Snake Eyes, um solitário tenaz, é recebido em um antigo clã japonês chamado Arashikage, que lhe ensina os costumes do ninja e lhe fornece um lar. Mas quando os segredos do seu passado são re... Ler tudoSnake Eyes, um solitário tenaz, é recebido em um antigo clã japonês chamado Arashikage, que lhe ensina os costumes do ninja e lhe fornece um lar. Mas quando os segredos do seu passado são revelados, a honra e lealdade dele serão testadas.Snake Eyes, um solitário tenaz, é recebido em um antigo clã japonês chamado Arashikage, que lhe ensina os costumes do ninja e lhe fornece um lar. Mas quando os segredos do seu passado são revelados, a honra e lealdade dele serão testadas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Derrick de Villiers
- Promoter
- (as Derrick Devilliers)
Dean Muhtadi
- Bruiser Streetfighter
- (as Mojo Rawley)
Avaliações em destaque
Andrew. Koji steals the attention with his emotional expression, too bad his lines were not so good. I think he should be snake eyes.
Characters try hard to be cool but end up being boring and weak.
Plot is all over the place, Snake Eyes is the weakest character in the movie but somehow he is the only one that triumphs.
Action is short and choppy, a massive fight is about to begin and then it last 3 seconds and cuts to some other scene and after that scene is over we go back to the fight scene which is also over, and that happens all the time.
When you have an actor like Iko and don't use him in a movie like this you are wasting potentialy excellent fight scenes.
Don't waste time and money on this DOA movie.
Plot is all over the place, Snake Eyes is the weakest character in the movie but somehow he is the only one that triumphs.
Action is short and choppy, a massive fight is about to begin and then it last 3 seconds and cuts to some other scene and after that scene is over we go back to the fight scene which is also over, and that happens all the time.
When you have an actor like Iko and don't use him in a movie like this you are wasting potentialy excellent fight scenes.
Don't waste time and money on this DOA movie.
I'm a big fan of Yakuza films, so when I saw the trailer for "Snake Eyes," I was ecstatic - a gritty, grounded origin of one of G. I. Joe's most beloved characters, in the form of a Japanese mobster movie, seemed too good to be true. And lo and behold, it was! "Snake Eyes" seems to suffer from an identity crisis; there is not enough gangster politics to be a successful gangster movie - there is not enough character development to be a satisfying drama - and perhaps the worst offense: there is not enough well-filmed action for this to be a great action film.
Let's jump right into why "Snake Eyes" isn't a good film - the action. When you hire master choreographers to create beautiful action sequences, why would you then destroy them by choosing to film your action with close-up, handheld, shaky cam? This stylistic decision is infuriating and unforgivable. There was only one sequence in this movie that was well shot; other than that, literally every other single action scene was made incomprehensible due to the filmmaking.
There were so many set pieces that could've been memorable and exciting if only the cameraman would've put the camera on a tripod, prepared a wide shot, and stepped away. You have scenes of small armies engaged in katana-on-katana action, and you won't be able to see any of it because the cameraman is standing two feet away and shaking the camera like it owes him money. This filmmaking decision literally ruined the action in this film, and as a consequence, ruined the film itself - because when the action in your action movie sucks, your movie sucks.
That said, perhaps the storyline and the engaging characters can add some sort of entertainment value? You'd be half right. The story itself is pretty interesting, if not very engaging. There's enough to keep you slightly invested in what's happening and why, but again, everything is framed around terribly filmed action sequences that damper the fun. The acting was serviceable, but nothing too breathtaking. Henry Golding as Snake Eyes had a certain tenacity about him that was fun to watch, but the script seemed to try a little too hard to make him "cool." Samara Weaving was gorgeous, as always, and pretty good here - however, she barely has any screen time, and isn't introduced until about half way through the film. That said, she is a show stealer when she's on screen.
"Snake Eyes" did have some cool cinematography to bask at - if you enjoy Asian cinema, you'll certainly enjoy the look of the film. That said, if you enjoy good action, you're going to despise this movie. I'd recommend only checking this out if you're a big G. I. Joe fan - if you're not? There's a million other Yakuza action films at your disposal; don't waste your time with this.
Let's jump right into why "Snake Eyes" isn't a good film - the action. When you hire master choreographers to create beautiful action sequences, why would you then destroy them by choosing to film your action with close-up, handheld, shaky cam? This stylistic decision is infuriating and unforgivable. There was only one sequence in this movie that was well shot; other than that, literally every other single action scene was made incomprehensible due to the filmmaking.
There were so many set pieces that could've been memorable and exciting if only the cameraman would've put the camera on a tripod, prepared a wide shot, and stepped away. You have scenes of small armies engaged in katana-on-katana action, and you won't be able to see any of it because the cameraman is standing two feet away and shaking the camera like it owes him money. This filmmaking decision literally ruined the action in this film, and as a consequence, ruined the film itself - because when the action in your action movie sucks, your movie sucks.
That said, perhaps the storyline and the engaging characters can add some sort of entertainment value? You'd be half right. The story itself is pretty interesting, if not very engaging. There's enough to keep you slightly invested in what's happening and why, but again, everything is framed around terribly filmed action sequences that damper the fun. The acting was serviceable, but nothing too breathtaking. Henry Golding as Snake Eyes had a certain tenacity about him that was fun to watch, but the script seemed to try a little too hard to make him "cool." Samara Weaving was gorgeous, as always, and pretty good here - however, she barely has any screen time, and isn't introduced until about half way through the film. That said, she is a show stealer when she's on screen.
"Snake Eyes" did have some cool cinematography to bask at - if you enjoy Asian cinema, you'll certainly enjoy the look of the film. That said, if you enjoy good action, you're going to despise this movie. I'd recommend only checking this out if you're a big G. I. Joe fan - if you're not? There's a million other Yakuza action films at your disposal; don't waste your time with this.
So this is now essentially the third attempt to bring GI Joe to the big screen. Lorenzo Di Bonaventura returns at the helm and proves once again - he does not really care...
Honestly - how this film actually came to be is beyond me - a group of professional people working in the industry collectively decided that firstly : this film should be made - then that Evan Spiliotopoulos (who has hardly written a single great film to date) should write the damn thing - then add a director, Schwentke (who has a track record of terrible blockbuster films) - and let's top it off with TV travel host/Rom-com break out - Henry Golding to play Snake eyes himself. Shocking....
SO - It definitely is not the Snake eyes that people know and love. He does bad things in this film and unfortunately, Henry isn't a skilled enough actor to make you like him. I disagree that it was purely in the writing - a great actor can make you care for the most despicable characters but Golding proves here he should stick to Rom-coms...and his own accent. His physical skills and acting feel forced and awkward and in my opinion needs a lot of work if I would ever buy him as a legitimate action star. He does have some charisma and good looks though.
It seems like the majority of the articles and social media agree that the film's saving grace is Andrew Koji's Storm Shadow. He adds nuance and depth to Tommy (even though he is dealt the rough hand with having to deliver the majority of the exposition) He commands the screen whenever he is on and delivers us the most layered Storm Shadow in almost any medium to date - just too bad he is let down by an awful script. Koji steals the show with his performance and to top it off you can tell he knows how to move - his action moments were by far the most fun to watch - although he was let down by a terrible filming style there too. I definitely want to see more of Koji. Jin Sakai for Ghost of Tsushima!
The rest of the cast are great in their limited roles - Samara, Ursula, Iko and Peter Mensah - all do great. They are well cast but under utilised. Hollywood SERIOUSLY needs to stop thinking they know best with martial arts action sequences - Iko and Kenji Tanigaki's team is absolutely wasted here.
There was a lot of potential with a GI Joe reboot. There was some potential for a good Snake eyes film - but these people clearly are not the right people to do it. Paramount needs to learn. You would have thought Lorenzo etc would have learnt something since the last films 10 years ago - but clearly not. They have not only destroyed many people's favourite character - they have simple made a bad film and wasted a lot of money and talent....
5.5/10.
SO - It definitely is not the Snake eyes that people know and love. He does bad things in this film and unfortunately, Henry isn't a skilled enough actor to make you like him. I disagree that it was purely in the writing - a great actor can make you care for the most despicable characters but Golding proves here he should stick to Rom-coms...and his own accent. His physical skills and acting feel forced and awkward and in my opinion needs a lot of work if I would ever buy him as a legitimate action star. He does have some charisma and good looks though.
It seems like the majority of the articles and social media agree that the film's saving grace is Andrew Koji's Storm Shadow. He adds nuance and depth to Tommy (even though he is dealt the rough hand with having to deliver the majority of the exposition) He commands the screen whenever he is on and delivers us the most layered Storm Shadow in almost any medium to date - just too bad he is let down by an awful script. Koji steals the show with his performance and to top it off you can tell he knows how to move - his action moments were by far the most fun to watch - although he was let down by a terrible filming style there too. I definitely want to see more of Koji. Jin Sakai for Ghost of Tsushima!
The rest of the cast are great in their limited roles - Samara, Ursula, Iko and Peter Mensah - all do great. They are well cast but under utilised. Hollywood SERIOUSLY needs to stop thinking they know best with martial arts action sequences - Iko and Kenji Tanigaki's team is absolutely wasted here.
There was a lot of potential with a GI Joe reboot. There was some potential for a good Snake eyes film - but these people clearly are not the right people to do it. Paramount needs to learn. You would have thought Lorenzo etc would have learnt something since the last films 10 years ago - but clearly not. They have not only destroyed many people's favourite character - they have simple made a bad film and wasted a lot of money and talent....
5.5/10.
First of all, this has *nothing* to do with G. I. Joe, as it is a medieval story about two Japanese clans and the protagonist is caught somewhat in between. Yes, it happens today, but 90% of all fights are using swords and the prize of the war is a magical stone. It's like someone took an existing Japanese samurai and ninjas script, added an extraneous character and made him the protagonist, then plastered on a Joe/Cobra connection and brought it into the present. And the way they added this stuff is like fixing a broken mirror with industrial sticky tape on the visible side.
And what a cast this had: Andrew Koji from Warrior (I still crave for a new season), Iko Uwais from Raid, Peter Mensah from Spartacus, Takehiro Hira (who in my mind did the best job in the film, even if he was the villain and had a really dumb role), Samara Weaving from Guns Akimbo. Not to mention Eri Ishida, who did more in a few scenes than "Snake Eyes" in the entire film. They did nothing with all of this. The fights were fractured and made little sense, focused on form and ignoring substance. Two people fighting 50 and succeeding because they all used swords and the heroes had unlimited stamina, the usual running (slowly and awkwardly) from bullets scene, people running in the sword range to fire a gun, ugh! It was incredibly ugly. Even the motorcycle and car scenes were ridiculously bad. A team of 5 snipers could have finished *everybody* without loses.
Worst of all, it's called G. I. Joe Origins and it features a character who has never heard of the Joes in a time when both Cobra and Joes have been established for a long time. There is no origin story at all! There is no story, really!
Bottom line: this film is something that whole teams of people should be fired because of. A 100 million dollar film that manages to waste every resource it bought. Avoid it like it's the plague.
And what a cast this had: Andrew Koji from Warrior (I still crave for a new season), Iko Uwais from Raid, Peter Mensah from Spartacus, Takehiro Hira (who in my mind did the best job in the film, even if he was the villain and had a really dumb role), Samara Weaving from Guns Akimbo. Not to mention Eri Ishida, who did more in a few scenes than "Snake Eyes" in the entire film. They did nothing with all of this. The fights were fractured and made little sense, focused on form and ignoring substance. Two people fighting 50 and succeeding because they all used swords and the heroes had unlimited stamina, the usual running (slowly and awkwardly) from bullets scene, people running in the sword range to fire a gun, ugh! It was incredibly ugly. Even the motorcycle and car scenes were ridiculously bad. A team of 5 snipers could have finished *everybody* without loses.
Worst of all, it's called G. I. Joe Origins and it features a character who has never heard of the Joes in a time when both Cobra and Joes have been established for a long time. There is no origin story at all! There is no story, really!
Bottom line: this film is something that whole teams of people should be fired because of. A 100 million dollar film that manages to waste every resource it bought. Avoid it like it's the plague.
Você sabia?
- CuriosidadesThe electric motorcycles the characters are riding throughout the movie are heavily modified Energica Eva Ribelle.
- Erros de gravaçãoHenry Golding's American accent keeps slipping throughout the movie. This is because the actor, Henry Golding, is of English and Malaysian descent. He therefore speaks English with a British accent, but his character, Snake Eyes, is Asian American.
- Cenas durante ou pós-créditosThe closing credit crawl is superimposed over insignia for G.I. Joe, Cobra, and the Arashikage clan.
- Trilhas sonorasTokyo Mayhem
Written & Performed by Martin Todsharow
Additional Electronica Programming by Henrik Müller & Tassilo Ippenberger
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- How long is Snake Eyes?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- G.I. Joe: Snake Eyes
- Locações de filme
- Japão(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 88.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 28.264.325
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.367.853
- 25 de jul. de 2021
- Faturamento bruto mundial
- US$ 40.064.325
- Tempo de duração2 horas 1 minuto
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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