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IMDbPro
Judy Greer in Aporia (2023)

Avaliações do Metacritic

Aporia

60

Metascore

11 avaliações · Fornecido por Metacritic.com
  • 80
    Screen DailyNikki Baughan
    Screen DailyNikki Baughan
    Moshe is not the first filmmaker to grapple with theories surrounding the manipulation of the fabric of time but his intimate approach, coupled with strong performances, make this an intelligent homespun take on a familiar subject.
  • 78
    Austin ChronicleJosh Kupecki
    Austin ChronicleJosh Kupecki
    Writer/director Moshé (South by Southwest 2017 selection The Ballad of Lefty Brown) grounds the tension of the various ethical dilemmas in Aporia by focusing more on his characters than on the gimmick of his delightfully lo-tech time murder machine.
  • 78
    Paste MagazineAndrew Crump
    Paste MagazineAndrew Crump
    If Aporia’s airiness gives the story a bit of distance from the world we’re living in right now, the film nonetheless does what good science fiction is supposed to, forcing viewers to bring the future conundrums it raises to their present.
  • 70
    The Hollywood ReporterJordan Mintzer
    The Hollywood ReporterJordan Mintzer
    Greer, Gathegi and Maadi are all on-point as regular people facing spatial-temporal realities the impact of which they fail to fully grasp until it may be too late. Sure, they’ve changed the world, but be careful what you wish for.
  • 70
    Los Angeles TimesRobert Abele
    Los Angeles TimesRobert Abele
    Conquering time travel may be a big deal, but Greer’s affecting portrait of a woman processing a second chance keeps the miracles of Aporia grounded and not flashy — a portal to human epiphanies, not digitally rendered spectacle.
  • 67
    Collider
    Collider
    While the narrative is rooted in the use of a sci-fi device, the film is rather light on traditional elements from the genre, relying almost entirely on the personal relationships of the characters and their shared memories to tell a story about the ripple effect one life can have on even the tiniest details of the world around them.
  • 63
    Washington PostPat Padua
    Washington PostPat Padua
    To reference yet another cultural touchstone, Aporia comes across like an expanded, indie-film version of “The Twilight Zone.” It’s never going to set the world on a new and unfamiliar course, but it does its job well enough.
  • 50
    Movie NationRoger Moore
    Movie NationRoger Moore
    The conclusion has a rough logic to its consequences, but seems arrived at abruptly. Big emotions we expect never quite arrive after that first “machining.”
  • 42
    IndieWireSamantha Bergeson
    IndieWireSamantha Bergeson
    The film’s script doesn’t have the emotional complexity to bolster emotion toward Sophie and Malcolm and their tangled predicament.
  • 40
    The New York TimesJeannette Catsoulis
    The New York TimesJeannette Catsoulis
    A deeply silly time-travel weepie buoyed solely by the soapy warmth of its performances.
  • Veja todas as 11 avaliações em Metacritic.com
  • Veja todas as avaliações externas sobre Aporia

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