Longing

I gave a little hope to this movie because of the casting and a breif storyline introduced. However, at the end, I could not understand why the people involved in productionbwould think the story is fine and really made it happen. What a disappointed movie which absolutely wastes my time and triggered my anger after that.

A father who never knew his son before made a series of stuipd and silly things but everyone around him also did the same. I could not see any love from this movie but just non sense actions and decisions made.

If anyone finds difficult in sleeping, this movie may help you.

Wow. Such a great script, such a great thriller. Perfect acting, charismatic actors .. just a delight.

Haven't seen anything like it . Went from laughing to crying to laughing again. So much conflict , so much sanity!

The critique? Alright, I'll spell it out considering the polarization of this movie.

My critique is about the son's actor, not resembling any of the parents in grace or beauty, and about the dream. The dream could've been less .. erotic, but I guess it is rather realistic that way.

It is so rare to find art that is so uplifting and hopeful .. and representing reality accurately.

Praise God!

In uncomfortably odd drama "Longing" Canadian Suzanne Clément suddenly tells ex-bf NY mogul Richard Gere that after they split up 20yrs ago she had his son... who's now just died in a car crash. Cue Gere taking off to Cambridge, Ontario to learn some harsh truths about the lad (from the likes of Diane Kruger) while engaging in some pushy and downright bizarre behaviour (like arranging a wedding between the dead son he never knew and a dead girl that the boy had also never met). What writer / director Savi Gabizon was going for in remaking his own 2007 Israeli original (of the same name) is unclear... but the result's perplexing... and not in a good way. Flush it.

Longing is an English reboot directed, written and partly produced by Savi Gabizon, who released a similar French Hebrew version called Ga'agua in 2017.

Businessman Daniel Bloch (Richard Gere) lives a rich life and never wanted children. When he learns from an old girlfriend that they had a son, but he has died, Daniel decides to immerse himself in the old life of his unknown, surviving son. In this way he learns about his life choices and is confronted with the mistakes he has made. He tries to correct these, so that he can leave him with dignity.

Despite the fact that this is a reboot of an earlier, similar film, you would expect the writer-director to have worked it out a bit more. However, there are logical details missing, which makes the film seem vague, far-fetched, or sometimes unintentionally comical instead of truly dramatic or emotional.

Because the father tries to live the life of his surviving son, many moments come to the fore in the film. Because you as a viewer have not really experienced this son, this revival seems rather long-winded than really emotional. Many scenes also go on for too long or have unnecessary, short scenes between the events.

Due to the lack of good direction and writing direction, the cast members also seem somewhat uncertain and unclear, which means you do not really care about their characters. The strange choices they make only make this more difficult.

I enjoyed this film a great deal, not least because of Richard Gere's deeply convincing dramatic portrayal of Richard Bloch, a man who becomes obsessed with the son he never knew, and who becomes determined to find validation of himself through the boy he never met. The story unfolds slowly, gradually disclosing its secrets only, it would seem, incidentally. Meanwhile, Bloch discovers in himself, the dutiful son, also what might have been a doting father. Sidetracked from the vocation of fatherhood, he becomes a successful, if insular individual and it's only through the unexpected encounter with a child he never met, does he engage with the promise within himself that had gone unrealized - even as his expectations are diminished and the idealism of fatherhood is laid bare by a son, who, finally falls far short. It's a brilliant study in paternal love and longing, imo, and wonderfully acted by all. Gere's performance, was for me, a revelation. I simply never expected this of him. Offbeat, and quite dark, this film will appeal to people who enjoy stories from life; who are ok with the unconventional, and engage with life's complexities.