Satyameva Jayate

Typical bollywood drama movie. Such a waste of time.

Every scene and dialogue of the movie is predictable and cheesy. Didn't expect this from John after his last movie Parmanu.

I must say the movie has taken me by surprise. It is the same old story recycled. But, the pace of the movie and the fact that as the movie progresses clues were given makes the movie interesting to watch.

John Abraham as an angry man, fits well. Some dialogues are repetitive and some action sequences were a bit over the top. But then again John has worked hard on his physic and has to show it off. I did realize his facial features, he is very controlled. He has this intensitiy in his eyes so when he is angry you can feel his pain and anger.

His counter part Manoj Bajpayee is equally good. He does go overboard at times with his dialogue delivery. And also, this is a frequent character he plays so he is becoming synonymous with a police officer.

New comer, Aisha Sharma, was pretty good. I did like the fact her role was different than the typical herione roles. And I appeciated that she did not run after the main hero and it was a mutual consent between the two to be together. Her voice, however, did not seem to fit her look. It sounded like sand paper. And she did not have enough screen time.

The songs by various artists were pretty decent. The song "Dilbaar" was entertaining and Nora Fatehian can definitely dance, effortlessly.

Overall, the movie could have used some refinement work. There is a lot of spinning around to show dramatics but I think music would have been enough to make the point across.

It's foolhardy to expect nuance from a jaded action drama that not only recycles 80s clichés, but also expects to pull off a reckless revenge in the absence of Amitabh Bachchan's charisma and Sunny Deol's fury. Only Satyamev Jayate's predictable twists and superficial emotions have absolutely nothing new to offer.

Satyameva Jayate is a fairly illogical commercial thriller fronted by two actors who deliver forceful performances. It may not be the most intelligent thriller, but its lack of pretence is its greatest asset. It's entertaining for some of the right reasons, and plenty of unintended ones.

Milap Milan Zaveri's story is simplistic, massy and something that the masses would applaud. Milap Milan Zaveri's direction reminds one of the 90s action dramas. Although it works in most parts, at some places the film begins to give a dated feel. On the whole, SATYAMEVA JAYATE is a powerful and gripping drama that leaves an impact as it resonates with the problems of the common man. It is sure to work big time in the single screens where the various scenes are bound to induce claps and whistles. This one is for the masses!

Milap Milan Zaveri with Satyameva Jayate shamelessly gets on the ground just with the thought of entertaining people. Never for a scene you'll feel Milap thinks that this is something 'a certain section' will not appreciate and does what he thinks is the best. Many hits, few misses but a honest product overall. All said and done, Satyameva Jayate provides unabashed entertainment. John Abraham - the Indian Hulk, Milap's seeti-maar dialogues will make you miss the times when masala entertainment was a trend in Bollywood.

'SMJ' desperately tries very hard to sell the age-old idea of revenge and righteousness. But the big booming treatment is a little too hard to accept and digest. With John in the film, one can expect good action, but it's gruesome and a little too bloody at times. Truth be told, the story is relevant in today's times, but too many cliches in the story and the style of storytelling will make you want to cop out of this one.

Satyameva Jayate - there's a self-styled vigilante on the rampage, assigning corrupt police officers to flames, cleansing the society. Justified or not, his actions find support from a section of the society that suffers the ills of bribery and extortion at the hands of the law-keepers. Enter an investigator with a clean track record who roars filmy dialogues and is extremely camera friendly, rattling off smooth and well rehearsed interviews to the media like catching the criminal is next to sleepwalking. A cat and mouse chase ensues and the investigator cracks the secret code that gives out clues to the next murder.

Thrilling, ain't it? In reality it is not, I am just playing with words and peaking your interest with no particular objective. The first half is clever and raises your adrenalin level with an offbeat suspense dovetailing into the intermission. And then, as if the second half was made by an altogether different director - it hurtles downhill like potboilers of the 1970's. It turns into an average revenge saga with a predictable and atrociously audacious ending that's a concoction of a dozen old films whose names you can rattle off in your sleep. John Abraham is ho-hum, been there done that deadpan, there's nothing to write about him. Manoj Bajpayee is now officially typecast, takes off from where he left in Aiyaari and then does a Deewar! Newbie Aisha Sharma has precious little to do and Manish Chaudhary is wasted. 4 STARS for this patriotic melodrama that doesn't stir emotions.