Lindo de Morrer

TL;DR: If you've loved The Fault in Our Stars and the sorts, you can't miss this; if you (like myself) hated it, you should still give this one a chance - you might be pleasantly surprised.

Whenever I finish a movie, the first thing I do is to check online for reviews; I like to see other people's opinion about it, wheter they agree with mine or not. It makes for an enriching experience.

So imagine my surprise when, coming here after watching this movie, I found out that not only there's not a single review about it, but also so few people have seen (the vote count as I'm writing is only at 177)! I mean, really? This is by no means a B movie (which usually have ten times as many ratings), and it's already been three days since it was released. For such a delightfully charming one, it's too much of an injustice, so here's my attempt to repair that a tiny bit.

Watching the trailer you might be tricked into thinking this is a silly YA rom-com, and sure enought I begins that way. But it soon goes from silly to charming, from charming to heartbreaking... don't get me wrong, at its heart this is still very much a YA rom-com, with all of it's clichés and pitfalls, nothing groundbreaking. But the way it blend those with some more dense elements (one of them being almost too somber) feels so right that you can't help but be captured by it; I've mentioned The Fault in Our Stars at the beginning, but in this sense it's much more akin to Me and Earl and the Dying Girl.

A lot of it goes to the impeccable production and cast. Both protagonists (Flynn and Telles) are so natural that they manage to somehow hoover above you're average in-love teen couple. The supporting characters are also on spot, including some hilarious ones having little to no lines at all. But what impressed me the most was the special care given to the cinematography, which leverages the movie concept to create some really eye-caching close-ups. All of this combined with a lot of funny references to '90s nerd culture. Considering that this is the first feature film of director Kellen Moore, it's even more impressive.

Of all of those tragic-teen-romance movies that have become a genre in and of itself, this is the only one that I've actually enjoyed. Give it a try - even if you don't like it as much, I think you'll agree that it deserves a LOT more attention than it's getting.

This is a quirky little movie that seems like it's gonna be super light hearted and fun YA ride, but as the story moves along and you connect with the characters, Director Kellen Moore really hits the emotion button hard and packs in a surprising amount of heart into the final chapters of the film. Really enjoyed the watch!

When you get passed the ridiculous premise and glaring plot holes, the film is a good little black comedy/Romcom. The two leads are interesting and funny enough in their roles. Some good supporting roles from some elderly characters which ground the story with some nice comedic results. Now as far is the story outside the boy and girl's dilemmas, the themes and messages getting pretty muddled. It clumsily tries to tackle some serious subjects and gets lost. The movie is similar to the film Spontaneous with its dark/weird/funny/cuteness theme. But that film was more successful in its ideas. But still, Looks That Kill still makes for an entertaining ride.

This film turned out to be better than I expected. Although it is far from perfect and has some problems, I absolutely love the characters and the fresh twist of humour. It is a refreshing film that is very different from the others. I love the ending and felt the overall message was conveyed very well. I've rated this film a little higher than what I would have normally given it, but because of it's refreshing concept and good writing (more so for the characters but the plot is also very good) it has earned itself an 8/10.

If Wes Anderson, Tim Burton, Michel Gondry and John Hughes Had An Awkward Love Child. This is an unusual romantic comedy with visual cues of Wes Anderson and Tim Burton with some magicality of Gondry, but the main driving factor is the surprisingly heartful drama that brings back memories of some great John Hughes Dramedies of the 80's. Brandon Flynn stars as a young boy that is lethally attractive, his dry presentation of Max could fit into the ensemble cast of any Wes Anderson film or maybe it draws back memories of an extremely attractive Johnny Depp getting covered in makeup and scars so he's unrecognizable by Tim Burton just this time Moore covers the young heart-throb Flynn in bandages and sunglasses vs makeup and scissor-hands. There is a magical sequence at the end of the movie that would make Gondry jealous, I won't give it away, but is a powerful kicker to an impressive first effort by Moore.