The Garden of Evening Mists

I never read the book here, so I didn't know what I was in for when I stumbled upon the 2019 movie "The Garden of Evening Mists" here in 2022. I saw that the movie had Julian Sands on the cast list, and that was all I needed to know, as he is one of my favorite actors.

The storyline in "The Garden of Evening Mists", as written by author Twan Eng Tan and then made for the screen by writer Richard Smith, definitely was a beautiful and heartfelt story. It is difficult not to get swept away by the storytelling here and investing emotions into the characters and situations portrayed in the movie, especially since it is all so very realistic and down to Earth.

Director Tom Lin managed to put the script into a beautiful visual movie on the screen, one that I think will have a wide appeal to a broad audience. Because there is something for just about anyone to take away from a movie such as "The Garden of Evening Mists".

The movie jumps between Cantonese, English and Japanese language, but does so very nicely. And having these natural languages in the situations appropriate adds so much realism to the movie. And the movie also jumps between the past and present, letting the audience follow the characters in different times. This was also done very nicely, and brought lots of layers to the movie as well.

Something that definitely carried the movie a great long way was the cast ensemble. The movie has some pretty amazing names on the cast list, with the likes of Angelica Lee, Sylvia Chang, Hiroshi Abe, Julian Sands and John Hannah. It was good performances from the cast ensemble, and they brought the characters and story to life in a very enjoyable manner.

"The Garden of Evening Mists" was a pleasant surprise of a movie, one that provided me with genuine entertainment. However, I think the pacing of the narrative might throw off some viewers, as it is a somewhat slow paced narrative.

My rating of "The Garden of Evening Mists" lands on a six out of ten stars.

Were there moments while I was watching this film that I became distracted way too many for my taste but after the movie was finished I actually sat back and thought about it I'm not Asian and I know that Asian people like so many other people approach things differently based on their culture this was not a movie to excite or entice it was not to show the comfort women or the incredibly cruel Japanese army Or the downtrodden Malaysians or even the upcoming communists or for that matter the colonizing BRITs it was basically a love story a strange one but a love story and when I was pondering that I thought how that could apply to anyone anywhere that has faced adversity and who has come out of it one way or another so I was very touched by it and I'm very glad that it was made and I was able to view it.

This movie should be lauded for ambition. Tackling an issue like comfort women isn't going to be easy. Compound it with other heavy weights like loyalty, independence, then adding intrigues like the gold of Yamashita and trying to present them in a digestible package under 2 hours, the problem is obvious. The central love theme could not be developed convincingly. In a more assured hand like Ozu, the quiet scenes could have been really evocative. With some one like Kurosawa, the tension of the hanging, violence of rape or unstated pressure of recall etc would have been palpable. Instead it is presented rather without emotion. Even the pain of the tattoo just could not lift beyond the screen. But credit must be given to the producers and director for their attempt. Sufficient time has passed for the history of WW2 to be visited with an objective eye. Hope HBO would continue to put their resources into making such movies.

As a Malaysian myself, it was odd watching such a well made film; in fact I would go as far as to say that I am equally astonished and blown away by this movie as it was just so darn good. Well, the movie has been called a heartbreaking love story, although that is true in a certain manner, I think the more proper branding of the movie would be self-healing.

Firstly, I must acknowledge the themes thrown around in the movie, and to me personally it would be the anger and the hatred towards the Japanese post WW2, and as an individual whom has grown up knowing that Japan were known as some of the most respectable and polite individuals on the planet, I found it hard to understand the hatred that was shown towards them still amongst the Chinese community and after viewing this movie I can say that I can kind of see the anger and resentment felt towards them still. But yes, as mentioned before this movie is about self-healing so in the end, we can't continuously allow the past define the way we see life or how we treat others; sure, there are some few rotten apples here and there but the sample size is simply unsuitable for us to judge an entire community based on the few experiences that we have lived through. Thus, the importance of love, mercy and grace.

Okay, on with the praises I have regarding this movie. Cinematography is incredible, my gosh what a beautiful movie. However, I believe that it is so mainly because of the location the movie was shot too and these scenes revolving around the vast environment of Cameron Highlands aren't exactly artistic shots but the imagery within the Japanese house where the garden is located is absolutely stunning.

Although the movie looks stunning, I must bring attention to a certain scene within the movie where the scene could've been better shot which is the scene where the main character, Teoh Yun Ling ponders upon her sister's photograph and the scene plays out in such a way that it felt unnecessary to have a close up on the picture again as it had been done in the earlier part of the movie and the next cut is of her reacting to that picture. This probably isn't an issue for the vast majority but it felt unnatural to me and it stood out too much to my liking. Furthermore, the first 15 minutes of the movie felt choppy to me, this could've been a personal nitpick.

The acting on the other hand, this is a difficult one to comment upon as it was good but as this movie was labelled as a romantic movie, I went in expecting some serious chemistry between Teoh Yun Ling (Angelica Lee) and Nakumuara Aritomo (Hiroshi Abe) and since this movie focuses on the pain Angelica Lee's character, Teoh Yun Ling experiences during the Japanese invasion of Malaya during WW2, there is constant tension between the two characters due to her prejudice against the Japanese people. But looking past all that, I must say that she did a wonderful job portraying a strong character but at the same time broken, she absolutely nailed all the emotions required in each particular scene and her performance truly nailed this movie home and even brought me to tears.

All in all, this was a heartbreaking movie, I went in with some form of expectation after seeing the number of awards it was nominated for at the 56th Golden Horse awards and this movie definitely delivers and this is a movie worth catching in the cinema.

This is a lovely tale slowly told so you can savor. Not so you can savor the horrors of murder, nor the horrors of rape, not even the horrors of institutional rape and murder, war. I think it's so you can savor everything you can't get out of your head. If that includes horrors you yourself have perpetrated then it does. In this story we savor a point of view that feels singularly Japanese. I kept being reminded of Shinto, especially in the view inside the square. In this story we have an antiterrorist survivor of the Japanese work camp the Golden Lily looking to honor her sister who died in the camp. She seeks the former gardener to the Japanese emperor who lives in Malaysia now. He can help her create the garden her sister always dreamed of aloud to while away the time in the camp.