Notícias

Exclusive: Writer-director Jessica Barr has wrapped production on The Plan, an ambitious thriller starring Eve Lindley (Dispatches from Elsewhere), Ryan Simpkins (The House), Jordan Hull (The L Word: Generation Q), Frank Mosley (Some Beasts), Percy Hynes White (Wednesday), An-Li Bogan (The American Society of Magical Negroes), Logan Miller (Escape Room), and Arkira Chantaratananond (Twinless).

The Plan takes place inside a modest Los Angeles apartment over the course of a single day, watching as a group of disillusioned young adults prepares for a radical act they believe will change the world. As paranoia builds and fractures deepen, the lines between purpose, fear, and identity blur. The film, shot in L.A. in just three days, unfolds in a single, 90-minute unbroken take.

Pic is produced by Alexander Gould (Weeds), Sarah Whelden (who also served as Dp), Kelly Wilcox, and Madhouse Films. Ryan Ward and Mariah Leath exec produced.

Actor-filmmaker Frank Mosley, star of Sundance Jury Prize winners “Upstream Color” and “The Procedure,” is set to play the lead in “Fur,” taking on the part of Albert Ostman, history’s first Bigfoot abductee – and reluctant romancer.

Directed by Austin-based Brad Abrahams, best known for cult doc-feature “Love and Saucers,” a Special Jury Prize at the 2017 Fantastic Fest, “Fur” will be presented at this week’s Frontières Market, which runs July 23-26 at Canada’s Fantasia Film Fest.

“Fur” tells the “loosely true” tale of Albert Ostman, a melancholic logger who heads into the Canadian wilderness in 1924 to pan for gold and change his fortunes, Abrahams told Variety in the run-up to Frontières.

Ostman’s escape into solitude is cut short when he’s violently abducted by a Sasquatch and taken to a cave it shares with its mate and their daughter. “As the days pass, Albert is pulled into a world of isolation,...

Chilean actor Alfredo Castro will make his directorial debut with the psychological thriller “Los Trabajadores de la Muerte,” which translates to “the workers of death.”

Based on Diamela Eltit’s novel of the same title, the film is penned by Castro and Pablo Valledor. Chile’s Storyboard Media and Les Films de l’Âge d’Or in France co-produce.

Producer and co-writer Valledor tells Variety the project is representative of his larger goal to ramp up international co-productions: “As a producer, my intention is to get involved in projects that present a radical approach and an attractive cinematic language,” he explained. “The aim of Les Films de l’Âge d’Or is to establish a structure dedicated to projects of this nature, creating a bridge between the Americas and Europe to ensure that funds are obtained and that these films are made through well-established international co-productions.”

Set during Chile’s economic crisis...

The 18th Santiago Int’l Film Festival (Sanfic) is paying tribute to Chile’s most internationally renowned and arguably hardest working actor, the peripatetic Alfredo Castro who will attend Sanfic’s inauguration Aug. 14 to receive his lifetime achievement award and kick off a retrospective of his films.

Also a playwright and theater director, Castro has worked across Europe and Latin America, acting in French, Spanish, Portuguese and a number of accents and dialects from Latin America, including neutral Spanish. “I haven’t worked in English but I certainly hope to one day,” he says. Meanwhile, he has won a boatload of awards from festivals and award events across the world.

Yet, he would also be high up the order of figures who have helped shape Chile’s post-Pinochet film, theater and now TV scene into one of the most vibrant, surprising and constantly questioning of any country in Latin America.

For the past decade, Frank Mosley has been independent cinema’s go-to actor. Upstream Color, Thunder Road, Some Beasts, Chained For Life, Freeland, The Ghost Who Walks are just a few examples of films that benefit from the authenticity, deep-rooted intensity, and “all-in” approach he brings to every performance. His talents extend to the other side of the camera as well. His uncompromising, visionary shorts and features have played around the world, from Slamdance to the Champs-Elysées. In this hour, he informs, inspires, and reflects on this wonderful and insane creative endeavor that he can’t stay away from without getting withdrawal […]

The post Back to One, Episode 160: Frank Mosley first appeared on Filmmaker Magazine.

For the past decade, Frank Mosley has been independent cinema’s go-to actor. Upstream Color, Thunder Road, Some Beasts, Chained For Life, Freeland, The Ghost Who Walks are just a few examples of films that benefit from the authenticity, deep-rooted intensity, and “all-in” approach he brings to every performance. His talents extend to the other side of the camera as well. His uncompromising, visionary shorts and features have played around the world, from Slamdance to the Champs-Elysées. In this hour, he informs, inspires, and reflects on this wonderful and insane creative endeavor that he can’t stay away from without getting withdrawal […]

The post Back to One, Episode 160: Frank Mosley first appeared on Filmmaker Magazine.

The Chilean director-producer team of Juan Cáceres, Alejandro Ugarte and Esteban Sandoval are back in Guadalajara, where their first feature “Perro Bomba” dominated the 2018 Guadalajara Construye works in progress section, scooping the Chemistry, Yagán, Mondragon-Disruptiva and Habanero awards, ensuring a strong post-production and aiding in the film’s highly successful international festival run.

Variety can now announce that Chilean trap superstar and Latin Grammy Awards nominee Pablo Chill-e and his younger sister Javiera Rojas Leiva, an aspiring amateur actress and singer herself, will star in Cáceres’ upcoming film “Kaye,” pitching as a project at this year’s Guadalajara Co-Production Meetings.

At only 20 years old, Chill-e is pushing 1 million subscribers on YouTube and has surpassed 1.2 million on Instagram, fueled by hits like “Vibras,” “Pensando En Ti” and “Hablamos Mañana” with Bad Bunny and Duki, which was nominated for Best Urban Fusion/Performance at the Latin American Grammys.

Chilean films struggle to...

The family vacation gone awry is such a routinely fraught, fruitful dramatic setup that it practically qualifies as its own genre. Yet while various horror films might bring external threats into proceedings, Chilean helmer Jorge Riquelme Serrano’s exceptionally poised, frozen-hearted “Some Beasts” finds all the danger it needs in the family itself: a well-to-do clan of urbanites who, once detached from the mainland on a remote island getaway, abandon all semblance of civility to escalatingly violent, abusive effect. — Riquelme Serrano’s sophomore film will divide audiences, not all of whom will gladly stomach its most extreme scenes of sexual assault and emotional cruelty.

While international distributors weigh up the risks and rewards of the project, “Some Beasts” should continue to be a festival-circuit talking point, with its profile boosted by the presence of leading Chilean thesps Paulina Garcia and Alfredo Castro atop the ensemble. They alone make the film...

‘The Endless Trench’ picked up four prizes.

Brazilian production Pacified (Pacificado) by Us director Paxton Winters won the top award at the San Sebastián International Film Festival, at the ceremony held on Saturday, September 28.

With Darren Aronofsky as a producer, the film is set in a favela in Rio de Janeiro.

The jury, led by Irish filmmaker Neil Jordan, also awarded Pacified the Silver Shell for best actor to Bukassa Kabengele and the Jury prize for best cinematography to Laura Merians.

Paxton Winters, a reporter and filmmaker, got to know life in the favelas he portrays living there before he tackled Pacified.