Here Comes Hell

Sort of Agatha Christie meets Evil dead. Quite enjoyable.

Ha! Good old campy black and white horror fun, with some more modern gory effects and probably what Diane Behindstein would classify as 'assault weapons'. Add some bad jokes and cheesy one liners and what you've got is a pretty entertaining little flick.

A little House of Usher moment at the end and you have a decent 6/10

Yes the sound quality is poor and the acting could be better... But it's a brave effort and for £20,000 it's surprisingly engaging... Certainly a lot better than "The Dead don't Die" and other Hollywood offerings... If it's cold and raining and there's nothing else on the telly - It's well worth a watch... You won't be disappointed...

I'm tired of the individual who somehow believes that if they are critical enough and use all sorts of cliches that paid critics use that somehow they to will become a humorless dink that will look for film school errors and see art when there is none and can't enjoy a well done low budget movie unless subtitles are involved. This was excellent well done fun that was enjoyable from the start and it achieved the feel of a good 1960's B+ feature. I had zero expectations going in and was a little shocked that the setting would be a dilapidated mansion and not at a well appointed sound stage mansion equivalent, but it worked. The acting was far better than I expected with genuine and realistic portrayals of the idle rich mixing with a working class strong female co lead. Tension and jealousy felt real and the story played out in a way that seemed possible even with the subject matter. I fully enjoyed this and as long as your not a wannabe professional film critic you'll enjoy the ride. .

'Here Comes Hell' doesn't live up to its premise of Agatha Christie period piece meets Lucio Fulci gorefest in an The Old Dark House makeover... but it is an affectionate emulation of a bygone era.

Director Jack McHenry does everything in his limited power to transport you back to the 30s: the aspect ratio, black-and-white photography, music, and even the chroma key compositing for car sequences. However, it's made with an excess of heart and not enough substance or skill to create the riotous horror comedy pastiche it wants to be.

6/10.