Red: Crescer é uma Fera

The idea, the metaphor is not bad, coming of age or rather turning red (and honor your parents but stay yourself). Pixar production and graphics as good as ever. What is missing in the latest productions, in my opinion, is the genius of Pixar. They seem closer and closer to a typical Disney production, beautiful and musical but not brilliant.

This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.

Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.

This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.

In the latest Pixar movie, Rosalie Chiang voice a 12-year-old girl in Toronto in 2002. She is the daughter of a tiger mother, has nervous breakdowns when she comes in second in spelling bees, and is securely under the thumb of her mother -- voiced by Sandra Oh -- although she adores a boy band, of which her mother severely disapproves. But being at that age, she finds a change in her body: under great emotional stress, she turns into a giant red panda. This turns out to be true of all the women in her family.

In what may be described as 'fantasy autobiography' -- the director was born in China, moved to Canada at 2, and was twelve for most of 2002 -- we see the expected Pixar combination of technical excellence -- the red panda looks like a plush doll, with every one of its million or two hairs carefully drawn -- and story telling. It hews a little too closely between its literal and figurative meaning -- we're dealing with menarche in some form -- with jokes about her mother bringing tampons and similar products to school, embarrassing the protagonist. But I laughed out loud and leaked some tears, and what more can you demand of any movie?

There's a reason this movie is a PG and not a U! Everyone having a little turn because a 13 year old girl is given some maxi pads and has crushes on boys - it's not woke, it's reality.

And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!

This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!

Interesting. I thought my 14 year old & her 13 yr old friend would have loved this movie. We waited for it to come out and they had a movie night. 3/4 of the way through they were bored and switched to the Nintendo switch. They said they didn't really "get" what the point of the story was and they lost interest. Head scratcher. I need to watch it myself but if the target audience don't enjoy it - is it really for them?

It's 2002 Toronto. Meilin is a 13 year-old Chinese-Canadian girl on the verge of adulthood. Her family cares for their temple honorable their ancestor who turned into a red panda to defend her family. One morning, she wakes up to find herself transformed into a red panda.

This is a coming-of-age story from Pixar. It's fun. I love the characters. There is a realism in these characters. They feel very authentic. Aside from the supernatural, this is really a story of a girl trying to find her way through puberty and dealing with her mother-daughter relationship. There are no big name actors other than Sandra Oh which does give this a feeling of non-Hollywood. The Toronto locations are also part of that. This has plenty of fun while dealing with some real tween issues.