AVALIAÇÃO DA IMDb
7,2/10
16 mil
SUA AVALIAÇÃO
Uma amizade improvável entre dois vizinhos desajustados se transforma em uma viagem emocional quando o homem mais jovem é diagnosticado com câncer terminal.Uma amizade improvável entre dois vizinhos desajustados se transforma em uma viagem emocional quando o homem mais jovem é diagnosticado com câncer terminal.Uma amizade improvável entre dois vizinhos desajustados se transforma em uma viagem emocional quando o homem mais jovem é diagnosticado com câncer terminal.
- Prêmios
- 3 indicações no total
Bjorn Johnson
- Master Liu
- (narração)
Alana Carithers
- Dr. Laurey
- (narração)
Lu Junchang
- Ku Woo Tai
- (as Junchang Lu)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Paddleton is a simple movie. The story is contained, the cinematography plain, and the premise unoriginal. This is all clearly by design. The two main characters, played by Mark Duplass and Ray Romano, are weird, awkward people and they are always presented as they are, ordinary. They live in small apartments one on top of the other. They are single and work simple jobs. They have terrible diets and watch terrible movies. And one of them happens to be very ill.
While it may seem like a criticism for me to call this movie plain and unoriginal, it really is not. Paddleton is not a canvas for some artsy filmmaker to paint with. It is not excessively dramatized or colorful or whimsical. It is what it is, an honest character study of two people. Often the silver screen is reserved for the interesting and the bold, the odd and sometimes depraved, people that seem to merit attention. These two characters are not like that. They are tiny, seemingly insignificant, and each actor melts into their respective personalities. The relationship between the two feels honest and they come across as true friends on the screen. Not to take anything away from Mark Duplass, but Ray Romano really steals most of the scenes they have together. He plays an aging, banal, and single man scarily well.
There are some things I did not like, the music was a bit twee and contained mostly ethereal melodies and simple keys that did not always fit the tone of the accompanying scene. Some of the dialogue felt stilted. But really everything besides the two performances is just window dressing. This is a film about their relationship and the circumstance they must face together. The low budget feel works to focus the viewers attention on these two people, it makes it feel real. We all have to face death in our lives, but we have each other to depend on.
Friendship is such a precious commodity that we often take for granted. It's the little things, like seeing each other on a commute to work, that become noticeable once gone. Paddleton pays homage to the beauty of ordinary life, and reminds us that this finite bit of time we have been given will eventually come to an end. It does not try to prescribe meaning it cannot possible know, it does not romanticize the process, it just is what it is, and in that way it becomes a worthwhile experience.
While it may seem like a criticism for me to call this movie plain and unoriginal, it really is not. Paddleton is not a canvas for some artsy filmmaker to paint with. It is not excessively dramatized or colorful or whimsical. It is what it is, an honest character study of two people. Often the silver screen is reserved for the interesting and the bold, the odd and sometimes depraved, people that seem to merit attention. These two characters are not like that. They are tiny, seemingly insignificant, and each actor melts into their respective personalities. The relationship between the two feels honest and they come across as true friends on the screen. Not to take anything away from Mark Duplass, but Ray Romano really steals most of the scenes they have together. He plays an aging, banal, and single man scarily well.
There are some things I did not like, the music was a bit twee and contained mostly ethereal melodies and simple keys that did not always fit the tone of the accompanying scene. Some of the dialogue felt stilted. But really everything besides the two performances is just window dressing. This is a film about their relationship and the circumstance they must face together. The low budget feel works to focus the viewers attention on these two people, it makes it feel real. We all have to face death in our lives, but we have each other to depend on.
Friendship is such a precious commodity that we often take for granted. It's the little things, like seeing each other on a commute to work, that become noticeable once gone. Paddleton pays homage to the beauty of ordinary life, and reminds us that this finite bit of time we have been given will eventually come to an end. It does not try to prescribe meaning it cannot possible know, it does not romanticize the process, it just is what it is, and in that way it becomes a worthwhile experience.
The climactic scene in Paddleton would have to rank as one of the most incredible pieces of cinema I can remember. Ray Romano and Mark Duplass produce a moment that is virtually unmatched in its authenticity and honesty. I can barely believe what I just watched, it's a scene that will stay with me for a long time.
Prior to this, Paddleton moves along slowly and tentatively which is clearly by design. The improv style is a difficult beast to tame but Romano and Duplass do it with panache and no lack of humour. It's a definite change of pace to your average modern movie but it is well worth sticking it out.
A real sleeper of a film that brings the topics of life, death and friendship into startling focus.
Prior to this, Paddleton moves along slowly and tentatively which is clearly by design. The improv style is a difficult beast to tame but Romano and Duplass do it with panache and no lack of humour. It's a definite change of pace to your average modern movie but it is well worth sticking it out.
A real sleeper of a film that brings the topics of life, death and friendship into startling focus.
A fragment of life. No past or future, just a fragment. Almost like a documentary. Predictable? Yes, but it still made me cry. The movie is not about what happens in the end , it is about a journey and that person who walks that last path with you with you.
"Why did we have to buy this? Any 100 pills would give you the same result".
Probably one of the best depictions of male friendship on film, albeit a brutal assault on the emotions. But really, what do you expect from a cancer flick?
'Paddleton' felt incredibly realistic and authentic, perhaps in part to no dialogue being in the script. It really helped Duplass and Romano share an excellent onscreen chemistry - the latter who delivers what I consider the best performance of his career.
It made me laugh and its ability to find humour in the darkest of human experiences is something special. The film meanders along at its own pace, with occasional simple moments feeling devastatingly powerful at times - an untouched piece of pizza, a wristwatch alarm clock.
Despite all the great things about 'Paddleton', I just felt super depressed afterwards and that it perhaps didn't quite hit the mark for being something truly amazing.
"Fly to.. where guys don't hover, because that's where I live"
'Paddleton' felt incredibly realistic and authentic, perhaps in part to no dialogue being in the script. It really helped Duplass and Romano share an excellent onscreen chemistry - the latter who delivers what I consider the best performance of his career.
It made me laugh and its ability to find humour in the darkest of human experiences is something special. The film meanders along at its own pace, with occasional simple moments feeling devastatingly powerful at times - an untouched piece of pizza, a wristwatch alarm clock.
Despite all the great things about 'Paddleton', I just felt super depressed afterwards and that it perhaps didn't quite hit the mark for being something truly amazing.
"Fly to.. where guys don't hover, because that's where I live"
Você sabia?
- CuriosidadesThe red 1990 Nissan Sentra that they take on the road trip contains the letters DNR which stands for Do Not Resuscitate. This is a legal order to allow natural death.
- Erros de gravaçãoA scene at the beginning of the film shows Michael looking at a forum at a cancer research website. The address bar comes into frame revealing the address to be //Users/AngelJHerrera/Desktop/Puns/ micheal%20screens/Living%20With%20Terminal%20Illness.pdf. Revealing it is not a website and is a PDF file. The user, Angel Herrera, is the production designer of the film.
- ConexõesFeatured in Conan: Ray Romano (2019)
- Trilhas sonorasKung Fu Capers
Written by Rohan Robert Stevenson
Performed by LML
Courtesy of BMG Music
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Paddleton?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 29 minutos
- Cor
- Proporção
- 2.00 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente