A Garota da Vez

Greetings again from the darkness. As a lonely woman, being told you have the look of a model is a welcome compliment. As a runaway living on the streets, having a young man show an interest in you is a welcome development. As a single woman moving into an apartment and having a charming young man help move your furniture is a welcome occurrence. As a struggling actress, getting cast on a hit show is a welcome gig. What do all of these situations have in common? They feature vulnerable women who crossed paths with Rodney Alcala, an infamous serial rapist and murderer. This is the first feature film directed by uber-talented Anna Kendrick and it's a doozy.

Director Kendrick also stars as Cheryl Bradshaw, the struggling actress whom we first meet in one of her endless rounds of auditions where she doesn't get cast due to her physical appearance. It's one of a series of misogynistic scenarios that play out in this film written by Ian MacDonald and based on the true story of evil Rodney Alcala (played here by Daniel Zovatto). The film is set mostly in the late 1970's, although it bounces around a bit. We first see Alcala charming a woman in 1977 Wyoming by using his camera and photographic skills to instill a level of comfort and entice her into his car. Very little violence is shown on screen, but the aftermath is - leaving no doubt that Alcala is a monster.

Beyond the murders, what made Rodney Alcala headline-famous, was his 1978 appearance on "The Dating Game", a very popular TV show at the time (only we don't get to hear the iconic theme song, and there's no kiss thrown at the end). By pure coincidence, the bachelorette questioning the three bachelors that day was Cheryl Bradshaw. As the host of the show, Ed Burke (not Jim Lange, played by Tony Hale) adds to the misogyny of the times, while the hair and make-up ladies quietly cheer on Cheryl as she re-writes the second half questions exposing her level of frustration at playing an item of desire for three men. With no shortage of creepy or horrific moments, the film's best sequence involves Cheryl and Alcala walking through a poorly lit parking lot after an excessively awkward post-show drink. This sequence alone proves Ms. Kendrick's mettle as a filmmaker - the tension is nearly unbearable.

Rather than a straightforward re-telling of a psychopath's tales from the 1970's, the film adds layers by reminding us of what women faced in that era - from subtle lack of value to outright abuse and constant concern for their safety. Even Cheryl's interactions with her neighbor (Pete Holmes) displays challenges faced in ordinary settings. The 1979 San Gabriel segment with the runaway (Autumn Best) is both true and chilling, and yet further proof of how much leeway an educated white guy like Alcala could get away with (he had been previously questioned by police in 1977). If somehow you reach the end of the film and aren't totally sickened by Rodney Alcala, just try and keep it together while reading the last few slides regarding his trail of destruction - and just how courageous that final runaway proved to be.

Premieres on Netflix on October 18, 2024.

This film is a highly dramatized, poorly paced retelling of true events. While I did enjoy how the movie handled sexism and violence towards women, and while there were several really effective sequences, the overall product just falls kind of flat.

The movie bounces around between Alcala with various victims, Sheryl on the dating show, and Sheryl in her personal life. The movie can't seem to decide if it wants to focus on Sheryl, the dating show filming, or Alcala. Although it's a neat factoid that Alcala was on a dating show, that really doesn't work for the crux of an entire film unless you're going to have people's lungs exploding and heads spinning a la Late Night with the Devil.

Not a bad movie but wouldn't necessarily recommend it either.

I've always liked Anna Kendrick, I consider her a good actress, but until now she had played roles mainly in comedies or dramatic films, so I was surprised to see her not only as the protagonist, but also as the director of a dark thriller based on a true story and I was also surprised to see that as a director, Anna did a good job.

The film flows very well, the tension is constant and the cast does a great job, from Kendrick to Daniel Zovatto, absolutely perfect in the role of the crazy Rodney Alcala.

Zovatto fits perfectly into the role of this psychopath and the moments in which he tries to charm women before killing them, really give you the shivers, also thanks, as mentioned, to the solid and no-frills direction of Kendrick.

In conclusion, a very interesting film that I recommend, among the few truly good films released this year on Netflix.

Short: This story shows promise but ultimately falls short due to a lack of crucial details that could have elevated it to greatness. The narrative includes numerous anecdotes, but they feel disconnected, leaving the plot disjointed. The film abruptly concludes, leaving many questions unanswered and the audience unsatisfied. Overall, it comes across as a low-budget effort that fails to fully develop its potential.

Long: Women of the Hour is a psychological thriller inspired by the true story of Rodney Alcala, the infamous "Dating Game Killer." Set in the late 1970s, the film explores the chilling intersection of entertainment and crime as Alcala appears as a contestant on a popular dating show while actively committing heinous murders.

The story is ambitious, delving into themes of manipulation, the public's fascination with spectacle, and the danger of appearances. However, the execution leaves much to be desired. While the movie attempts to blend dark humor with a critique of the era's obsession with celebrity culture, the fragmented storytelling undermines its impact. Anecdotes from Alcala's life are presented, but they feel scattered and fail to create a cohesive narrative. As a result, the film struggles to maintain tension or provide a deeper understanding of its characters.

The abrupt ending compounds these issues, leaving key questions unanswered and robbing the story of a satisfying resolution. The lack of connective tissue between events gives the impression of a rushed, underdeveloped script, despite its intriguing premise. Furthermore, the film's low-budget production values are evident, detracting from its potential impact.

While Women of the Hour has an interesting concept and moments of potential, it ultimately falls short of being the gripping thriller it aims to be. With more detailed storytelling and stronger character development, it could have been a standout piece.

This film spoke to me for a couple of reasons. I was a college student during the time depicted in this film, and I remember very well how naïve many young women were about how manipulative, conniving, and dangerous some men could be. I'm fortunate that nothing happened to me, because I certainly took some risks in situations where I should have known better. And then when something like a sexual crime did happen to a young woman, law enforcement didn't always take it seriously. They often thought the girl was asking for it because, for example, she was wearing a short skirt and walking alone at night.

The pacing of this film is deliberate and intense, and it switches back and forth between time frames and victims. I found it a little annoying at first, but it all made sense at the end. I thought Anna Kendrick and Daniel Zovatto played their roles extremely well. Zovatto came across as creepy AF. A few points are fictionalized, of course, and I'm not sure how much. I did some reading about Rodney Alcala, and the way he was apprehended is essentially accurate. If you can deal with the slow pace of this film, it's well worth the watch.