Koja je ovo drzava!

I can't believe that I've managed to spend 2 hours in a cinema watching the stupidest and worst movie in my life. Terrible :(

Great movie for those with basic knowledge of the history of former Yugoslavian countries and mentality of the people from the area.....and for those with an IQ over 30.

If this is suppose to be comedy I do not wanna see more of this directors movies ever. Too much deprresing, political, boring and boring. Couldnt finish it and I advice people to sustain from watching this boring movie.

Another pretentious and boring film that we are used to from Croatian production.

The film would like to be an intelligent satire, but unfortunately it is just the opposite. Humor is, as we are unfortunately accustomed to, completely pathetic, and every attempt at some meaningful story is lost in a pretentious attempt at satire. In the story, as in most Croatian films, there is no balance at all, just boring clichés that should be funny, but are actually pathetic.

The film can't be taken seriously, as a satire and whatever, and in the end it just turns out to be arrogant in its childish desire to tell the viewer things that are so banal that they end up causing a complete counter effect.

Another disaster that makes no sense to watch.

The opening episodes of Vinko Bresan's new film "Koja je ovo drzava!" ("What a Country!") (2018) (Croatia-Serbia-Poland), written by Mate Matisic, with the surrealistic absurdity of their repetitive tragicomic situations reminded me of Russian avant-garde satirist from the 1930's, Daniil Kharms, and his collection of short stories, "Incidences" ("Sluchai"). A couple of characters, haunted by sins of their past and the awakening of their consciousness, suffer from mixture of hypnagogic and hypnopompic experiences, feeding a satirical tragicomedy that slips in and out of surrealism.

Events, initially driven by oniric experiences, and therefore hard to understand, later on become reality driven, and therefore more meaningful. Use of the historical figures from the recent past of the region, primarily of those whose impact, or lack of it, resulted in the independence of the Croatian state, and the exaggerated events, implying contents which resonate well with reality of life (t)here today, makes us ponder over the essential message of the film: an institution that has failed to meet the expectations of too many (maybe majority of) people, should be abolished, started all over and rebuilt from scratch (?).

Well worthy of commendable comparison to the works of Scottish writer and director Armando Iannucci ("In The Loop" (2009), "The Death of Stalin" (2017)), this movie deserves good attendance.