Navio de Sangue

This movie isn't awful, but it's not good. Its a B-Movie and it doesn't set itself to be a masterpiece, which I can respect.

I think that the acting was a bit awkward at times, but passable and some scenes were even good. Also, the plot isn't original, but it isn't also as cliche as many other horror films. I think the setting was interesting and it had potential. Nevertheless, I must say the film fails to reach a good level simply because in many ways the director played it safe and followed cliches and tropes from other films. The ending is worst part of all, it falls under the category of "super cliches" and it is also the result of a quite big plot-hole. I think they wasted the potential to have an entraining film, the protagonists are luckluster and most of them die in stupid or anticlimactic ways. Therefore, I can't bring myself to rate this more than 5.

I had really high hopes for this film after reading many comments. This film both worked and failed for me. It worked as a thriller more than a horror film, the acting was good on most parts, not all. The story was good to. The bad, why Tue bickering between characters, this to me fell right from the start and got on my nerves. There was no surprise at the end, so this was a bit of a let down foe me. The main problem I had was the film was slow in some parts and I found myself getting bored waiting for something to happen. Nearly an above average film but not this time.

The offerings of the considerably small niche of horror movies set during a war or another are always welcome in my world, despite most of them being lacklusters - "Blood Vessel", for the most part, is exactly that. Coming from Justin Dix, a special effects aficionado turned writer and director, "Blood Vessel" offers entertainment in the form of 80's best aesthetical traditions, and very little besides that. For extra bonus points, one must take this shlock horror not seriously.

It is 1945 and the middle of the ocean. A real ragtag team - including a tough but righteous Russian sniper, a moronic Englishman, an American cook, an Australian soldier, a useless captain, an all-motherly Alyssa Sutherland, and more - are hopelessly drifting on a raft to a certain death, but a chance at survival presents itself in a form of an eerie, silently drifting German minesweeper. As we tag along our indubitably stereotypical team of heroes on the mysterious Nazi ship, the excursion takes us through ~40 minutes of slow building of a shallow story that has frequent issues, before it kicks the gear into ~40 minutes of a tad bit more entertaining horror feast - none of which is scary. Frankly, "Blood Vessel" is almost entirely void of tension, and the turns of the plot are more likely to elicit a dry response rather than a surprising one.

One thing that "Blood Vessel" has going for it, is the fact that its maker knows and loves practical special effects. Though a low budget feature and playing out as such, among a little confusing action scenes there are mildly satisfying 80's kind of gore and make-up galore. Set designs are also quite fine, but cinematography's uneven and the original score - a highly typical one, not counting the chanting Nazi occult jingles. However, perhaps the most awesome part of "Blood Vessel" is comedy value. Some of it is intentional, some is not, but either way Teplov (Alex Cooke), Sinclair (Nathan Philipps), and even the villain will make up for some amusement, especially if You're not watching it alone.

The lovers of modern shlocks reminiscent of the 80's, and fans of horror movies set in wartimes, such as myself, can try and find some fun in "Blood Vessel", preferably with a friend and a beer. My rating: 4/10.

Locally made horror thriller Blood Vessel embraces its concept and kookiness to deliver a fun throwback like experience that is sure to have genre fans excited about the proposition of seeing World War 2 citizens take it to a ship full of bloodthirsty nazi vampires.

Directed by Australian special effects/props guru Justin Dix, Blood Vessel overcomes its low-budget origins and DIY nature to end up as a final product that is both proficient as a spectacle piece and as a moody atmospheric horror that will entertain anyone willing to go along with its insanely over the top and schlocky premise.

Everything about the film is no fuss, Dix wastes little time in introducing us to a group of sea-stranded survivors that includes Nathan Philipp's Australian soldier Nathan Sinclair and Alyssa Sutherland's kindly Jane Prescott as they and their fellow raft members find potential rescue aboard a seemingly deserted Nazi minesweeper, that just so happens to be host to some extra-ordinary cargo that would rather suck your blood than say hello.

Taking it slow for the first part of the survivors searching of the ship and quest to uncover why a ship such as the one they find themselves on is devoid of human life bar a young girl, Blood Vessel eventually goes all out as we and the films group come face to face with the true horrors of what lays in store for them becomes increasingly more apparent.

With some great visual effects and make-up work, a committed cast who all "bite" into their roles, a great set courtesy of a real-life docked ship and an atmospheric score from Brian Cachia, Blood Vessel is a well-rounded package that never tries to do anything outside of its reach and while it fails to go to insanely creative levels of B-grade goodness, it remains a home grown affair that horror buffs can be proud of.

Final Say -

A fun and entertaining Australian made horror, Blood Vessel delivers exactly what its premise promises and has a lot of fun along the way in doing so.

3 neck bites out of 5

A very unlikely group of allied forces survivors run into a seemingly deserted Nazi ship in the middle of Atlantic Ocean, only to find... stirgoi. The poster and the name tells you what this is so I don't it is a spoiler when I say vampires.

Despite plot holes the size of Donald Trump's ego and budget the size of his.... brain, this movie is campy fun, if you set your expectations low.

High production values given the budget, a decent ensemble makes this surprisingly enjoyable, even if the ending is predictable. So, stop complaining and just enjoy watching for Alex Cooke's Teplov steal the show from his higher billed co-stars. A star will be born soon, I think.