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IMDbPro

Godzilla: Cidade no Limiar da Batalha

Título original: Gojira: kessen kidô zôshoku toshi
  • 2018
  • 12
  • 1 h 41 min
AVALIAÇÃO DA IMDb
5,8/10
6 mil
SUA AVALIAÇÃO
Godzilla: Cidade no Limiar da Batalha (2018)
Animação de computadorAnimeKaijuAçãoAnimaçãoFicção científica

Adicionar um enredo no seu idiomaHumanity's desperate battle to reclaim the Earth from Godzilla continues. The key to defeating the King of the Monsters may be Mechagodzilla, a robotic weapon thought to have been lost nearl... Ler tudoHumanity's desperate battle to reclaim the Earth from Godzilla continues. The key to defeating the King of the Monsters may be Mechagodzilla, a robotic weapon thought to have been lost nearly 20,000 years ago.Humanity's desperate battle to reclaim the Earth from Godzilla continues. The key to defeating the King of the Monsters may be Mechagodzilla, a robotic weapon thought to have been lost nearly 20,000 years ago.

  • Direção
    • Hiroyuki Seshita
    • Kôbun Shizuno
  • Roteiristas
    • Gen Urobuchi
    • Sadayuki Murai
    • Tetsuya Yamada
  • Artistas
    • Mamoru Miyano
    • Takahiro Sakurai
    • Kana Hanazawa
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,8/10
    6 mil
    SUA AVALIAÇÃO
    • Direção
      • Hiroyuki Seshita
      • Kôbun Shizuno
    • Roteiristas
      • Gen Urobuchi
      • Sadayuki Murai
      • Tetsuya Yamada
    • Artistas
      • Mamoru Miyano
      • Takahiro Sakurai
      • Kana Hanazawa
    • 45Avaliações de usuários
    • 34Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos53

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    Elenco principal35

    Editar
    Mamoru Miyano
    Mamoru Miyano
    • Haruo Sakaki
    • (narração)
    Takahiro Sakurai
    Takahiro Sakurai
    • Metphies
    • (narração)
    Kana Hanazawa
    Kana Hanazawa
    • Yuko Tani
    • (narração)
    Tomokazu Sugita
    Tomokazu Sugita
    • Martin Lazzari
    • (narração)
    Yûki Kaji
    Yûki Kaji
    • Adam Bindewald
    • (narração)
    Jun'ichi Suwabe
    Jun'ichi Suwabe
    • Mulu-Elu Galu-Gu
    • (narração)
    Kenta Miyake
    Kenta Miyake
    • Rilu-Elu Belu-Be
    • (narração)
    Ken'yû Horiuchi
    • Unberto Mori
    • (narração)
    Kazuya Nakai
    • Halu-Elu Dolu-Do
    • (narração)
    Kazuhiro Yamaji
    • Endurph
    • (narração)
    • …
    Kanehira Yamamoto
    • Takeshi J. Hamamoto
    • (narração)
    Reina Ueda
    Reina Ueda
    • Maina
    • (narração)
    Ari Ozawa
    • Miana
    • (narração)
    Junichi Yanagita
    • Marco Ghione
    • (narração)
    Haruki Ishiya
    • Josh Emerson
    • (narração)
    Hayato Fujii
    • Bilusaludo Soldier
    • (narração)
    Kenta Sasa
    • Bilusaludo Soldier
    • (narração)
    Kengo Tsujii
    • Bilusaludo Soldier
    • (narração)
    • Direção
      • Hiroyuki Seshita
      • Kôbun Shizuno
    • Roteiristas
      • Gen Urobuchi
      • Sadayuki Murai
      • Tetsuya Yamada
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários45

    5,86K
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    Avaliações em destaque

    5jamesrupert2014

    More of the same...

    I dislike stories that revolve around some miraculous but vaguely defined product or technology (in this case the 'nano-metal') that does whatever the plot requires, and as the first film left me with little interest in the characters (whom I found to be trite and flat), the sequel did nothing for me. Much of the movie consists of pretentious expositional pseudoscience, especially with respect to evolution, the limited action sequences differed little from the first film, and again Godzilla appears as a static, ill-defined craggy grey mass. My interest picked up slightly when the small twin girls started talking about their God who had been killed by Godzilla but had left an egg behind but that went nowhere (presumably being a set up for the third film). Ultimately I found this, the 33rd Godzilla movie, slow-moving and uninteresting.
    8onthebounce-55555

    far better then being given credit for

    I watched Godzilla 1985 when i was 5 years old, i have been a BIG G fan ever since, i am 36 now. i even forced myself through the 1998 american dung heap. and i am american. i have watched both animated Godzilla movies so far. both are far better then they should have been. in many ways, far better in story then any Godzilla movie ever made. i normally hate it when Godzilla is the bad guy. but not in these, it is done so well. i wonder what the people were expecting who have written the negative reviews... just a mash up of monsters? it has good stories, logical flow, drama, action, charter development. i cant wait for the third, excellent way to fill the gap for the new live action. i hope they do many more.
    6kevin_robbins

    It could have benefited from more action and additional Godzilla scenes

    I recently watched Godzilla: City on the Edge of Battle (2018) on Netflix. The story continues from where the previous film left off, featuring a futuristic society returning to Earth after 20,000 years, during which Godzilla has taken over. They encounter a human race that survived on Earth and begin exploring legacy technology in hopes of finding a way to stop Godzilla, possibly through the recreation of Mechagodzilla.

    This movie is codirected by Hiroyuki Seshita (Ajin) and Kôbun Shizuno (The Journey) and contains the voices of Robbie Daymond (Spider-Man), Mamoru Miyano (Death Note), Lucien Dodge (Logan) and Takahiro Sakurai (Gamera Rebirth).

    The storyline is well-conceived and intelligently written, but it gets somewhat entangled in the details, dialogue, and specific circumstances. More action would have been better, as the science fiction elements, Godzilla, and the action scenes are undeniably impressive. The portrayal of Earth, its native inhabitants, and the creatures other than Godzilla are fantastic. The final battle is excellent and makes the wait worthwhile, but it felt like it took too long to reach that point.

    In conclusion, Godzilla: City on the Edge of Battle is a fitting sequel to the previous Netflix Godzilla animated film, although it could have benefited from more action and additional Godzilla scenes. I would rate this a 6/10 and recommend seeing it once.
    8kaijuking-69785

    I highly recommended

    The story and human character development is very good the film has some decent action. I enjoy for the most part.

    If you are old-school Godzilla fan you expect to see 'Godzilla vs MechaGodzilla' in the movie you will be disappointed. If you are Anime fan and Godzilla fan wanted to see something new this is for you.
    7kevinxirau

    Kaiju Wars: Godzilla Strikes Back.

    The 2nd chapter of the Godzilla anime trilogy, "City on the Edge of Battle", has finally arrived. Last time on "Monster Planet", humanity lost against the kaiju and escaped into space with 2 alien races. Failing to colonize another world, they return to reclaim Earth only to find that it has changed in their absence and Godzilla is still king. Picking up where Part 1 left off, our heroes hide with a surviving human remnant, the Houtua tribe, after suffering a crushing defeat. After more exploration, they soon stumble upon a mechanized city, created by what's left of Mechagodzilla via advanced alien nanometal. The human-alien forces plan to use it to kill Big G once and for all, but things are not as clear cut they seem.

    While the first film had lots of set-up time and had both a dull color scheme and a static cast, here the drama is more engaging and a greater variety of color is used. Characters have greater emotional range and are a bit fleshed out more, especially protagonist Haruo who is just starting to undergo a change beyond his "We must kill Godzilla" mentality that frankly made him stale first time around. More world-building is brought in and it's pretty interesting, particularly the Houtua culture and the further look into the aliens' views and backstories. There's also a conflict that happens between the characters that shifts the dynamic of their campaign, which I found engaging. There are fascinating themes at play with elements of evolution, religion, individualism, nature vs technology, and what truly separates man from monster. As for Godzilla, whenever he's on-screen, he is still both powerful and intimidating, not to mention pulls a couple of unexpected moves.

    Sadly, weighty flaws hurt Part 2. First off, the film repeats the same basic story beats of Part 1 down to a similar climax. Like before, Godzilla doesn't come around until the climax, so waiting is in order. There's also misleading marketing in that Mechagodzilla, despite all the advertising, plays no active role; in fact, he's barely seen (the prequel novels seem to have more going on in them). This is due to the low budget and strict limitations Toho gave the staff. Characters tend to repeat things over and over and most (Haruo aside) don't change much from their starting roles and personalities. Moreover, there's a romantic subplot that I felt could've been done better.

    "Godzilla: City on the Edge of Battle" is something of an improvement over the past entry. The new stuff is mostly good, the action is entertaining enough, and there's more going on thematically and drama-wise, but the film's reluctance to go further and instead repeat what was done before, coupled with the absence of substantial side character progression, held it back. The after-credit scene promises the arrival of a classic Godzilla foe, putting pressure in the final entry of this trilogy to really deliver, which I hope it does.

    Netflix's Anime Series and Movies, Ranked

    Netflix's Anime Series and Movies, Ranked

    We've rounded up every anime series and movie we could find created or distributed by Netflix and ranked them by IMDb fan rating.
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    Production art
    Lista

    Interesses relacionados

    Tom Hanks and Tim Allen in Toy Story (1995)
    Animação de computador
    Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
    Anime
    Haruo Nakajima in Godzilla (1954)
    Kaiju
    Bruce Willis in Duro de Matar (1988)
    Ação
    Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in A Viagem de Chihiro (2001)
    Animação
    James Earl Jones and David Prowse in Star Wars: Episódio V - O Império Contra-Ataca (1980)
    Ficção científica

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This film features Godzilla Earth, the largest incarnation of the character to date, which was previously seen at the end of Godzilla: Planeta dos Monstros (2017). Godzilla Earth is 300 meters tall and weighs 100,000 metric tons, with the second-largest version of Godzilla, featured in Shin Gojira (2016), standing 118.5 meters tall and weighing 92,000 metric tons.
    • Erros de gravação
      The characters reason that the Hotua tribe must stem from the human race since they closely resemble humans. This logic is undermined by the fact that in this universe, both the Bilusaludo and the Exif aliens also look just like humans apart from a few very minor differences. The Hotua don't look any more human than they do.
    • Citações

      Halu-Elu Dolu-Do: Don't you want to win against Godzilla? With limited time and limited resources, it's an obvious decision to begin discarding the most inefficient thing. The physical body is one such thing, right?

      Haruo Sakaki: Metphies mentioned that you guys wanted to become the same being as monsters. Are you planning to give birth to a new Godzilla on this planet?

      Halu-Elu Dolu-Do: Godzilla is the product of Earth's civilization. You seem to regret this as a mistake, but for me, I commend it as a great achievement. If you were to be faulted, it's the foolishness that you couldn't control Godzilla that was generously born. Think about who this planet currently belongs to. If Godzilla was the name given to the environment's ruler, we humanoids must attain the goal of becoming Godzilla.

      Haruo Sakaki: Are you being serious?

      Rilu-Elu Belu-Be: To be fused with Mechagodzilla City is the same as organisms evolving to the next stage. Instead of being weak creatures controlled by emotions, you'll live in a world of perfect logic.

    • Cenas durante ou pós-créditos
      A scene which sets up the next installment follows the final credits.
    • Conexões
      Featured in What Will I Watch? (Netflix Browsing) (2018)

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    Perguntas frequentes12

    • How long is Godzilla: City on the Edge of Battle?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de maio de 2018 (Japão)
    • País de origem
      • Japão
    • Central de atendimento oficial
      • Official site (Japan)
    • Idioma
      • Japonês
    • Também conhecido como
      • Godzilla: City on the Edge of Battle
    • Empresas de produção
      • Polygon Pictures
      • Toho Animation
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 41 min(101 min)
    • Cor
      • Color
    • Proporção
      • 1.78 : 1

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