AVALIAÇÃO DA IMDb
5,6/10
10 mil
SUA AVALIAÇÃO
Uma mulher das planícies se enfrenta a solidão e dureza das terras da fronteira ocidental no século XIX.Uma mulher das planícies se enfrenta a solidão e dureza das terras da fronteira ocidental no século XIX.Uma mulher das planícies se enfrenta a solidão e dureza das terras da fronteira ocidental no século XIX.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Avaliações em destaque
"The Wind" follows a young woman and her husband who attempt to make a settlement in New Mexico in the late 19th century. They are the only people on the plain until another young couple arrives and moves into an adjacent derelict cabin. Both women share a common experience: There seems to be something living in the surrounding land that is trying to destroy them.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
This film may not be for every horror fan because it is slow paced and flashback oriented, which creates some confusion and boredom. However, the actors were convincing and the cinematography exuded a feeling of true desolation. Several of the scenes were nicely crafted without relying on overt gore or jump scares to frighten the audience.
I thought it was clever to blend an american western period piece with a demonic, neurotic tone.
I think this movie is definately worth a watch and is one of the more original horror films as of late.
I thought it was clever to blend an american western period piece with a demonic, neurotic tone.
I think this movie is definately worth a watch and is one of the more original horror films as of late.
The wind is a fresh breath of ol'wild west, and the conquering of the blessed land over the ocean, and the fertile grounds to build on and harvest from, just if it hadnt been for ''the wind. its a smallcast horrordrama, the story couldve been better and more fulfilled in its narrative, but the acting are good, no major flaws found, and the lovations and settings are mwellpicked and well created.
the big dilemmais to me : is it a horror film or is it just a drama of desillusioned womanhood, due to far too much loneliness on the prairie, with vast distances to the nearest neighbour, that might be even more insane, and the burden of having a husband that wont see or listen to whats tormenting this womens mind must have been a gruelling terror spiced up with religous faith and its opposite, the devil, as were a usual cause for womens insanity in a mans mind,''shes been dancing with the devil, and riding to bloksberg on her broomstick, to enjoy satyrical orgies with satan in hell''- kinda explonation that especially reverends made up mat that time.
so whatever its is, its a good film, a bit slow and dark visuals, but the grumpy old man found this more than recommendable
the big dilemmais to me : is it a horror film or is it just a drama of desillusioned womanhood, due to far too much loneliness on the prairie, with vast distances to the nearest neighbour, that might be even more insane, and the burden of having a husband that wont see or listen to whats tormenting this womens mind must have been a gruelling terror spiced up with religous faith and its opposite, the devil, as were a usual cause for womens insanity in a mans mind,''shes been dancing with the devil, and riding to bloksberg on her broomstick, to enjoy satyrical orgies with satan in hell''- kinda explonation that especially reverends made up mat that time.
so whatever its is, its a good film, a bit slow and dark visuals, but the grumpy old man found this more than recommendable
Due to its non-linear storytelling, 'The Wind' can be a very difficult movie to follow. The film simultaneously plays in three different times. If you can wrap your head around these different times, it is easy to follow and it becomes very clear which period you're looking at.
'The Wind' grabbed me from the mysterious opening scene, and then became spine chillingly creepy and suspenseful. In the vein of 'The Witch' (especially) and 'Hereditary', this film is much deeper than meets the eye, and rather disturbing. The film takes us on a roller coaster ride of fear, deception, infidelity, and absolute evil.
Caitlin Gerard is very good as Lizzy, the film's heroin. Director Emma Tammi did an incredible job ensuring a constant foreboding atmosphere. (Interestingly enough, there's hardly any wind in the film...)
'The Wind' grabbed me from the mysterious opening scene, and then became spine chillingly creepy and suspenseful. In the vein of 'The Witch' (especially) and 'Hereditary', this film is much deeper than meets the eye, and rather disturbing. The film takes us on a roller coaster ride of fear, deception, infidelity, and absolute evil.
Caitlin Gerard is very good as Lizzy, the film's heroin. Director Emma Tammi did an incredible job ensuring a constant foreboding atmosphere. (Interestingly enough, there's hardly any wind in the film...)
I had high hopes for this movie. The trailer reminded me of The Witch (2015), which is one of my favorite horror movies. But The Wind never grabbed my attention. I told myself that it only had a slow start, but by the end I was simply waiting for it to be over. I thought the two main leads had good performances. I haven't seen Ashley Zukerman in much, but I loved him in Manhattan.
The cinematography was good, some silhouetted shots stood out. The music, especially when something scary happened, didn't really fit.
The story grabbed me at points, trying to uncover the puzzle. But there's really not much to it. If you go in with lowered expectations, and you're into the idea of a slow horror mystery, then there might be something for you here. Otherwise I wouldn't really recommend it.
The cinematography was good, some silhouetted shots stood out. The music, especially when something scary happened, didn't really fit.
The story grabbed me at points, trying to uncover the puzzle. But there's really not much to it. If you go in with lowered expectations, and you're into the idea of a slow horror mystery, then there might be something for you here. Otherwise I wouldn't really recommend it.
Você sabia?
- CuriosidadesThe character Emma seems to enjoy Gothic literature. Among the books from her collection that read aloud at various points in the film are Mary Shelley's Frankenstein and Ann Radcliffe's The Mysteries of Udolpho.
- Erros de gravaçãoThe double-barrel shotgun Lizzy uses requires percussion caps, but whenever she fires it or prepares to fire it by pulling back the hammers, there are no caps. Without them, the weapon is inoperable.
- Citações
Lizzy Macklin: I don't suspect God has much business out here.
- ConexõesFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
Principais escolhas
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- How long is The Wind?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- O Vento
- Locações de filme
- Novo México, EUA(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 28.252
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.138
- 7 de abr. de 2019
- Faturamento bruto mundial
- US$ 130.974
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 2.39:1
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