We the Animals

I really hope this film gets the audience and recognition it deserves. I was so blown away by the cinematography and score that I had to really think afterwards about just how good the acting was too. Flawless performances by all, not least of which the three boys who you would assume are brothers in real life (they're not).

Bravo, well done!

It's pretty incredible that this is Director Jeremiah Zagar's first feature, which he also co wrote. The movie is based on a novel and focuses on Jonah the youngest of three brothers growing up in a volatile family environment. We follow Jonah's escapism into magical realism as he tries to forget the harshness of his surroundings. The dialogue and acting from all is brilliant, especially from the three young boys.

Cinematographer Zak Mulligan shot most of it on film and cites Ken Loach and the documentary 'Street Wise' as big influences on the movie. The grainy effect of film captures the nostalgic feel of the narrative and helps the viewer get into the 1980s vibe.

Most of the themes centre around your general coming of age type tropes (Peer pressure, belonging, family dynamics etc) but the real strength of the film is putting the viewer into the headspace of Jonah. Making us live those slices of time and fantasies that he does. There is one scene in particular where the camera swings round to complete a reveal that practically left my jaw on the floor it is done so well.

Fans of films like 'Moonlight', 'The Florida Project', 'Mud, 'Beasts of the Southern Wild' and of Directors like Andrea Arnold might enjoy this one.

Jonah's a young boy, a bit different from his brothers, trying to make sense of the world.

Great film.

WE THE ANIMALS lulls you into thinking it's a mere memory piece. Much of the film is made up of short scenes that are more snatches in time, than anything resembling a tight narrative. Jeremiah Zagar's debut film follows three young Hispanic boys as they grow up in the 80s in upper state New York - Manny, Joel and Jonah (Evan Rosado; who also narrates). Their parents Ma (Sheila Vand) and Paps (Raul Castillo) struggle not only with making ends meet, but, also in their volatile relationship. Although the family has moved from NYC to the more bucolic rural suburbs, their move isn't necessarily a happy one.

While the film may seem formless at times, the vibrantly shot and directed segments (lots of hand-held; grainy earthy 16mm film stock), accumulate over the course of the movie. A flashback might just seem like a fuzzy thought when it passes by earlier in the film, but, pays off later. Zagar's stylistic touches don't always work. Jonah's drawings in a sketch book get animated at certain points in the film, but, never really feel all too well integrated. What does emerge is a larger picture of a family battling both within and without. Paps' macho Latino father dominates not only the mother, but, also causes frissons within the trio of brothers.

WE THE ANIMALS can be taken as simply a flashback reminiscence (it's based on a memoir by Justin Torres), but, once you let it roll over in your mind, a more complete 'story' takes hold. And, it it's a powerful one. Zagar's film is a refreshing, if at times, painful feature.

I lived parts of this story. My parents have a toxic marriage. My Dad is mentally ill and was abusive. He has bipolar. My childhood felt so free at times, like this kid, but as I got older I realized how trapped I was. I'm 27 now, free enough of my childhood, but the memories always linger. Watching this was painful, but sometimes you ave to acknowledge what happened.

I wasn't sure what to expect from this film, but it turned out to remind me of two masterpieces- Moonlight and The Tree of Life. Its camerawork is sometimes reminiscent of Malick and the flowing, dreamy-like atmosphere he creates, but the narrative is also sometimes very much in the structure of Moonlight. Regardless, it's a fantastic film filled with fantastic performances that deserves to be seen.