Utøya 22 de Julho: Terrorismo na Noruega

I was afraid to see this movie. But it's one of those cases where I felt I HAD to. I was inevitably drawn to it. I thought there was a risk of it being a little exploitative. But I looked at the cast list, and an actor cast as Breivik was nowhere to be found.

And as soon as you watch the movie, it makes perfect sense. Many of the campers didn't have a chance of seeing who the shooter was, and if they did they were most likely doomed. It makes the situation extremely scary, as there is no visible presentation of the threat. Just shots firing from a gun, with one person after the other getting hit...

I'm sorry, I'm getting too emotional. But it's really hard not to. I felt all the fear, all the dirt and sand and the uncertainty over whether someone was going to make it out alive or not. The fact that it's impossible to know the fate of any of the victims beforehand is particularly horrifying. There are no easy hiding places, not a spot where you can feel completely safe and sound.

It feels weird to point out the acting in a way, since never at any point in the movie did I notice I was watching people acting. But I still have to give props to the especially brilliant performance of Andrea Berntzen as Kaja. Even though her mission to find her sister is extremely dangerous, you understand it from her angle why she would do it. You can sense every heartbeat and emotion that she goes through as she finds herself witnessing things that once you've seen it, it's stuck in your mind forever.

I was bawling my eyes red at the end of it. It's unbelievable that such a tragedy struck a country like Norway, at a nice and homely island, the place where you would least expect something like this to ever occur.

Yes, it's "just" a movie. But this is the closest you will possibly come to experiencing a tragedy at an isolated resort. As horrible as watching it play out in great detail was, be as grateful as you can it never happened to you. And to all the brave people who survived, stay strong and live your lives as happily as you can.

U - July 22 is an extremely difficult film to judge. Based on the horrific events that occurred on Utøya island in Norway, were one man shot and murdered 69 people, most of them youngsters (in addition to being responsible for a bomb attack in Oslo earlier that day). Norway is quite a safe place to live, so that something as gruesome as that happened here is confusing, shocking and something that I'll never truly be able to understand. It's therefore a difficult film to judge because the events are still close to heart. It's, as I'm writing this, been close to seven years since the attacks, which kinda feels like no time has passed at all. So from the moment the film start, you've already brought in your feeling of sadness to the film.

But I do think this is a good film. I think its made with dignity and respect, and I think its importance come across very well. It's a film that we need in order for us to, if not fully, at least be able to understand a little bit about how it was like for the people who were trapped on Utøya during the shooting. How brutal, unforgiving, isolated and meaningless it all was. The film doesn't shy away from the brutality of it, and I'm glad that it didn't. It had to be brutal in order to convey the feeling of how it was like. It had to be violent in order for us to understand it. The film does a good job of translating the feeling to the viewers.

Shot entirely in one-take on the island itself with unknown actors and lasting exactly as long as the shooting actually did, the film feels as real as it possibly could have. There's not much focus on the perpetrator, yet his presence is felt throughout the entirety of the film. The loud and uncomfortable sound of shots being fired is constant and the shrieking of scared teens is uncomfortably present. The panic, confusion and anxiety is all over the place. There are no moments to rest, and the film is exhaustingly intense and difficult to watch. Once the film ended the cinema was filled with silence. No one made any noise and it was quite simply put a powerful experience.

There are certain moments in it that feels slightly artificial, though it's hard for me to know that for sure, as I wasn't there during the attack. Yet, some parts didn't fully convince me. This might be because some of the acting isn't the strongest. Which is a bit of the risque you run when shooting a film in one-take. Andrea Berntzen is however a star. Her performance is outstanding. The camera follows her throughout the entire film, and she perfectly manages to capture and convey every emotion you would imagine someone going through in a situation like that.

This is not a film for everyone, but for me, as a Norwegian, it's essential viewing due to how close it is. In a world where violence happens every day and we've somehow gotten used to reading about, a film like this is important. If only to make us understand a little bit more. If only to make us feel a lot more.

( Review also posted on Listal and letterboxd)

I'd already watched Paul Greengrass' film 22 July. Despite Utoya July 22 being about the same atrocity, you could not get 2 different films. Whilst Greengrass gave Brevik a platform and invited viewers to try and comprehend his actions, perhaps in an attempt to learn and move on, Erik Poppe's Utoya instead focuses entirely on the victims - the young Labour Party members camping on the island. In a poignant start to the film, the main lead, Kaja, looks directly into the camera and says "you'll never understand" (it turns out she's talking to her mum on the phone).

There is some debate as to whether either of these films should've been made at all. As harrowing as they are, I think they both have their place in trying to enhance our understanding of the horror of terrorist attacks such as these.

In a very clever piece of technical direction, it looks like the film is shot 'live' in one single take to mirror the horror of the 72 minutes of the young people's terrifying ordeal, whilst Brevik was attacking them.

Did I enjoy the film? No. Am I pleased I watched it? Yes. Would I recommend it? Most certainly. Does it, along with Greengrass' July 22, enhance our understanding? The jury's out. 7 out of ten

Excellent and disturbing description of the attacks on Norway students on the island Utoya in July 2011. The film is told out of the perspective of a fictional victim of the attack and follows the circumstances and 72 minute crisis in real time. The magic of the film is that its done as a one-shot piece . The camera hectically follows the victims. This gives you the impression to be in the middle of everything and offers the film a very authentic touch. You really feel like you are in the middle of everything and just like those students captured on the island. The film works because it portrays fear with its deepest core. The characters more and more become hopeless and so does the audience. You never know where the attacker is you never know who his next victims will be. The acting is very good, especially by the lead actress Andrea Berentzen who brilliantly portrays Kaja. The characters are fictional but they are based on the true stories of the survivors. It is creepy, it is moving and it is often hard to watch. One person in the cinema fainted. But its an important film because it brings back the memories of this terrible and sick happening. Absolutely worth to see.

This movie really allows you to sink into the movie and get a feel for the vibe that was there when it really happened.

The movie is shot in 1 take, no scene cuts.

The young actors impressed with powerful performances worth of recognition.

All in all the movie succeeded in portraying the horror that was 22. Juli, 2011.