A Mula

A marketing campaign coming in at the 12th hour and a film that's still been surprisingly hidden by Warner Bros, The Mule could be a fitting end to a storied Hollywood career from Clint Eastwood. In many ways mirroring his life, The Mule gives insight into Eastwood's inner psyche, as he has navigated being an in demand actor for over 60 years whilst having a large family to look after as well. So if you're looking at the film in that way, it's a sharp and poignant apology Eastwood is sending to his family after all these years. It's not a perfect film, but it's tightly directed, at times brilliantly intense, and even emotionally moving. Even if it is a ultimately predictable and unsurprising drama. If it is Eastwood's last hoorah, it's been one hell of a run.

7.7/10

The 88 year old Clint Eastwood who apparently has enough wits about him to keep a driver's license decides at the suggestion of a guest at his daughter's wedding to do some driving for friends who will pay him well, very well. It's only after a few trips that retired horticulturalist Eastwood realizes its drugs he's hauling and he's making too much money now to quit. In fact he's pulled himself out of some serious debt and bequeathing gifts all around.

Being the devil's advocate you got to say that drug dealers are ingenious in terms of finding new methods of smuggling. Who would expect a super senior citizen who is a few years would probably have his license lifted to be a drug mule. I say that because two of my uncles at Eastwood's age had their driver's licenses lifted by the State of New York. But while they were still driving no drug cop or any other kind would have given him a second look.

Which what happens to DEA agent Bradley Cooper and other law enforcement when they come across Eastwood. But the wiretaps that the DEA has gives them chatter about someone who is becoming legendary for the weight he is delivering.

The Mule is a bittersweet picture about old age and Clint Eastwood drew a lot from his own life and others to give us this portrayal. I should also single out Dianne Wiest who plays his estranged ex-wife and mother of his daughter who loves him, but can't stand his irresponsible ways.

What I love about this film is that we leave Eastwood doing exactly what he was doing as the film opened only in a different location. And he has a degree of security he never had before.

Watch the film to see what I'm talking about. God willing Clint may be acting and directing himself in his 90s.

This film was perfectly paced to tell the short but true story of an 80 year old WWII veteran and horticulturist's time as a drug mule for the Mexican Sinaloa Cartel. In reality Leo Sharp smuggled more than a ton of Cocaine into Michigan for $1.25 million and was sentenced to three years in prison, after being caught by the DEA, of which he served one year.

In the film, the real Leo Sharp is named Earl Stone and is portrayed by Clint Eastwood himself, who additionally both directed and produced this project. (Also, One of Eastwood's real life daughters starred as his daughter in the film.). Earl is a day lily horticulturist whose business suffers to the point where his home and farm are being foreclosed on, due to his unwillingness to keep up with the times by way of the internet. By chance he meets a young man who offers him a job delivering a package across state lines at his granddaughter's engagement party, which he jumps at in order to make money to help pay for her wedding and save face with his estranged family.

The film really makes a compelling argument for how he gets started in the business and an even more compelling argument for how he got away with it. As an older gentleman people would never guess that he would be involved and in fact even though the DEA gets pointed right to him and the motel he is staying at...they completely overlook this elderly war veteran.

This was slow paced, but heartfelt and emotional. I think fans of good cinematography will enjoy it, fans of Clint Eastwood will love it and fans of good story telling should watch it. It was nice to see Clint Eastwood starring in this film and playing a character of a similar age.

I had never heard of Leo Sharp before watching "The Mule". What a story. Clint Eastwood (who also directed) plays a fictionalized version of Sharp, smuggling drugs for a cartel partly because it enables him to spend the money benevolently. These moral conundrums arise a lot.

It was a little weird in some scenes, seeing Eastwood surrounded by women a fraction of his age; probably wishful thinking on his part. Even so, the movie shows how the old man got more and more into the business, resulting in some tense incidents. In addition to Eastwood, there's good support from Laurence Fishburne, Bradley Cooper, Dianne Wiest, Andy Garcia and Taissa Farmiga.

You could say I'm a considerably huge Clint Eastwood fan, I celebrate the man's whole career and love most of his work. As a director, I think he's been solid overall, making a handful of classic films along the way. As watchable as it is, The Mule is not one of them. It could be the last big thing we see from Eastwood's career, and if so, then it's not a bad note to go out on, but it's not his best, and it doesn't have to be. He's proven himself a hundred times over, and this is the film he wanted to make. The Mule is a fine movie to watch, and Eastwood plays a very subdued character, unlike his role in Gran Torino where he still had shades of his bad boy past. He's softer, he's passive, he's what you expect a man of this age to be...and in that way, he played it perfectly.