De quem é o sutiã?

This is probably the quirkiest movie I've seen in over a decade or two. For one the movie has no dialogue from start to finish. And two, the movie revolves around a bra. Accept that simple story line and you will find this movie interesting. I think it's what got me to watch it all the way, to see how the story evolves.

But even without any dialogue, the actors where able to convey their intentions well and the movie articulate the story through acting and great direction. I mean, you fully understood what was happening. No need for complex explanation - it's all simple. And the whole thing surprisingly works extremely well.

A good way to summarise the type of story this is, is... it's a different take on the Cinderella story. Just using a bra instead of a glass sleeper.

Give it a go, you might get some amusement from it - just like I surprisingly did.

The first gift of the film is Miki Manojlovic. The fans of Kusturica know why. The second - in my case- Maia Morgenstern. The secod gift - the atmosphere, and the simplicity of story and flavours of so many books, films, near reality fragment. Not the last - the special poetry proposed by the absence of dialogue and the cinematography. And, sure, the boy, the great small boy. So, many gifts of this not ordinary but profound touching of Cinderella story.

I wasn't sure what to expect but I'm glad I saw it on a whim. It didn't take long for the silent story to captivate me, and having travelled myself to similar cultured places was surprised to see the authenticity. The story is an obvious take on Cinderella where the protagonist is trying to find one specific person who owns this bra. But with a unique culture twist. I enjoyed it very much

What a clever, delightful, funny, witty film this is. It came out of left field, and stayed centred. I thoroughly enjoyed the viewing experience.

I'm no expert but, I believe there are three 1st with this movie. The first silent movie of the 21st century, the first silent movie in COLOUR, and the first silent movie with no story boards.

I am smiling as I write this little review, that says something. I'll never think of Bra in the same way again, not even in schoolboy French, which raised schoolboy tittilation (french translation for the uninitiated is ARM).

When I hear or see a Bra in the future, I will be transported once more, to a cinematic gem. The cast were fantastic, the direction was brilliant, the cinematography was unbelievable. This movie left me with a warm glow, which I haven't felt in some years

Blockbusters are good for the wallet, movies like this are good for the viewer.

Nurlan drives his train every day through rural Azerbaijan and a suburb of the megacity of Baku. There is so little space in this slum that the residents hang up their clotheslines over the railroad tracks.

During one of these rides, a nice blue bra gets caught on the train from Nurlan. Who in the district is the owner of the laundry? Nurlan sets out on an unusual mission to find the woman and maybe love.

The film by German director Veit Helmer tells the warmhearted story in quiet pictures and without dialogue. A bold cinematic experiment, only visually we follow the Protagonist on his extraordinary quest - experiment succeeded - highly recommended.