Vozes do Amanhecer

Story-wise, it starts with a couple driving towards an old castle at night. The husband is an imposing one, the wife forbearing. The place which the wife is supposed to inherit, the richer of the two, has been left in a derelict form. It is a place, not simply housing unknown horror, but a locus to test their character i.e., habit, disposition, and morals.

The rest shall be left for the viewer to find out.

The movie has a multilayered narrative. It expects a lot of competence from the viewer's side to make sense.

The cinematography is magical. A love letter, indeed.

The sound editing is fantastic. And performance? To quote from the movie "You were born for this role".

The film students and nerds "of the higher order" will certainly be busy breaking it down piece by piece and then pulling it together again to see what becomes of it. But the average viewer with expectations of good old thrills and jump scares are not going to be able to enjoy it to the end.

It is a movie that not only pays homage to the horror cinema of the late 60s and early 70s but attempts a critique with the purpose of turning movies of the yore inside out. Does it succeed? By large, Yes.

But the more important question is this: as an average viewer do you really want to witness this success?

While this film already perfects the art of the Euro horror homage, it transcends all that in the second half and becomes a profound and intelligent meditation on eternity, relationships, being trapped & forgiveness.

A rewatch is a must since I definitely missed a lot from my first viewing, but can't wait to watch this one again!

Bravo!

Whether you love the movie (like I did) or hate it (as some surely will) - one can't help but admire Dawn Breaks Behind the Eyes for it's brazen attempt at narrative structure that succeeds in averting expectations again and again.

The film deals with the idea of being trapped in interesting ways.

Whereas the characters are quite literally trapped in space and time, wether in the castle as a whole, or locked into a room, the theme goes much deeper than that.

Similar to people unknowingly being stuck in a painting or in an endlessly repeating movie forced to live through their mistakes, these characters are stuck in patterns and bad relationships, hoping for their partners to change instead of taking responsibility and changing themselves by ending the relationships and thus breaking the cycle.

The director does this by exploring a relationship from different angles and realities, first offering a glimpse into the fictional creation of this relationship before diving into the meaning behind it all and how it relates to their reality. Fascinating stuff!

Casual viewers might find the story nonsensical or confusing, but those who are willing to explore it's endless puzzles will be deeply rewarded.

While I was expecting a somewhat decent homage to gothic horror of the 70s, Dawn Breaks Behind the Eyes goes much deeper.

Now, don't get me wrong - the film is a loving tribute to Euro horror of the 60s and 70s and especially fans of Bava and Rollin will be sure to have a great time - but I was particularly impressed by the shift (both narratively and in tone) the story takes around the halfway mark.

Without spoiling anything, I can say that the story evolves and morphs into something much more profound and thought provoking than it first appears - resulting in a unique cinema experience that is as visually captivating as it is clever.

Dawn Breaks Behind the Eyes tells the story of a disruptive couple in a '60s gothic setting.

Margot (Luisa Taraz) has inherited a castle, which is visited with her curmudgeonly husband Dieter (played superbly by Frederik von Lüttichau).

The first half skillfully delivers a psychogram of this toxic relationship, amid the surreal castle where space and time seem to have their own rules.

But it is in the second half that the film takes an unexpected new direction - and everything that happened before is reinterpreted once again.

Visually stunning with a great soundtrack and very clever screenplay, this is definitely a film that needs to be watched a second time to fully grasp all the different layers hidden in the story.