film. Rudy Ray Moore became a Blaxploitation icon at a time when the comedy of Richard Pryor, Red Foxx, and Moms Mabley were popular - so hopefully that gives you some indication of the type of humor the film delivers. Raunchy humor with Kung-Fu action and plenty of skin - that's the formula for the three Dolemite movies, as well as Moore's comedy albums (and their covers). This was a time when dropping Fred Williamson's name garnered instant respect. Some may compare this to James Franco's THE DISASTER ARTIST, but instead I recall Mario van Peebles' BAADASSSS!, a tribute to his filmmaking father Melvin. Hopefully your sense of humor will allow you to find the many laughs in this one, because Dolemite is dynamite ... and that' a WRAP!