A Sorte Grande

The character was so repulsive that at first I didn't think I could ever find one redeeming quality in her. She was odious. So since I didn't yet know anybody else's character, and since the whole thing was getting to be a real bummer, you know, like real life can be, I thought about dumping the whole show. But out of curiosity, I decided to hang on a bit longer.

It paid off big time. This is a great movie. It is not preachy, not judgmental, you have no idea how it will end, and it does a satisfying job. The acting is great, the script is fantastic, and the story has total credibility. I'm glad I stayed with it.

I found this film evocative and provocative. It was a deep dive into the pain and wreckage that is left in the wake of addiction. Andrea Riseborough transforms herself into a down and out alcoholic who is on a day to day survival program. Her non-verbal acting is over the top good.

Mark Moran appears as an unlikely hero who demonstrates what the power of believing in someone can do.

Andre Royo (loved him in the Wire) plays a lovable sidekick with no shortage of street wisdom.

I highly recommended this movie to anyone who is interested in a human drama about a human being searching for redemption.

"To Leslie" was already on my watch list for the year before Andrea Riseborough was nominated for an Oscar, but her surprise nomination moved it to the top of my queue. Fans of her performance would have you believe it's the greatest thing ever etched into the eternity of cinema heaven, but I kept my expectations in check because we're talking about social media in 2023 and mankind has lost its ability to have perspective on literally anything.

And I was right to be cautious. Riseborough gives a good performance in a solid film. It's certainly better than many performances the Academy has nominated over the years, but not as good as many others. She's a very mannered actress, which has always prevented me from liking her in other things. I've never liked her more than I did in this, so there's that. But the bar wasn't set high. Her performance is showy and Oscar-baity, and she never for a second stops Acting with a capital "A."

The movie around her is standard issue addiction drama, misery porn for about an hour and a half and then a pat and tidy redemptive ending tacked on when the writers knew they had pushed the audience's endurance for feeling crappy just shy of the breaking point.

The film's best asset and the one nobody is talking about is Marc Maron. If anyone from the film should have nominated, it's him.

Grade: B+

Sure, this type of story has been told before, but never this well, and certainly never this authentic and real. It almost felt like there was a hidden camera following a real-life Lee around battling her demons and going through life.

I'm not a fan of slow-paced films, but every second in the just under two hour runtime was used to perfection. I actually wanted more. This is TV film director Michael Morris' full length feature film debut, and what a masterclass achievement his directing was. Along with Ryan Binaco in his second ever writing credit, they managed to create a truly atmospheric, powerful, honest and multi-layered complex portrait on alcohol addiction.

As great as the filmmaking is, the Oscar-worthy performance by Andrea Riseborough as Leslie "Lee", is the icing on the cake. She is clearly an underrated actress, and I can't think of anyone that could've been cast or perform better than she did. Every expression - tear, smile and stare she gave told a thousand stories. Her chemistry with Marc Maron as Sweeney was undeniable. For that matter, all casting and performances were outstanding - props to the casting director. I only wish we saw more of Allison Janney.

Even the cinematography and score were perfect. Along with the excellent sets and landscape that fit every scene perfectly, there really isn't much to critique in this gem of a film. It's the perfectly made social commentary and character study of its topic.

To Leslie needs to be a curriculum study in every category of film school - from writing, directing, acting, cinematography, etc. It truly is one of the very few near-perfect films out of my 1500+ reviewed films, and a well deserved 9/10 from me. A standing ovation to all cast and crew is in order.

One of the very best films I saw at SXSW 2022.

I don't usually cry watching films but the characters were so genuine and heartfelt that I did. Another male audience member said the same thing: not someone who cries but this time yes. One thing I really liked was the way in which the writers don't spoon feed you the story; some things are unexplained and you don't always understand exactly why or what is happening just like in real life. Combined with the handheld camera work, there was a gritty fly on the wall perspective. This gave it the feel of a "filmmaker film" rather than a Hollywood focus group formula.

Andrea really showed her acting chops; I had to look her up and see what films I had been missing. But sadly she seems to have mostly been in schlocky formulaic films in the past. Hoping this is the inflection point where she starts getting more roles of the caliber of her acting.