Enquanto está de férias no Nilo, Hercule Poirot investiga o assassinato de uma jovem herdeira.Enquanto está de férias no Nilo, Hercule Poirot investiga o assassinato de uma jovem herdeira.Enquanto está de férias no Nilo, Hercule Poirot investiga o assassinato de uma jovem herdeira.
- Direção
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- Artistas
- Prêmios
- 1 vitória e 8 indicações no total
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Avaliações em destaque
Death on the Nile fails to meet the high standard of its predecessor Murder on the Orient Express. That being said the film is beautifully shot and the final act is an overall fun mystery ride. The film is generally well acted and directed. One negative is that the audience is just told things a little too much. Murder on the Orient Express had a little more set up and the audience felt more of a part of the mystery early on. That aspect of storytelling felt diminished in this sequel. The mystery does not really pick up until the final act and even then some things are just explained by Detective Poirot without any of the tantalizing intrigue that the first film possessed. Murder on the Orient Express had an amazing twist with good people doing a bad thing which made the audience seriously reflect on the right and wrong of the crime. Unfortunately, Death on the Nile's big twist of bad people doing a bad thing for money felt a little flat. Murder on the Orient Express was a work of art. Death on the Nile is a decent mystery movie.
Just too much unnecessary stuff in this film. From unnecessary (or just contrived) scenes ... to unnecessarily overdone CGI imagery. And don't get me started about the unnecessary historical inaccuracies. It all just distracted me from the film itself...which I found to be overconfidently flashy and show-offish. Pretentious.
I don't always agree with the professional critics, but I have to say that I do agree this adaption, is, without a doubt, the most turgid and poorly executed Christie adaption that there has been.
There is over an hour of the film before the mystery even begins and that interminable hour consists of exposition that leave the characters as two dimensional as when it started. And half of the characters seem shoveled in with no purpose whatsoever. E.g. Sophie Okonedo. She is a great actress. Perhaps the best in this cast. I strongly recommend people see her Hollow Crown and Hotel Rwanda. But her character (or that of the character's niece) in Death on the Nile is what? Serves what plot purpose? (Answer: none)
The actual "solving" of the mystery has to be the most predictable Christie adaption ever. It is a outright "Cui bono?" It makes it clear this is written for very low brow audience.
There is over an hour of the film before the mystery even begins and that interminable hour consists of exposition that leave the characters as two dimensional as when it started. And half of the characters seem shoveled in with no purpose whatsoever. E.g. Sophie Okonedo. She is a great actress. Perhaps the best in this cast. I strongly recommend people see her Hollow Crown and Hotel Rwanda. But her character (or that of the character's niece) in Death on the Nile is what? Serves what plot purpose? (Answer: none)
The actual "solving" of the mystery has to be the most predictable Christie adaption ever. It is a outright "Cui bono?" It makes it clear this is written for very low brow audience.
I love Agatha Christie novels and want so badly to enjoy big screen interpretations of her stories. I think her writing is what makes Death on the Nile work better than it would otherwise. It's a solid mystery that has plenty of good twists and turns because there are multiple layers of mystery beyond just the murders. Thankfully, it has been long enough since I read the book so I didn't totally remember the actual solution to the whodunit. However, I figured things out relatively early because Branagh struggles to deliver these type of mysteries with any subtlety, and that's a shame. You'd think it would be obvious that you don't want someone almost literally shouting "Pay attention, this is a clue!" but that's what we have here. Also, while I said I guessed the truth early, I just mean early in relation to when the first murder occurred. Because it takes almost half the runtime for things to truly get going.
Some of the character work in Death on the Nile was solid, and I appreciated seeing a couple people play against type. They take a lot of time to establish the relationships between all these characters which I would ordinarily appreciate. It's too bad Branagh (or the studio) thought we were too dumb to follow all the groundwork they were laying out, so they literally had a character painstakingly explain to Poirot everything all over again. He might as well have broken the fourth wall and just spoken straight to the audience since it's so clearly all for our benefit. The ending was also corny and handled poorly, plus some of the green-screen of Nile scenery in the background was horribly shoddy. All that being said, I still appreciated aspects of Death on the Nile. It's a genre I love, written by an author I love, and starring a detective I love. Considering all that, it's no wonder I managed to have a good time with a film that really isn't put together all that well.
Some of the character work in Death on the Nile was solid, and I appreciated seeing a couple people play against type. They take a lot of time to establish the relationships between all these characters which I would ordinarily appreciate. It's too bad Branagh (or the studio) thought we were too dumb to follow all the groundwork they were laying out, so they literally had a character painstakingly explain to Poirot everything all over again. He might as well have broken the fourth wall and just spoken straight to the audience since it's so clearly all for our benefit. The ending was also corny and handled poorly, plus some of the green-screen of Nile scenery in the background was horribly shoddy. All that being said, I still appreciated aspects of Death on the Nile. It's a genre I love, written by an author I love, and starring a detective I love. Considering all that, it's no wonder I managed to have a good time with a film that really isn't put together all that well.
I beg Mr. Branagh to direct and/or produce films based on Agatha Christie's novels but NOT TO PERFORM as Hercule Poirot, anymore. Please...Not even his moustache is credible.
After having watched Peter Ustinov's and David Suchet's WONDERFUL Poirots...there is no way I can like this current Hercule.
Neither in this movie nor in the previous one.
Besides,as a Christie's fan, I watched the 1978 version of her novel and that was a beautiful piece of art. Actually located in Egypt and full of great famous actors (who were absolutely absent at this time).
This is my humble advice to Kenneth ...knowing he won't read it,of course.
I hope the other people here (at IMDB) will join my wish.
Regards from Argentina.♥
After having watched Peter Ustinov's and David Suchet's WONDERFUL Poirots...there is no way I can like this current Hercule.
Neither in this movie nor in the previous one.
Besides,as a Christie's fan, I watched the 1978 version of her novel and that was a beautiful piece of art. Actually located in Egypt and full of great famous actors (who were absolutely absent at this time).
This is my humble advice to Kenneth ...knowing he won't read it,of course.
I hope the other people here (at IMDB) will join my wish.
Regards from Argentina.♥
Você sabia?
- CuriosidadesMany of the characters are combinations or alterations of characters from the novel, to make for a smaller cast and a less confusing plot:
- Salome and Rosalie Otterbourne, a romance novelist and her daughter, become a singer and her niece/manager.
- Andrew Pennington becomes cousin Andrew Katchadourian.
- Marie Van Schuyler, a socialite and no relation to Linnet, becomes Linnet's godmother who has the ideals of Mr. Ferguson, the aristocrat turned socialist.
- Windlesham, a character mentioned in the first chapter, is combined with Dr. Bessner to become Dr./Lord Windlesham.
- Bouc, a character who appears only in Murder on the Orient Express, takes on elements of Col. Race, while his choice of traveling companion, his mother Euphemia, is reminiscent of the relationship between Tim and Mrs. Allerton.
- Erros de gravaçãoPoirot grows a mustache to hide the scar tissue that covers most of his upper lip and cheek. Scar tissue cannot grow hair at all, as it does not contain follicles or sweat glands; it is a connective tissue that grows between the dermis after it is split. Poirot's mustache could therefore never be as full as depicted, and should have several holes or irregularities.
- Citações
Marie Van Schuyler: You accuse me now of murder?
Bouc: Oh, no, he accuses everyone of murder.
Hercule Poirot: It is a problem, I admit.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: Death on the Nile (2022)
- Trilhas sonorasThat's All (Live)
Written and Performed by Sister Rosetta Tharpe
Courtesy of Institut National de L'Audiovisuel
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Muerte En El Nilo
- Locações de filme
- Aswan, Egito(Second unit)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.630.104
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.891.123
- 13 de fev. de 2022
- Faturamento bruto mundial
- US$ 137.307.235
- Tempo de duração
- 2 h 7 min(127 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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