Escalada Mortal

The writers, producers, and directors put a lot of love into this movie. The actors were excellent and the climbers were superb. The story line was actually great... a lot of characters you really feel for in the end. The shots were amazing, really took my breath away. For any climbers out there, they actually had real climbers doing crazy stuff; awesome to see. In most climbing movies, the story lines are cheesy and just TOO fictional; they also usually have non-climbers trying to act out climbing scenes and it just looks BAD. Definitely NOT the case in Summit Fever. You can tell the actors actually trained in the sport before climbing, and the stunt doubles were real pros. Plus the stories of love and friendship were genuine and real. Icing on the cake was the super 8 film video at the end. Overall the movie was beautiful and acting was phenomenal!

In this era, only the movies with heavy CGI get the good ratings.

Movies where Actors stay safe in a studio and everything else is made of fiction.

This movie is great, climbing is real, the snow is real, the mountains are real.

It's not a blockbuser , it's not gonna win academy awards. But it's got emotion it's got great mountain views,it has tension and it has a simple,but good story.

Hands down to the producer and all the actors, they have made a great job and I'm sure it wasn't an easy one

I love mountain climbing films so I said I'll give it a try. Ryan Philippe was the only actor I knew , although I don't know the other ones, I really liked them and they all made a great contribution to this. Freddie Thorp is a young actor but he sure is talented.

Definitely worth watching this!

Half of Summit Fever is watching people climb. I know that may not seem like a criticism when that's what the movie is about. But you need more than that for it to feel like a real movie. I might as well watch a documentary or real footage of climbers.

The other half of Summit Fever is the most basic and useless character development and story setup. They throw in a love story that actually works but isn't necessary and doesn't make up for the rest of the movie.

I don't have much else to say. This movie is extremely boring with almost no intrigue. The main part of the story, the biggest mountain they will climb, doesn't happen until 70 minutes into the movie. By then I was mostly checked out. (1 viewing, 3/27/2023)

Mountain climbing has been one of my great lifelong passions, therefore I rate this film highly. It captures the beautiful romantic but sometimes tragic obsession of the mountaineer for climbing higher. And it recognizes their sacrifices - of their personal relationships and often of their very lives. Climbing can be an aesthetic madness, an unquenchable fever that drives one to the very heights of extreme sport. It's not for everyone.

The photography of the Alps is simply breathtaking, highlighting the sharp, impossibly rugged summits in every direction. The technical climbing details portrayed are very accurate - the filmmakers here obviously know the climbing arts very well.

A couple of times a year, this film is shown on a local TV movie channel, and I always watch for it and never miss it. I love its homage to heroic mountaineering, and I appreciate it more each time I see it.

In my opinion, the most glaring part of this movie is the one black character, Rudi, that appears in the beginning of the movie as part of the group, but then suddenly disappears, appearing only in the background until the last half of the film, and then disappears again. He's the only character whose story never gets fleshed out in any way, and never gets an official ending. Sad to see tokenism is still alive and well.

Other than that, it's an engaging film, the climbing scenes are done very well, and I found the lead actor particularly talented. However, one other oddity of this film were the touches of old school nods such as the disposable camera, the film camera, the 1950s looking radio, etc.. If you enjoy films about climbing and climbers, you'll probably enjoy this film.