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Voyeur

  • 2017
  • TV-MA
  • 1 h 35 min
AVALIAÇÃO DA IMDb
6,1/10
7 mil
SUA AVALIAÇÃO
Voyeur (2017)
Journalism icon Gay Talese reports on Gerald Foos, the Colorado motel who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an "observation platform" he built in the motel's attic.
Reproduzir trailer2:17
1 vídeo
20 fotos
Documentário policialCrimeDocumentário

Adicionar um enredo no seu idiomaJournalism icon Gay Talese reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down fro... Ler tudoJournalism icon Gay Talese reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an "observation platform" he built in the motel's attic.Journalism icon Gay Talese reports on Gerald Foos, the owner of a Colorado motel, who allegedly secretly watched his guests with the aid of specially designed ceiling vents, peering down from an "observation platform" he built in the motel's attic.

  • Direção
    • Myles Kane
    • Josh Koury
  • Artistas
    • Gay Talese
    • Gerald Foos
    • Nan Talese
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    7 mil
    SUA AVALIAÇÃO
    • Direção
      • Myles Kane
      • Josh Koury
    • Artistas
      • Gay Talese
      • Gerald Foos
      • Nan Talese
    • 55Avaliações de usuários
    • 18Avaliações da crítica
    • 59Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:17
    Official Trailer

    Fotos19

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    Elenco principal13

    Editar
    Gay Talese
    Gay Talese
    • Self - Writer
    Gerald Foos
    Gerald Foos
    • Self - Hotel Owner
    Nan Talese
    Nan Talese
    • Self - Gay's Wife
    Susan Morrison
    Susan Morrison
    • Self - Articles Editor, The New Yorker
    Anita Foos
    Anita Foos
    • Self - Gerald's Wife
    Jamison Stoltz
    Jamison Stoltz
    • Self - Senior Editor, Grove-Atlantic
    Morgan Entrekin
    Morgan Entrekin
    • Self - Publisher, Grove-Atlantic
    Pamela Talese
    Pamela Talese
    • Self - Gay's Daughter
    Edward Akrout
    Edward Akrout
    • Hotel Guest
    Mike Funk
    • The Chicken Man (Hotel Guest)
    Edward Sabol
    Edward Sabol
    • Hero Talent
    Sacha Storto
    • Model
    Shelby Welinder
    • Hotel Guest
    • Direção
      • Myles Kane
      • Josh Koury
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários55

    6,17K
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    Avaliações em destaque

    6cheer88

    It's not really what you would think

    When I came cross the title, I assumed to be psychologically startled and thrilled . Yet, I didn't not expected it's more on the entertaining side like the black comedy.

    We are living in the era of consistently sexual exploitation nowadays. Nothing seemingly shocks us no more than self inflicted horrors. We desensitize our sexual desires into what medias present to us. There is a degree of sadness about that. Because we are no longer excited about anything. This documentary would be a shocking if it was done 20 years ago. Now it's more like a sideshow. I don't discount its value. It's still worth to watch.

    It's about an aging man somehow would like to put his name out there before his final call upon. It's not on any counts of nobility. But in my opinion, the value of examining dark human behaviors might still deserve some attentions . Sociopath to be exact is still something worth to understand. I suspect his long and tedious journal likely containing a lot elaborately fictional stories which just most sociopath would do unsurprisingly . My curiosity is very much contented by the film. I don't think I will be digging into the book any time soon.

    Watch it if you haven't done so. It's actually quite entertaining.
    3frenkrp

    Two narcissists bonking heads.

    This semi-documentary wants us to believe it will present this big, revealing story about a man who observed his motel guests for years through hidden peepholes.

    Instead we get presented a story about one guy saying he is this voyeur and another guy, mister Talese, willing to believe him and choosing to disregard confirmed discrepancies in the story (the more than important dates, anyone?!) in order to write his report and book about the subject matter. Two more than irritating narcissists bonking heads and at the same time working together to get what they crave: attention.

    To me, this dynamic was as vulgair and obscene as the alleged voyeurism that triggered it all in the first place. This documentary isn't worth your time, in my opinion, and i will definetely skip the book and article. The main question that lingers here is: why was this mess of a story even brought out there in the first place?
    6antoniokowatsch

    A tale about two narcissists

    I have to admit, the movie was quite entertaining. But after I was done watching it I realized that this wasn't really a documentary at all. The genre classification for this movie is more of a decoy since the majority of the movie focuses on hearsay and Talese's career. So to claim that this is a documentary is a little bit far fetched.

    At the end of the day there isn't much meat to this story. It's about a guy who used to perv on his customers/guests. That's it. The entire story was divulged in the first 15 minutes. From there the "documentary" took a sharp turn. Focusing mostly on Foos' private life and Talese's past achievements. In my humble opinion the sole intent of this movie is to normalize the kinks of Foos and Talese. They're both questionable characters. And throughout the movie they tried to justify the "immoral" choices that they've made by assuming the role of apologists. Foos wants us to believe that he's a pioneer of some sort. Meanwhile Talese's exploiting the documentary to tell us more about his all so illustrious career.

    The way I see it both are narcissists who found each other because they're wired the same way. For reference: Talese's home is decorated with a deluge of life-sized photos of himself. I think that says it all.

    Foos' motivation for the documentary was to spread the word about his upcoming book. For him it was nothing more than a PR stunt. This is the only noteworthy thing he has ever achieved in his life (which is probably the realization that he himself made at some point, hence the resilience). And the reason why Talese was so interested in this documentary/story was because he's been invested in it for almost 40 years now. He saw this as a the perfect opportunity to end his career with a big bang/story. As we later find out both got more than they bargained for. Some might say it's kismet.
    3altereggo123

    Not true crime. The only crime here is Talese's reporting.

    "Voyeur," a documentary purportedly about an infamous voyeur, should really be titled "Pseudo-Journalist," since what it really demonstrates is what a terrible writer Gay Talese is. It's not "true crime," since so many of the claims in it are debatable or demonstrably false.

    Talese correctly notes that it's dangerous to rely on just once source, but never bothers to check on important alleged facts of this story himself. He seems unfamiliar with Google, only learning from his daughter and others about details readily available online. He never checks property records central to the story and does a sloppy job checking on a crime mentioned by the voyeur, Gerald Foos. He unconvincingly brushes aside key discrepancies on dates.

    At one point, when Foos claims that his Mickey Mantle baseball card is worth a huge sum, Talese laments, "How am I supposed to know if he is lying?" How about looking it up online? Or asking someone knowledgable? His methods are so shoddy, one has to wonder about the rest of his books.

    At another point, explaining why he participated in group sex as part of his research for a book on sex in America, Talese explains that, as a reporter you can't just observe, you have to experience. Really? Did he have to kill anyone as part of his reporting on the mob? Can no one write about war, space exploration, professional sports, medical research, or anything else without being an active participant?

    The documentary begins with him talking about his townhouse in Manhattan and his impeccably tailored suits. He should have spent some of his apparent wealth hiring a research assistant to ensure that what he wrote wasn't garbage. "Voyeur" reveals him wearing the emperor's clothes.
    4fgapmtn

    A sad tale of two unenlightened and unenlightenable aging men

    This is the sad story of two old men who were unable to learn the lessons that a long life should have taught them. Their narcissism is as deep and broad as any adolescent male at the height of their testosterone laced years. Their temperament, in full display, is even worse. If the film has any value, other than exposing the egos of these misanthropes, it's to teach a lesson to the rest of maledom: The true value and reward of maturity and aging is to be found in the seeking of greater wisdom, understanding and kindness -- not in the unending, ever expanding pursuit of materialistic selfishness.

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    • Curiosidades
      In April 2016, Steven Spielberg purchased the rights to create a film based on Foos's life, with director Sam Mendes tapped to direct. The film was canceled in November 2016 after Spielberg and Mendes learned of this documentary feature about the same subject, then in production. In regard to the decision to cancel the film, Mendes expressed frustration that no one had advised them of the documentary's existence, but said: "it has so many things that are wonderful and can only be achieved by a documentary...the story became infinitely more interesting and more complicated, but impossible to tell in a narrative movie."
    • Citações

      Self - Hotel Owner: They couldn't hear me. They couldn't see me. But I could hear them and see them. It's been a secret all these years. It's been a secret for 47 years. Nobody ever will be able to do what I did.

    • Conexões
      Features Psicose (1960)

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    • How long is Voyeur?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 1 de dezembro de 2017 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • 偷窺狂的世界
    • Empresas de produção
      • Brooklyn Underground Films
      • Chicago Media Project
      • Chicago Media Project
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 35 min(95 min)
    • Cor
      • Color
    • Proporção
      • 1.78 : 1

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