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I turned this on because I had nothing better to watch and I couldn't sleep. I was expecting a shallow drama with a romantic plot but OH GOD IT WAS BRILLIANT! Acting of the main character who is dealing with schizophrenia was really on point! I thought this will be a movie to easily go to sleep during watching it, but instead it was a movie on which I cried my eyes out. Definitely recommend!

In German director Thor Freudenthal's deeply-moving Words on Bathroom Walls, high-school student Adam Petrazelli played by Charlie Plummer, lives in a world without silence. Diagnosed as schizophrenic, the voices in his head never stop, interfering with his ability to function and endangering his need to graduate from high school and fulfill his dream of going to culinary school. Written by Nick Naveda from a young adult novel of the same name by Julia Walton, the film is framed by Adam's own narration. Speaking to an unseen and unheard psychiatrist, Adam takes us into his confidence as he talks about his life and its daily challenges. Portrayed as real life characters, the mostly benign voices are Rebecca (AnnaSophia Robb), a young free-thinking girl, Joaquin , a romantically-obsessed teenager, and an unnamed brutish-looking bodyguard who carries a bat and smokes a cigar.

Freudenthal uses special effects when required such as showing the contents of a room swirling around as if caught in a tornado and Adam's vision of an office being consumed by fire. Though a few scenes indulge in familiar clichés of the genre, for the most part the film exhibits restraint, showing compassion for Adam's struggles and using humor to lighten the mood. Adam loves to cook and dreams about owning his own restaurant. At first, he dismisses his love for cooking, telling us it's a distraction but ultimately acknowledges that when he is cooking, "Everything disappears and I get to be exactly who I want to be."

Unfortunately, a meltdown at a high school chemistry lab that causes injury to another student leads to his expulsion and the decision to enroll him in a strict Catholic school. His acceptance, however, comes with the condition that he maintains an A- average and continues to take his medications which he claims makes him feel worse. When Adam is being interviewed by the nun who heads up his new school, we hear him passively give the answers he thinks she wants to hear but his doubts about whether he can meet the imposed conditions are written on his face.

Meeting Maya (Taylor Russell), a young student at the new school slated to be the school valedictorian, however, brings a renewed sense of optimism for Adam and his mom and stepdad. Seeking additional support, Adam finds a shoulder to lean on in Father Patrick (Andy Garcia). Though he tells the priest that he does not believe in God, Father Patrick's calming manner and gentle humor allows Adam to feel safe enough to talk about his struggles without fear of reprisal. The relationship between Maya and Adam, both with their own vulnerabilities and secrets to protect, elevates Words on Bathroom Walls to a new level of authenticity, but the truth of their circumstances cannot be hidden forever and is sadly revealed during the school prom.

Both Plummer and Russell deliver magnetic performances, and their chemistry gives their characters depth and believability. The characters of Parker and Goggins, however, are not well drawn and barely come alive as real human beings but it does not detract from the film's impact. As Adam attempts to come to terms with schizophrenia, Freudenthal wants to show that he deserves as much sympathy and caring as anyone else struggling with a debilitating illness. In a key moment, Adam says that teens with cancer are shown more compassion and patience. But for those with schizophrenia, "people can't wait to make you someone else's problem, no one wants to grant our wishes."

Do love, support, and self-acceptance cure schizophrenia? No, and the film never suggests that it does, but only that it can help. Freudenthal says he hopes his film can be a "generator of empathy." The next time, he says that "we encounter someone with the illness, we encounter them as a human first . . . Seeing everyone as equal and seeing people as sort of suffering from an illness other than being the illness." Words on Bathroom Walls is a film for those who know what it feels like to exist in a world at odds with your deepest longings for connection and belonging. It is a film that can make you feel that you have found a kindred spirit.

The trailer convinced me to watch it but oh my gosh the way they portrayed the illness and the acting of this kid!! Ughh I was bawling my eyes out. I'd seen the mom and the girl from Lost in Space they are great. I didnt know itd get so deep..really opens your eyes to the struggle of people who suffer with these things. But great movie!! Loved it

Greetings again from the darkness. Very little outside 'the norm' is required for teenagers to ostracize one of their own. Sometimes it's a haircut or a brand of shoes, or even some other minor detail that sets them apart. But when it's a mental illness, the tribe can be merciless. Director Thor Freudenthal (DIARY OF A WIMPY KID, 2010) takes on Julia Walton's 2017 novel, with a screenplay from Nick Naveda. The film features two rising young stars and addresses some of the challenges brought on by the uncertainties associated with a mental illness.

Charlie Plummer (so terrific in LEAN ON PETE, 2018) stars as Adam, a high school senior who has dealt with the challenges of undiagnosed mental health issues since he was quite young. His father abandoned the family years ago, and Adam's devoted mother (Molly Parker, "House of Cards") is not only patient and loving, but also committed to researching any possible treatment that would lead Adam to a better life. On the other hand, Adam and his mother's new live-in lover Paul (Walton Goggins) don't exactly see eye-to-eye on things, leading to more anxiety for Adam.

In an interesting and unique approach, director Freudenthal allows us to not only hear the voices Adam hears, but also see the hallucinations and visions he sees - three of whom are Rebecca (AnnaSophia Robb, THE WAY WAY BACK), a sweet, hippie-ish optimist; The Bodyguard (Lobo Sebastian), a cigar-chomping, bat swinging he-man; and Joaquin (Devon Bostick), an inappropriately horny 'best friend from a 90's move." On top of that, there is a black mist that periodically manifests, enveloping Adam and bringing on crippling fear and isolation. After a years-long stream of drug therapy, Adam is pronounced "treatment resistant" and diagnosed as schizophrenic. Adam's only mind-calming escape is when he's cooking. He knows his way around the kitchen and his goal is to attend Culinary School after graduation.

One day, Adam has a psychotic break during Chemistry class. He gets expelled, which jeopardizes his Culinary School dream. His mother gets him admitted to a Catholic School run by Sister Catherine (Beth Grant) at the same time he is accepted into an experimental drug trial. He's allowed to stay in school as long as he takes his meds and maintains his grades. It's here where he meets the dynamic Maya (Taylor Russell (WAVES, 2019). Maya is smart and ambitious and proud, and the two quickly form a bond - an interesting bond between two smart high school kids carrying their own burdens and holding their own secrets.

Sister Catherine is balancing the specific needs of Adam with her responsibility to the school, and then there is also prom and graduation to deal with. With the new drug, the voices and visions disappear, but Adam has some issues with the side effects. A desperate plea for help from Father Patrick (Andy Garcia), the school priest, provides a boost as Adam tells him, "It's nice to be listened to and not just observed." That line provides significant insight into what it's like to have this affliction, and that's really where the movie excels ... putting us in the shoes of a schizophrenic and allowing us to experience the good and bad moments. What can Adam trust? His eyes? His ears? His mind?

Adam and Maya are both trying to figure out who they are, at the same time learning what it really means to love someone. Adam refers to his illness as his "burgeoning insanity", and in fact, schizophrenia does have a history of accelerating over time once it strikes a young person. The movie succeeds in taking away some of the mystique of mental illness, by making it approachable and something we want to better understand. There is a visual reference to Van Gogh's "Starry Night" that might be a bit too "nail on the head", but Freudenthal's movie is profound and features two very talented young actors. The humanity beneath the surface of those society would rather pretend don't exist is effectively compared to those stricken with cancer ... those we would do anything for. I watched this film back-to-back with another teen-drama-romance new release entitled CHEMICAL HEARTS, and it's extremely rare to find two such thought-provoking films centered on a pair of high school students ... but quite a treat (although I believe all 4 actors are long past high school age).

High school senior Adam Petrazelli (Charlie Plummer) loves cooking but he starts hallucinating. After an incident, he is diagnosed with schizophrenia. His mother Beth (Molly Parker) puts him on an experimental drug. Her boyfriend Paul (Walton Goggins) wants to put him in an institution. Instead, he's sent to a private Catholic school run by Sister Catherine (Beth Grant) where he's befriended by brilliant classmate Maya Arnez (Taylor Russell). He hides his situation from her. His medicine is interfering with his cooking. He does find relieve confessing to Father Patrick (Andy García).

Plummer is a terrific young actor and this role fits him very neatly. Sometimes, this movie has a dark tone which reminds me of Donnie Darko. Other times, it's a slightly lighter teen romance. My main issue is his hallucinations. They could do more with those although I also want them to view the story from Beth and Maya's point of views at times which would require the elimination of the hallucinations. All in all, it's a compelling portrait of mental illness.